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Robotic automation has become ubiquitous in the modern manufacturing landscape, spanning an overwhelming range of processes and applications-- from small scale force-controlled grinding operations for orthopedic joints to large scale composite manufacturing of aircraft fuselages. Smart factories, seamlessly linked via industrial networks and sensing, have revolutionized mass production, allowing for intelligent, adaptive manufacturing processes across a broad spectrum of industries. Against this background, an emerging group of researchers, designers, and fabricators have begun to apply robotic technology in the pursuit of architecture, art, and design, implementing them in a range of processes and scales. Coupled with computational design tools the technology is no longer relegated to the repetitive production of the assembly line, and is instead being employed for the mass-customization of non-standard components. This radical shift in protocol has been enabled by the development of new design to production workflows and the recognition of robotic manipulators as “multi-functional” fabrication platforms, capable of being reconfigured to suit the specific needs of a process. The emerging discourse surrounding robotic fabrication seeks to question the existing norms of manufacturing and has far reaching implications for the future of how architects, artists, and designers engage with materialization processes. This book presents the proceedings of Rob|Arch2014, the second international conference on robotic fabrication in architecture, art, and design. The work contained traverses a wide range of contemporary topics, from methodologies for incorporating dynamic material feedback into existing fabrication processes, to novel interfaces for robotic programming, to new processes for large-scale automated construction. The latent argument behind this research is that the term ‘file-to-factory’ must not be a reductive celebration of expediency but instead a perpetual challenge to increase the quality of feedback between design, matter, and making. .
Architecture and technology --- Architecture --- Robots, Industrial. --- Building --- Design and technology --- Technological innovations --- Technology and design --- Technology --- Architectural engineering --- Buildings --- Construction --- Construction science --- Engineering, Architectural --- Structural design --- Structural engineering --- Construction industry --- Industrial robots --- Automatic machinery --- Robots --- Technology and architecture --- Architecture, Western (Western countries) --- Building design --- Western architecture (Western countries) --- Art --- Design and construction --- Computer science. --- Robotics and Automation. --- User Interfaces and Human Computer Interaction. --- Diseño --- Robótica y Automatización --- Diseño arquitectónico --- Innovaciones tecnológicas --- Informatics --- Science --- Robotics. --- Automation. --- User interfaces (Computer systems). --- Interfaces, User (Computer systems) --- Human-machine systems --- Human-computer interaction --- Automatic factories --- Automatic production --- Computer control --- Engineering cybernetics --- Factories --- Industrial engineering --- Mechanization --- Assembly-line methods --- Automatic control --- CAD/CAM systems --- Robotics --- Automation --- Machine theory
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Architects, artists, and designers have been fascinated by robots for many decades, from Villemard’s utopian vision of an architect building a house with robotic labor in 1910, to the design of buildings that are robots themselves, such as Archigram’s Walking City. Today, they are again approaching the topic of robotic fabrication but this time employing a different strategy: instead of utopian proposals like Archigram’s or the highly specialized robots that were used by Japan’s construction industry in the 1990s, the current focus of architectural robotics is on industrial robots. These robotic arms have six degrees of freedom and are widely used in industry, especially for automotive production lines. What makes robotic arms so interesting for the creative industry is their multi-functionality: instead of having to develop specialized machines, a multifunctional robot arm can be equipped with a wide range of end-effectors, similar to a human hand using various tools. Therefore, architectural research into robotics is not so much directed at reinventing machines for architectural fabrication, but rather at reusing industrial robots as a well-established basis and adapting them for architectural purposes by developing custom software interfaces and end-effectors. By doing this, architects, artists and designers have advanced from being mere “users” of robots and have successfully emerged as recognized developers and trendsetters in robotic fabrication. This book publishes the proceedings of the fi rst international conference on robotic fabrication in architecture, art, and design, Rob|Arch. .
Architecture -- Technological innovations. --- Art and technology. --- Robots, Industrial. --- Robots, Industrial --- Architecture --- Art and technology --- Mechanical Engineering --- Engineering & Applied Sciences --- Mechanical Engineering - General --- Technological innovations --- Technological innovations. --- Technology and art --- Industrial robots --- Engineering. --- User interfaces (Computer systems). --- Robotics. --- Automation. --- Robotics and Automation. --- User Interfaces and Human Computer Interaction. --- Technology --- Automatic machinery --- Robots --- Computer science. --- Diseño --- Rótica y Automatización --- Diseño arquitectónico --- Innovaciones tecnológicas --- Informatics --- Science --- Interfaces, User (Computer systems) --- Human-machine systems --- Human-computer interaction --- Automatic factories --- Automatic production --- Computer control --- Engineering cybernetics --- Factories --- Industrial engineering --- Mechanization --- Assembly-line methods --- Automatic control --- CAD/CAM systems --- Robotics --- Automation --- Machine theory
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The book presents the proceedings of Rob/Arch 2016, the third international conference on robotic fabrication in architecture, art, and design. The work contains a wide range of contemporary topics, from methodologies for incorporating dynamic material feedback into existing fabrication processes, to novel interfaces for robotic programming, to new processes for large-scale automated construction. The latent argument behind this research is that the term ‘file-to-factory’ must not be a reductive celebration of expediency but instead a perpetual challenge to increase the quality of feedback between design, matter, and making.
Mechanical Engineering - General --- Mechanical Engineering --- Engineering & Applied Sciences --- Architecture and technology --- Architecture --- Robots, Industrial. --- Building --- Design and technology --- Technological innovations --- Technology and design --- Architectural engineering --- Buildings --- Construction --- Construction science --- Engineering, Architectural --- Industrial robots --- Architecture, Western (Western countries) --- Building design --- Western architecture (Western countries) --- Technology and architecture --- Design and construction --- Structural design --- Structural engineering --- Construction industry --- Automatic machinery --- Robots --- Art --- Technology --- Computer science. --- Robotics and Automation. --- User Interfaces and Human Computer Interaction. --- Diseño --- Robótica y automatización --- Diseño arquitectónico --- Innovaciones tecnológicas --- Informatics --- Science --- Robotics. --- Automation. --- User interfaces (Computer systems). --- Interfaces, User (Computer systems) --- Human-machine systems --- Human-computer interaction --- Automatic factories --- Automatic production --- Computer control --- Engineering cybernetics --- Factories --- Industrial engineering --- Mechanization --- Assembly-line methods --- Automatic control --- CAD/CAM systems --- Robotics --- Automation --- Machine theory --- User interfaces. --- Engineering. --- Industrial arts
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