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"From the 1950s through the 1970s, disaster films were among the most popular of any genre. This book is a guide to disaster films of this golden age. Featuring interviews as well as vintage photos, lobby cards, and production stills, The Golden Age of Disaster Films a fascinating look into the genre of disaster cinema"--
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Disaster films --- Films-catastrophes --- History and criticism --- Histoire et critique
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Disaster films --- Homosexuality and motion pictures. --- History and criticism.
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Disaster Cinema in Historical Perspective: Mediations of the Sublime is a genuine and original contribution to the fields of art history and cinema studies as well as to discussions on the concept of the sublime in the field of aesthetics. It is well-organized, well-informed, and lucidly written and draws on an impressive body of empirical and theoretical materials. As importantly, it is critical and nuanced in its claims and assertions, leaving ample room for discussion and counter-argument
Disaster films --- Sublime, The, in motion pictures --- Motion pictures --- History and criticism. --- Aesthetics
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How do we experience disaster films in cinema? And where does disaster cinema come from? The two questions are more closely related than one might initially think. For the framework of the cinematic experience of natural disasters has its roots in the mid-eighteenth century when the aesthetic category of the sublime was re-established as the primary mode for appreciating nature's violent forces. In this book, the sublime is understood as a complex and culturally specific meeting point between philosophical thought, artistic creation, social and technical development, and popular imagination. On the one hand, the sublime provides a receptive model to uncover how cinematic disaster depictions affect our senses, bodies and minds. On the other hand, this experiential framework of disaster cinema is only one of the most recent agents within the historical trajectory of sublime disasters, which is traced in this book among a broad range of media: from landscape and history painting to a variety of pictorial devices like Eidophusikon, Panorama, Diorama, and, finally, cinema.
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In Apocalyptic Dread, Kirsten Moana Thompson examines how fears and anxieties about the future are reflected in recent American cinema. Through close readings of such films as Cape Fear, Candyman, Dolores Claiborne, Se7en, Signs, and War of the Worlds, Thompson argues that a longstanding American apocalyptic tradition permeates our popular culture, spreading from science-fiction and disaster films into horror, crime, and melodrama. Drawing upon Kierkegaard's notion of dread—that is, a fundamental anxiety and ambivalence about existential choice and the future—Thompson suggests that the apocalyptic dread revealed in these films, and its guiding tropes of violence, retribution, and renewal, also reveal deep-seated anxieties about historical fragmentation and change, anxieties that are in turn displaced onto each film's particular "monster," whether human, demonic, or eschatological.
Apocalypse in motion pictures. --- Science fiction films --- Disaster films --- Horror films --- Catastrophe films --- Disaster movies --- Motion pictures --- Apocalypse as a theme in motion pictures --- History and criticism.
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The imagining of disaster has intensified across a wide range of media entertainment formats and genres in recent years and themes of disaster are regularly deployed in fictional films, television drama series, drama-documentaries, comic books and video games. This being the case, it is therefore vital that film and media scholars pay attention to the ways in which disaster is presented to us, to the figurative strategies employed, to the representational history of disaster in media, to the ...
Disaster films --- Disasters --- Calamities --- Catastrophes --- Curiosities and wonders --- Accidents --- Hazardous geographic environments --- Catastrophe films --- Disaster movies --- Motion pictures --- History and criticism --- Press coverage
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It may be said that every trauma is two traumas or ten thousand-depending on the number of people involved. How one experiences and reacts to an event is unique and depends largely on one's direct or indirect positioning, personal psychic history, and individual memories. But equally important to the experience of trauma are the broader political and cultural contexts within which a catastrophe takes place and how it is "managed" by institutional forces, including the media. In Trauma Culture, E. Ann Kaplan explores the relationship between the impact of trauma on individuals and on entire cultures and nations. Arguing that humans possess a compelling need to draw meaning from personal experience and to communicate what happens to others, she examines the artistic, literary, and cinematic forms that are often used to bridge the individual and collective experience. A number of case studies, including Sigmund Freud's Moses and Monotheism, Marguerite Duras' La Douleur, Sarah Kofman's Rue Ordener, Rue Labat, Alfred Hitchcock's Spellbound, and Tracey Moffatt's Night Cries, reveal how empathy can be fostered without the sensationalistic element that typifies the media. From World War II to 9/11, this passionate study eloquently navigates the contentious debates surrounding trauma theory and persuasively advocates the responsible sharing and translating of catastrophe.
Culture in motion pictures. --- Disaster films - History and criticism. --- Disaster films -- History and criticism. --- Literature, Modern - 20th century - History and criticism. --- Literature, Modern -- 20th century -- History and criticism. --- Psychic trauma in literature. --- Psychic trauma in motion pictures. --- Terrorism in motion pictures. --- Terrorism in motion pictures --- Disaster films --- Psychic trauma in motion pictures --- Psychic trauma in literature --- Literature, Modern --- Culture in motion pictures --- Film --- Music, Dance, Drama & Film --- Motion pictures --- Modern literature --- Arts, Modern --- Disasters in motion pictures --- History and criticism --- History and criticism. --- 791.41 --- 9/11 --- Deren Maya --- Duras Marguerite --- film --- film en psychoanalyse --- Freud Sigmund --- Hitchcock Alfred --- Irak --- Kofman Sarah --- Moffatt Tracey --- oorlogen --- postkolonialisme --- psychoanalyse --- psychologie --- Rwanda --- Spellbound --- terrorisme --- trauma's --- Social psychology --- Sociology of culture --- Mass communications --- Literature --- Disaster films - History and criticism --- Literature, Modern - 20th century - History and criticism
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Climatic changes. --- Climatic changes in mass media --- Disasters in literature --- Disaster films --- Natural disasters --- Climat --- Catastrophes dans la littérature --- Films-catastrophes --- Catastrophes naturelles --- History and criticism. --- Changements --- Changements, dans les médias --- Histoire et critique
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