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Demand, Thomas --- kunst --- installaties --- fotografie --- Demand Thomas --- eenentwintigste eeuw --- 77.071 DEMAND --- 7.071 DEMAND --- Demand, Thomas, --- Demand, Thomas Cyrill, --- Exhibitions --- Staged photography --- Directorial photography --- Fabricated photography --- Photography, Artistic
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From as early as 1839, artists began exploring photography's enormous potential for storytelling and often went to great lengths to create pictures for the camera. Here, a short introductory essay summarizes the history of staged photogaphy, highlighting key debates on the medium's blunt factuality and its capacity for deception.
Staged photography --- Trick photography --- Photography, Artistic --- History --- 77.041 --- eenentwintigste eeuw --- enscenering --- fotografie --- fotografie en schilderkunst --- negentiende eeuw --- tableaux vivants --- twintigste eeuw --- Photographic amusements --- Photography, Trick --- Photography --- Directorial photography --- Fabricated photography --- Special effects --- Staged photography - History --- Trick photography - History --- Photography, Artistic - History
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In het najaar van 1985 kwam een einde aan een reeks bloedige overvallen op Belgische supermarkten gepleegd door de "Bende van Nijvel". Achtentwintig mensen lieten daarbij het leven. De vader van Jan Roseel (1979) was een van hen. Dit boek is Jan Rosseels persoonlijke zoektocht naar de Bende van Nijvel, opgebouwd uit foto's en documenten, herinneringen en referenties.
Criminology. Victimology --- History of Belgium and Luxembourg --- photography [process] --- fotografie --- Photography --- anno 1980-1989 --- Rosseel, Jan --- Exhibitions --- Crime in art --- Staged photography --- Photojournalism --- 761.2 fotografen afzonderlijk --- fotografen --- reportagefotografie (documentaire fotografie) --- fotojournalistiek --- fictie --- storytelling --- misdaad --- België --- 20e eeuw (twintigste eeuw) --- eighties --- Camera journalism --- Editorial photography --- Journalism, Camera --- Journalistic photography --- News photography --- Photo journalism --- Photography, Journalistic --- Photography for the press --- Press photography --- Commercial photography --- Journalism --- Illustrated periodicals --- Directorial photography --- Fabricated photography --- Photography, Artistic --- Rosseel, Jan, --- Photographie --- Photographie de reportage --- Mort --- Délinquance --- Pathologie urbaine --- Sociologie --- Vanfleteren, Stephan
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The 'V&A Photography Library' is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the V&A's photography collection, the oldest held by a public museum and one of the largest and finest in the world, now expanded with acquisitions from the Royal Photographic Society collection. Written by Marta Weiss, Assistant Curator of Photographs at the V&A, and publishing to coincide with the launch of the V&A's new Photography Centre in autumn 2018, 'Making it Up' shows how, throughout its history, photography has been used to depict fiction as well as fact. With c. 100 photographs supported by extended commentaries and an introduction of about 1,500 words, Making It Up illustrates that, though we often recognize the staged, constructed or the tableau as a feature of contemporary art photography, this way of working is almost as old as the practice itself. Presenting work from the earliest through to the most contemporary of photographers, Making It Up puts paid to the fallacy that `the camera never lies', proving that quite the opposite may be true. Remarkable in themselves, these photographic fictions, whether created by early practitioners such as Lewis Carroll or Roger Fenton, internationally renowned artists such as Cindy Sherman and Jeff Wall, or contemporary figures such as Hannah Starkey and Bridget Smith, find new and intriguing relevance in our so-called "post-truth" age.
Staged photography --- 760.4 --- fotografie --- portretfotografie --- fictie --- mise-en-scène --- Directorial photography --- Fabricated photography --- Photography, Artistic --- fotografie als kunst --- Victoria and Albert Museum --- Victoria & Albert museum --- V&A --- South Kensington museum --- Museum of manufactures --- Exhibitions --- Photograph collections --- V & A Photography Centre (London, England) --- Victoria & Albert Museum --- Viktoria und Albert Museum --- Great Britain. --- V & A (Museum) --- Muzeʼon Ṿiḳṭoryah-Alberṭ --- Muzeĭ Viktorii i Alʹberta --- Музей Виктории и Альберта --- South Kensington Museum --- Science Museum (Great Britain) --- Museum of Ornamental Art --- Staged photography - Catalogs --- Photograph collections - England - London - Catalogs
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Composition (Photography) --- Staged photography --- 77.041 --- Antin Eleanor --- Barney Tina --- Bayard Hippolyte --- Blumenfeld Erwin --- Cahun Claude --- Cameron Julia Margaret --- Crewdson Gregory --- Day F. Holland --- Demand Thomas --- Doisneau Robert --- eenentwintigste eeuw --- enscenering --- Evans Frederick H --- Fenton Roger --- Ferran Anne --- fotografie --- Hanson Duane --- Kells Harold F --- Man Ray --- Meatyard Ralph Eugene --- Michals Duane --- Morimura Yasumasa --- Mortensen William --- negentiende eeuw --- Nes Adi --- Outerbridge Paul --- Prout Victor Albert --- Ray Man --- Rejlander Oscar Gustave --- Robinson Henry Peach --- Sherman Cindy --- Shonibare Yinka --- Talbot William Henry Fox --- Thompson Warren --- twintigste eeuw --- Viola Bill --- Wall Jeff --- Weems Carrie Mae --- Weston Edward --- Directorial photography --- Fabricated photography --- Photography, Artistic --- Photographic composition --- Photography --- History --- Composition --- Exhibitions --- theater [discipline] --- photography [process] --- theater
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