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Whether you choose to call it file sharing, copyright infringement, or digital piracy, downloading non-licensed music, movies, software, and other forms of digital content is common worldwide. Despite the widespread nature of this phenomenon, much remains unknown about it. Is "digital piracy" truly having a negative impact on society? Does enforcement actually deter would-be downloaders? Gunter examines these issues, providing both an analysis of the historical aspects of copyright and of newly collected data on downloaders. Her findings lead into a critique of the pros and cons of the current state of copyright law and enforcement.
Computer file sharing --- Computer files --- Digital file sharing --- Electronic file sharing --- File sharing, Computer --- P2P file sharing --- Peer-to-peer file sharing --- Sharing, Computer file --- Peer-to-peer architecture (Computer networks) --- Law and legislation. --- Social aspects --- Sharing
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Computer networks --- Computer software --- Computer file sharing --- Computer files --- Digital file sharing --- Electronic file sharing --- File sharing, Computer --- P2P file sharing --- Peer-to-peer file sharing --- Sharing, Computer file --- Peer-to-peer architecture (Computer networks) --- Cyberspace --- Law and legislation --- Sharing --- Economic law
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Space debris --- Cryptography --- Computer file sharing --- Mechanical Engineering --- Engineering & Applied Sciences --- Aeronautics Engineering & Astronautics --- Tracking --- Computer files --- Digital file sharing --- Electronic file sharing --- File sharing, Computer --- P2P file sharing --- Peer-to-peer file sharing --- Sharing, Computer file --- Cryptanalysis --- Cryptology --- Secret writing --- Steganography --- Flight tracking --- Space tracking --- Sharing --- Peer-to-peer architecture (Computer networks) --- Signs and symbols --- Symbolism --- Writing --- Ciphers --- Data encryption (Computer science) --- Tracking (Engineering) --- Cryptography. --- Computer file sharing. --- Tracking.
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In the past fifteen years, file sharing of digital cultural works between individuals has been at the center of a number of debates on the future of culture itself. To some, sharing constitutes piracy, to be fought against and eradicated. Others see it as unavoidable, and table proposals to compensate for its harmful effects. Meanwhile, little progress has been made towards addressing the real challenges facing culture in a digital world.
Computer file sharing --- Creation (Literary, artistic, etc.) --- Intellectual property --- Information society --- Social aspects --- Economic aspects --- Sociology --- Information superhighway --- IP (Intellectual property) --- Proprietary rights --- Rights, Proprietary --- Intangible property --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Computer files --- Digital file sharing --- Electronic file sharing --- File sharing, Computer --- P2P file sharing --- Peer-to-peer file sharing --- Sharing, Computer file --- Peer-to-peer architecture (Computer networks) --- Law and legislation --- Sharing --- Information society. --- Social aspects. --- Economic aspects. --- Intellectual property Social aspects --- Computer file sharing. --- Internet
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Today's economic system, premised on the sale of physical goods, does not fit the information age in which we live. The capitalist order requires the maintenance of an artificial scarcity in goods that have the potential for near infinite and almost free replication. The sharing of informational goods through distributed global networks ' digital libraries, file'sharing, live'streaming, free software, free'access publishing, the free'sharing of scientific knowledge, and open-source pharmaceuticals ' not only challenges the dominance of a scarcity'based economic system, but also enables a more efficient, innovative, just and free culture. In a series of seven explorations of contemporary sharing, Matthew David shows that in each case sharing surpasses markets, private ownership and intellectual property rights in fostering motivation, creativity, innovation, production, distribution and reward. In transforming the idea of an information economy into an information society, sharing connects struggles against inequality and poverty in developed and developing countries. Challenging taken-for-granted justifications of the status quo, Sharing debunks the 'tragedy of the commons' and makes the case for digital network sharing as a viable mode of economic counterpower, prefiguring a post'capitalist society.
Information technology --- Computer file sharing --- Cultural industries. --- Property. --- Intellectual property. --- Capitalism. --- Technologie de l'information --- Industries culturelles --- Propriété --- Propriété intellectuelle --- Capitalisme --- Economic aspects. --- Aspect économique --- Partage de fichiers (Informatique) --- Economic aspects --- Market economy --- Economics --- Profit --- Capital --- Intellectual property --- IP (Intellectual property) --- Proprietary rights --- Rights, Proprietary --- Intangible property --- Property --- Possession (Law) --- Things (Law) --- Wealth --- Creative industries --- Culture industries --- Industries --- Computer files --- Digital file sharing --- Electronic file sharing --- File sharing, Computer --- P2P file sharing --- Peer-to-peer file sharing --- Sharing, Computer file --- Peer-to-peer architecture (Computer networks) --- Law and legislation --- Sharing --- Cultural industries --- Capitalism --- Propriété --- Propriété intellectuelle --- Aspect économique --- Primitive property --- Information technology - Economic aspects --- Computer file sharing - Economic aspects
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With the rise of the smart phone and social media, cameras have become ubiquitous, infiltrating nearly every aspect of social life. The glowing camera screen is the lens through which many of us communicate our experience. But our thinking about photography has been slow to catch up; this major fixture of everyday life is still often treated in the terms of art or journalism. The author, a social theorist, develops bold new ways of understanding photography in the age of social media now that many new kinds of image have emerged: the selfie, the faux-vintage photo, the self-destructing image, the food photo. These new visual forms - and the devices and platforms that facilitate them - have remade the world and our understanding of ourselves within it.
Photography --- Vernacular photography --- Computer file sharing --- Online social networks --- fotografie --- fotografietheorie --- fotografiegeschiedenis --- sociologie --- nieuwe media --- sociale media --- internet --- kunstfilosofie --- cultuurfilosofie --- cultuursociologie --- 77.01 --- Electronic social networks --- Social networking Web sites --- Virtual communities --- Social media --- Social networks --- Sociotechnical systems --- Web sites --- Computer files --- Digital file sharing --- Electronic file sharing --- File sharing, Computer --- P2P file sharing --- Peer-to-peer file sharing --- Sharing, Computer file --- Peer-to-peer architecture (Computer networks) --- Philosophy --- Social aspects --- Sharing --- Communities, Online (Online social networks) --- Communities, Virtual (Online social networks) --- Online communities (Online social networks) --- Photography - Philosophy --- Photography - Social aspects
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In the first book-length examination of Instagram, Tama Leaver, Tim Highfield and Crystal Abidin trace how this quintessential mobile photography app has developed as a platform and a culture. They consider aspects such as the new visual social media aesthetics, the rise of Influencers and new visual economies, and the complex politics of the platform as well as examining how Instagram's users change their use of the platform over time and respond to evolving features. The book highlights the different ways Instagram is used by subcultural groups around the world, and how museums, restaurants and public spaces are striving to be 'Insta-worthy'. Far from just capturing milestones and moments, the authors argue that Instagram has altered the ways people communicate and share, while also creating new approaches to marketing, advertising, politics and the design of spaces and venues
Online social networks --- Photography --- Computer file sharing --- Digital techniques --- Social aspects --- Instagram (Firm) --- Online social networks. --- Computer file sharing. --- Social aspects. --- Mass communications --- visual culture --- #SBIB:309H103 --- #SBIB:309H040 --- #SBIB:309H1713 --- Computer files --- Digital file sharing --- Electronic file sharing --- File sharing, Computer --- P2P file sharing --- Peer-to-peer file sharing --- Sharing, Computer file --- Peer-to-peer architecture (Computer networks) --- Electronic social networks --- Social networking Web sites --- Virtual communities --- Social media --- Social networks --- Sociotechnical systems --- Web sites --- Digital techniques&delete& --- Mediatechnologie / ICT / digitale media: sociale en culturele aspecten --- Populaire cultuur algemeen --- Mediatechnologie: nieuwe toepassingen (abonnee-televisie, electronic mail, desk top publishing, virtuele realiteit...) --- Sharing --- Populaire cultuur algemeen. --- Mediatechnologie / ICT / digitale media: sociale en culturele aspecten. --- Mediatechnologie: nieuwe toepassingen (abonnee-televisie, electronic mail, desk top publishing, virtuele realiteit...). --- Instagram (Firm). --- Photography - Digital techniques - Social aspects --- Communities, Online (Online social networks) --- Communities, Virtual (Online social networks) --- Online communities (Online social networks)
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