Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving exhibition focuses on the passing of time, tracing a diverse and poignant journey through over 150 years of conflict around the world, since the invention of photography. In an innovative move, the works are ordered according to how long after the event they were created from moments, days and weeks to decades later. Photographs taken seven months after the fire bombing of Dresden are shown alongside those taken seven months after the end of the First Gulf War. Images made in Vietnam 25 years after the fall of Saigon are shown alongside those made in Nakasaki 25 years after the atomic bomb. The result is the chance to make never-before-made connections while viewing the legacy of war as artists and photographers have captured it in retrospect. The immediate trauma of war can be seen in the eyes of Don McCullin's Shell-shocked US Marine 1968, while the destruction of buildings and landscapes are documented by Simon Norfolk's Afghanistan: Chronotopia 2001. Different conflicts will also reappear from multiple points in time throughout the exhibition. The Second World War for example is addressed in Jerzy Lewczynski's 1960 photographs of the Wolf's Lair / Adolf Hitler's War Headquarters, Shomei Tomatsu's images of objects found in Nagasaki, Kikuji Kawada's epic project The Map made in Hiroshima in the 1960s, Michael Schmidt's Berlin streetscapes from 1980 and Nick Waplington's 1993 close-ups of cell walls from a Prisoner of War camp in Wales. The exhibition is staged to coincide with the 2014 centenary and concludes with new and recent projects by British, German, Polish and Syrian photographers which reflect on the First World War a century after it began.--Tate website.

fotografie --- documentaire fotografie --- reportagefotografie --- oorlogsfotografie --- landschapsfotografie --- twintigste eeuw --- eenentwintigste eeuw --- negentiende eeuw --- Delahaye Luc --- Broomberg Adam --- Chanarin Oliver --- McCullin Don --- Fukada Toshio --- Norfolk Simon --- Eiichi Matsumoto --- Andrieu Jules --- Antony-Thouret Pierre --- Fenton Roger --- Ristelhueber Sophie --- Peter Richard --- Matar Diana --- Lhuisset Emeric --- Barnard George N. --- Ractliffe Jo --- Goldberg Jim --- Khelif Kamel --- Friedrich Ernst --- Raad Walid --- Vaux Marc --- Domon Ken --- Lewczynski Jerzy --- Simon Taryn --- Tomatsu Shohei --- Lê An-My --- Shunk-Kender --- Shunk Harry --- Kender Janos --- Kawada Kikuji --- Virilio Paul --- Schulz-Dornburg Ursula --- Meiselas Susan --- Ishiguro Kenji --- Schmidt Michael --- Tsuchida Hiromi --- Waplington Nick --- Rosefeldt Julian --- Penalva Joao --- Wilson Jane --- Wilson Louise --- Serpytytè Indrè --- Araki Nobuyoshi --- Shore Stephen --- Madejska Agata --- Sarkissian Hrair --- Dewe Mathews Chloe --- 766.6 --- reportagefotografie (documentaire fotografie) --- Oorlogsfotografie --- 77.044 --- persfotografie en fotoreportage --- Barnard George N

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

What does landscape mean today? Still the romantic ideal of a diversified natural, agricultural and settlement area? Modern landscapes today are often 'non-places'. They bear traces of economic interventions, changing demarcations, are marked by displacement and war as well as by urban sprawl and mining. Quite often, only a kind of residual nature remains, where a few ruins tell of historical events. Barren landscapes that speak of past violence are degraded to (illustrative) material. At the same time, (war) memories are visibly embodied in architectural monuments from the 20th century. In this exhibition and in numerous contributions to the extensive book, 24 artists and artist groups bring the theme of landscape to life. Landscapes between fiction, symbolism and documentation are presented, and they appeal to our ability to read and decipher these images--and, quite naturally, call upon our imagination and our ability to feel empathy.

Art --- topographical views --- landscapes [representations] --- Tomić, Milica --- Vrancken, Kristof --- Sitar, Larisa --- Veys, Danny --- Poschmann, Marion --- Popp, Steffen --- Virilio, Paul --- Rubens, Peter Paul --- Goes, van der, Marinus Robyn --- Unknown Fields Division --- 766.4 --- antropoceen --- Benera, Anca --- Estefan, Arnold --- Bleutge, Nico --- Bran, Lucian --- Braun, Axel --- Brunner, Helwig --- Christofides, Marianna --- Delahaye, Luc --- Dewe Mathews, Chloe --- ecologie --- von Droste-Hülshoff, Annette --- Einsele, Lukas --- Falb, Daniel --- Gaillard, Cyprien --- Gherca, Dani --- Heinlein, Anne --- Gnaudschun, Göran --- Ilfoveanu, Nicu --- Karstiess, Markus --- Kellner, Thomas --- Kempenaers, Jan --- Kiefer, Anselm --- Kling, Thomas --- Poëzie(gedichten) --- Konrad, Aglaia --- Kriemann, Susanne --- conceptuele kunst --- Lange, Norbert --- Linke, Armin --- Antonas, Aristide --- Blaschke, Estelle --- Mosse, Richard --- Mühe, Andreas --- Müller, Heine --- Muresan, Ciprian --- Nash, Paul --- Navratil, Alexandra --- Rusu, Cristian --- installaties --- architectuurfotografie --- reportagefotografie (documentaire fotografie) --- Tomic, Milica --- Sans Souci Collective --- Unkown Fields --- oudstudenten --- docenten LUCA --- fotografie --- landschap --- landschapsfotografie --- documentaire fotografie --- twintigste eeuw --- eenentwintigste eeuw --- 77.047 --- Documentaire fotografie --- Landsc --- Fotografie ; landschappen, zeegezichten, panorama's, natuuropnamen --- Exhibitions --- installations [visual works] --- film [performing arts] --- photography [process] --- site-specific works --- authors --- Droste-Hülshoff, von, Annette --- Karstieß, Markus --- Mureşan, Ciprian --- Müller, Heiner --- Ghercǎ, Daniel --- Bordeianu, Bogdan --- Anca Benera and Arnold Estefán --- multiplicity --- Multiplicity [Milan] --- Saito, Takako --- Landscapes in art --- Landscapes --- Arts, Modern --- Art, Modern --- Symbolic aspects --- Themes, motives --- Landscapes in art - Exhibitions --- Landscapes - Symbolic aspects - Exhibitions --- Arts, Modern - 21st century - Themes, motives - Exhibitions --- Art, Modern - Themes, motives --- Landscapes - Symbolic aspects --- film [discipline]