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Dessin à main levée

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A practical guide for the beginner or advanced student developed from over 35 years of teaching. This manual originated as a series of daily lessons for Vilppu's animation students on his annual sketching tours of Europe.

Croquis --- Dessin à main levée

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Sketching has been used by generations of artists as a way of quickly capturing something they see, working out concepts, or planning a final composition. They are generally not used as a final rendered image. We have gathered together twenty "Master" sketchers who have taken sketching to the next level. They will take you, step-by-step, through their process, sharing their creative insight along the way. So, whether you want to improve your drawing or you are just starting out, Masters of Sketching is an outstanding collection of useful tutorials and inspiring images. -- Provided by publisher.

Dessin --- Dessin à main levée

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Au cours de l'été 1925, A. Y. Jackson a passé le plus clair de ses vacances au Québec à dessiner dans l'île d'Orléans et la région alentour en compagnie d'Arthur Lismer, autre membre du Groupe des Sept, et de l'ethnologue Marius Barbeau. Dasn son oeuvre, le Québec tient une place de choix que sa nièce, l'historienne d'art Naomi Groves Jackson, nous présente par l'entremise des dessins qu'il en a rapportés. L'auteure nous fait pénétrer dans la pensée créatrice de cet artiste unique dans l'histoire de l'art au Canada grâce à des documents visuels et à des anecdotes du plus haut intérêt sur son séjour dans cette région. "Un été au Québec en 1925" comprend une soixantaine de reproductions en noir et blanc de dessins d'A. Y. Jackson. En fait, la plupart d'entre eux sont des études pour des tableaux à l'huile qu'il exécutera par la suite.

Dessin à main levée --- Québec

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Tiré du site Internet de Nieves: "Steinberg's four long drawings were produced for the Children's Labyrinth, a spiraling, trefoil wall structure at 10th Triennial of Milan, a design and architecture fair that opened in August 1954. The drawings were photographically enlarged and incised into the wall. The Line, which begins and ends with a hand drawing, is Steinberg's manifesto about the conceptual possibilities of the line and the artist who gives them life. As the horizontal line shifts meaning from one passage to the next - water line, laundry line, railroad track, among others - it comments on its own transformative nature. The Line occupied one of the structure's three leaves, while the other two hosted Types of Architecture, Shores of the Mediterranean, and Cities of Italy. Types of Architecture is a satirical survey of world architecture (Steinberg was trained as an architect in Milan), from America's log cabins to Bauhaus exaggerations to fragile skyscrapers. Shores of the Mediterranean presents a sailor's-eye-view of the Mediterranean coastline, filled with the ruins and renascences of successive civilizations. The Italy Steinberg knew as a student in the 1930s resonates in Cities of Italy, as the inked line, drawn with the artist's usual spare elegance, imagines an urban sprawl of campaniles, factories, piazzas, apartment houses, curlicued domes, and a water tank that seems to have escaped from a carnival."

Steinberg, Saul --- Dessin à main levée --- Graphisme