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Josquin des Prez and his musical legacy : an introductory guide
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ISBN: 9789462702851 Year: 2021 Publisher: Leuven Leuven University Press

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Josquin des Prez and His Musical Legacy is the most up-to-date contribution to the research on one of the most important and internationally famous composers of the Renaissance. This monograph offers factual information on the composer as well as insights into his 16th-century and modern reception, a survey of the sources of his music, and a discussion of the thorny issue of authorship. Willem Elders, one of the most distinguished scholars of Josquin's music, also discusses the influence of Gregorian chant as a source of inspiration and explains the various aspects of Josquin's symbolic language. Each individual work (including some of those in the old Josquin edition now considered inauthentic) receives a short discussion of relevant contextual aspects and interesting musical features. Ranges and lengths are given for each work. The style is adapted to the professional musicologist as well as to the 'music lover' and performer.


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Missa Pange Lingua

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Muziek uit de Middeleeuwen : Josquin des Prez, Giovanni Pierluigi da Palestrina, John Dowland

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Josquin des Prez and his musical legacy : an introductory guide
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ISBN: 9789058679413 Year: 2013 Publisher: Leuven : Leuven University Press,

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Die Motette Benedicta es von Josquin des Prez und die Messen super Benedicta von Willaert, Palestrina, de la Hêle und de Monte. Proefschrift ter verkrijging van de graad van doctor in de letteren en wijsbegeerte aan de Rijksuniversiteit te Utrecht... te verdedigen op Vrijdag 13 Juli 1951...
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Year: 1951 Publisher: Utrecht Wed. J. R. Van Rossum


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Zwischen Kanon und Geschichte : Josquin im Deutschland des 16. Jahrhunderts
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ISBN: 9782503569154 2503569153 Year: 2016 Volume: *45 Publisher: Turnhout, Belgium Brepols

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Das Nachleben des Renaissance-Komponisten Josquin Desprez im deutschen Sprachraum des 16. Jahrhunderts dargestellt anhand verschiedener wesentlicher 'Rezeptionsparadigmen'. 0No other composer before Josquin Desprez (c. 1450?1521) was appreciated in such a broad way, especially beyond elitist musician circles. It is not for nothing that his influential 16th-century afterlife has been compared to the afterlife of Beethoven in the 19th century. 0The present study investigates the German speaking areas where the reception of Josquin was enormously rich. The sources led to an outline by 'reception paradigms'. These paradigms? canonisation, heroisation, literarisation and historicisation? reveal the rootage of Josquin's reception in 16th century cultural history and point especially to the importance of humanistic circles for the estimation of musical authorship and polyphonic art music. 0Accordingly, a wide field of sources and protagonists was considered, ranging from musical manuscripts to humanistic panegyrics, from composers and music theorists to theologians, rhetoricians and philosophers? among them the church reformer Philipp Melanchthon, who valued Josquin at eye level with Homer, Caesar, and Ovid, thus with the greatest names of intellectual and cultural history at that time.


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Josquin des Prez.
Authors: ---
ISBN: 0193152290 9780193152298 Year: 1976 Publisher: London Oxford university

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This volume constitutes the report of the 1971 International Josquin Festival Conference held at the Julliard School of Music in New York City. The papers assembled this collection are an elegant tribute to the study of Josquin and address biographical information, source studies, style and analysis, studies on genres, individual works, performance practice, performance and interpretation, and problems in editing Josquin's music.


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Music and patronage in the court of René d'Anjou : sacred and secular music in the literary program and ceremonial
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ISBN: 9780866985536 0866985530 Year: 2017 Volume: 498 Publisher: Tempe, Arizona Arizona Center for Medieval and Renaissance Studies

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This study is based on newly recovered documentation pertaining to music and the patronage of music in the court of René d'Anjou, especially on the singers of his chapel. The book includes unpublished notarial records of Josquin Desprez and other musicians. These findings -- some of which alter our assessment of musicians' biographies and service, primary sources, and repertoire -- are considered in the context the literary program, theatrical productions, visual culture, liturgical observance, and ceremonial of the court.

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