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book (5)


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Book
Thomas Demand catalogue and exhibition : 2001/2002
Authors: ---
ISBN: 0934324301 9780934324304 Year: 2001 Publisher: Aspen, Colorado Aspen art museum

Thomas Demand.
Authors: ---
ISBN: 0870700804 Year: 2005 Publisher: New York (N.Y.) Museum of modern art


Book
Art, fashion, and work for hire : Thomas Demand, Peter Saville, Hedi Slimane, Hans Ulrich Obrist and Cristina Bechtler in conversation
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ISBN: 3211757880 3211757872 Year: 2008 Publisher: Springer Vienna


Book
The complete papers
Authors: --- ---
ISBN: 9781910164907 1910164909 Year: 2018 Publisher: London] MACK

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Abstract

The Complete Papers' is an extensive catalogue raisonné of major artist Thomas Demand. Encompassing previously unseen early works from 1990 to photographs of his most recent installation shown at Fondazione Prada in Milan, this book includes all his images and the primary texts written on his work over the past 25 years. It also presents a new interview with Russell Ferguson, shedding light on Demand's creative practice.


Book
Thomas Demand : model studies I & II
Authors: --- --- --- ---
ISBN: 9783863357801 3863357809 Year: 2015 Publisher: Köln Verlag der Buchhandlung Walther König

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Abstract

Models are generally understood as filtered interpretations of the environment, without the distraction of a multitude of various stimulations. In architecture they lean toward the utopian, showing how much better things could be: neither details nor decay can obfuscate the splendor of the new development on display. My own association with models has often taken advantage of the untouched and timeless quality they can offer. Parallel to those efforts, the materiality and transitory potential of paper and cardboard as such - materials we are all rather familiar with, in terms of makeshift projects and provisional usefulness- have not only moved from the margins of my studio to the center of my attention, but have also prompted a different approach. Looking at the details and the little pockets, edges, and coincidental collocations of the objects in front of me allowed me to emphasize their sculptural potential in an abstracted composition, instead of reading them as identifiable renderings of buildings. Taking this detour, this may well be my most photographic work to date, looking closely at someone else's models and process in a workshop which could be my own - but isn't. (Thomas Demand)

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