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Motion picture producers and directors --- Producteurs et réalisateurs de cinéma --- Delluc, Louis,

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Film --- anno 1900-1999 --- Motion pictures --- Cinéma --- History. --- Histoire --- Charles Boost --- film --- filmclubs --- filmmusea --- Nederland --- filmindustrie --- filmarchieven --- filmkritiek --- Canudo Ricciotto --- Delluc Louis --- experimentele film --- Art houses --- De Uitkijk --- La Sarraz --- Cinéma d'art et d'essai --- 791.43 --- Cinéma --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History --- History and criticism

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Le surgissement de la danse dans les films muets engendre la création d’espaces-temps et de corporéités singuliers. Il en découle une expérience spectatorielle particulière, analysée ici en s’appuyant sur l’attention au geste portée par les écrits critiques de l’époque, principalement ceux de Louis Delluc et Jean Epstein. Mêlant la lecture du geste issue des études en danse à celle des images, voire des sons, venant des études cinématographiques, articulant l’esthétique à l’histoire culturelle, le parcours proposé dans cet ouvrage esquisse le portrait d’une époque moderne en mutation, traversée par des problématiques esthétiques et politiques liées aux bouleversements industriels, à la guerre, aux relations à l’autre et à la place des femmes dans la société ; une époque modelée par une transformation profonde du regard sur le monde et de l’expérience de l’art. Tel est le projet de ce livre : proposer une vue d’ensemble des rapports qui se nouent entre le cinéma et la danse sur les écrans français, de la naissance du cinéma jusqu’à l’institutionnalisation du son synchrone.

Histoire du cinéma --- Danse --- Au cinéma --- Histoire --- Epstein, Jean --- Delluc, Louis --- Critique et interprétation --- Gesture in motion pictures --- Dance in motion pictures, television, etc. --- Choreography --- Human body in motion pictures --- Silent films. --- Erotica. --- Gestes --- Chorégraphie --- Corps humain --- Films muets --- Cinéma --- Modernité. --- Érotisme. --- In motion pictures --- Au cinéma. --- Thèmes, motifs. --- Chorégraphie --- Modernité --- Érotisme --- In motion pictures. --- Dance in motion pictures, television, etc --- Silent films --- Dance in television

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These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.

Richard Abel --- film --- filmtheorie --- Frankrijk --- twintigste eeuw --- 791.41 --- Film criticism --- Motion pictures --- Critique cinématographique --- Cinéma --- History. --- Histoire --- Critique cinématographique --- Cinéma --- 791.43 <44> --- Filmkunst. Films. Cinema--Frankrijk --- Crítica cinematográfica --- Cine --- -Filmkunst. Films. Cinema--Frankrijk --- 791.43 <44> Filmkunst. Films. Cinema--Frankrijk --- -Audio-visual materials --- -791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Historia. --- 791.43.01 --- #SBIB:309H522 --- #SBIB:309H524 --- -Motion pictures --- Filmologie. Filmtheorie. Esthetica van de film --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Motion picture criticism --- Moving-picture criticism --- Criticism --- Audiovisuele communicatie: kritiek --- Audiovisuele communicatie: semiotiek --- History --- History and criticism --- Evaluation --- -Cinema --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Motion pictures. --- Motion picture plays. --- Film criticism. --- Motion picture plays --- History and criticism. --- France. --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- Action française. --- Aeschylus. --- Andrew, Dudley. --- Aragon, Louis. --- Arquillière. --- Barrabas (1920). --- Bergson, Henri. --- Bernstamm, Serge. --- Bloc National government. --- Bonnotgang. --- Boris, Georges. --- Bresson, Robert. --- Bébé series. --- Caille, Alexis. --- Candide. --- Canudo, Ricciotto. --- Castle, Irène. --- Charpentier, Roger. --- Cinéa. --- Cinéopse. --- Comoedia. --- Corneille. --- Crisp, Donald. --- Dadaism. --- Delluc, Louis. --- Derain, Lucie. --- Destiny (1921). --- Dulac, Germaine. --- Dullin, Charles. --- Eagleton, Terry. --- Eisenstein, Sergei. --- Etiévant, Henri. --- Excelsior. --- Faure, Elie. --- Fescourt, Henri. --- Films Albatros. --- Fleg, Edmond. --- Gallimard. --- Gaugin, Paul. --- Grave, Jean. --- Hansen, Miriam. --- Hériat, Philippe. --- Impressionist painting. --- Janowitz, Hans. --- Kaufman, Boris. --- Marxism. --- Nazimova. --- Offenbach, Jacques. --- Paracelsus. --- animated film. --- avant-garde, concept of. --- film industry crisis. --- Accords Matignon. --- Arabesques (1929). --- Artaud, Antonin. --- Bailby, Léon. --- Bancroft, George. --- Baudelaire, Charles. --- Beaumont, Henry. --- Blonde Venus (1932). --- Borger, Lenny. --- Brasillach, Robert. --- Bunuel, Luis. --- Cahiers du film, Les. --- Carné, Marcel. --- Censorship Commission. --- Cheronnet, Louis. --- Ciboulette (1931). --- Cinéma du peuple. --- Cinémagazine. --- Cognasse (1931). --- Comédie française. --- Crainquebille (1923). --- Dalio, Marcel. --- Dekorba, Maurice. --- Doumergue, Gaston. --- Ducaux, Annie. --- Duvivier, Julien. --- Ehrenberg, Ilya. --- Epstein, Jean. --- Epstein, Marie. --- Experimental Cinema. --- Fayard, Arthème. --- Fondane, Benjamin. --- Forfaiture (1937). --- Frankfurt School. --- French Communist Party. --- Hawks, Howard. --- Hepburn, Katherine. --- Hurricane (1937). --- Ivens, Joris. --- Jaubert, Maurice. --- Jezebel (1938). --- Jouvenal, Henry de. --- Madone des sleepings. --- Mon Film. --- Musset, Alfred de. --- Nanook (1922). --- Oedipus Rex. --- amour, Philippe. --- animation film. --- documentary film. --- fascism. --- film: and poetry. --- Farans --- Frant͡ --- Frant͡s Uls --- Frant͡sii͡ --- Frantsuzskai͡a Rėspublika --- Frantsyi͡ --- Pʻŭrangs --- -History --- CINEMA --- CRITIQUE CINEMATOGRAPHIQUE --- THEORIE CINEMATOGRAPHIQUE --- CINEMA FRANCAIS --- FRANCE --- ANTHOLOGIES --- HISTOIRE --- 1907-1929 --- Historia