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Desert islands and other texts 1953-1974
Authors: ---
ISBN: 1584350180 9781584350187 Year: 2004 Publisher: Los Angeles Semiotext(e)


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Chaos, territory, art : Deleuze and the framing of the earth
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ISBN: 9780231145183 0231145187 9780231517874 0231517874 9780231145190 0231145195 Year: 2020 Publisher: New York Columbia University Press

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Abstract

Elizabeth Grosz approaches art as a form of erotic expression connecting sensory richness with primal desire, and in doing so, finds that the meaning of art comes from the intensities and sensations it inspires, not just its intention and aesthetic. By regarding our most cultured human accomplishments as the result of the excessive, nonfunctional forces of sexual attraction and seduction, Grosz encourages us to see art as a kind of bodily enhancement or mode of sensation enabling living bodies to experience and transform the universe. Art can be understood as a way for bodies to augment themselves and their capacity for perception and affection-a way to grow and evolve through sensation. Through this framework, which knits together the theories of Charles Darwin, Henri Bergson, Gilles Deleuze, Félix Guattari, and Jakob von Uexküll, we are able to grasp art’s deep animal lineage.Grosz argues that art is not tied to the predictable and known but to new futures not contained in the present. Its animal affiliations ensure that art is intensely political and charged with the creation of new worlds and new forms of living. According to Grosz, art is the way in which life experiments with materiality, or nature, in order to bring about change.

Cinema 1 : the movement-image.
Author:
ISBN: 9780826477057 Year: 2009 Publisher: London Continuum


Book
Francis Bacon : logica van de gewaarwording
Authors: --- ---
ISBN: 9789490334086 Year: 2015 Publisher: Amsterdam : Octavo,

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Francis Bacon, logica van de gewaarwording verscheen in 1981, toen Gilles Deleuze en Francis Bacon wereldwijd bekendheid genoten. Voor de filosoof Deleuze is Bacon een kunstenaar die ‘prepicturale’ krachten tot uitdrukking wil brengen, een schilder van gewaarwordingen. In zeventien hoofdstukken gaat hij de confrontatie aan met het werk van Bacon door telkens een techniek of stijlelement gedetailleerd in kaart te brengen. Deze afzonderlijke analyses grijpen steeds meer in elkaar en komen uiteindelijk samen in een reflectie op Bacons werk als geheel. De concepten die Deleuze gaandeweg introduceert, geven niet alleen inzicht in de schilderkunst van Francis Bacon, maar vormen ook een onmisbare schakel in Deleuzes filosofische ontwikkeling.

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