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Book
Iconoclasts and their motives.
Author:
ISBN: 9061790565 Year: 1989 Publisher: Maarssen Schwartz


Book
Solvent form
Author:
ISBN: 1526141922 1526129256 9781526129253 9781526141927 1526129248 9781526129246 1526129264 Year: 2019 Publisher: Manchester

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Abstract

This book is about the destruction of art, both in terms of objects that have been destroyed -- lost in fires, floods or vandalism -- and the general concept of art operating through object and form. Through re-examinations of such events as the Momart warehouse fire in 2004 and the activities of art thief Stephane Breitwieser, the book proposes an idea of solvent form hinging on the dual meaning in the words solvent and solvency, whereby art, while attempting to make secure or fixed, simultaneously undoes and destroys through its inception. Ultimately, the book questions what is it that may be perceived in the destruction of art and how we understand it, and further how it might be linked to a more general failure.


Book
Females in the frame : women, art, and crime
Author:
ISBN: 3030446921 9783030207663 3030446913 Year: 2020 Publisher: Cham : Springer International Publishing : Imprint: Palgrave Macmillan,

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Abstract

This book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history.

Keywords

Culture --- Art. --- Culture. --- Gender. --- Crime --- Criminal sociology --- Criminology --- Sociology of crime --- Sociology --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Cultural studies --- Study and teaching. --- Sociological aspects. --- Sociological aspects --- Social aspects --- Female offenders. --- Art thefts --- Art --- History. --- Mutilation, defacement, etc. --- Forgeries. --- Art forgeries --- Forgery of works of art --- Counterfeits and counterfeiting --- Forgery of antiquities --- Defacement of art --- Mutilation of art --- Malicious mischief --- Mutilation --- Vandalism --- Art robberies --- Art stealing --- Plunder of the arts --- Theft --- Delinquent women --- Offenders, Female --- Women --- Women criminals --- Women offenders --- Criminals --- Reproduction --- Defacement --- Thefts --- Motion pictures. --- Arts. --- Crime—Sociological aspects. --- Sociology. --- Audio-Visual Culture. --- Crime and Society. --- Gender Studies. --- Social theory --- Social sciences --- Arts, Occidental --- Arts, Western --- Humanities --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Arts, Primitive --- Art thefts. --- Women criminals. --- Art thieves. --- Thieves, Art --- Thieves

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