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Cecil B. DeMille and American Culture demonstrates that the director, best remembered for his overblown biblical epics, was one of the most remarkable film pioneers of the Progressive Era. In this innovative work, which integrates cultural history and cultural studies, Sumiko Higashi shows how DeMille artfully inserted cinema into genteel middle-class culture by replicating in his films such spectacles as elaborate parlor games, stage melodramas, department store displays, Orientalist world's fairs, and civic pageantry. The director not only established his signature as a film author by articulating middle-class ideology across class and ethnic lines, but by the 1920's had become a trendsetter, with set and costume designs that influenced the advertising industry to create a consumer culture based on female desire. Drawing on a wealth of previously untapped material from the DeMille Archives and other collections, Higashi provides imaginative readings of DeMille's early feature films, viewing them in relation to the dynamics of social change, and she documents the extent to which the emergence of popular culture was linked to the genteel tradition.
Music, Dance, Drama & Film --- Film --- DeMille, Cecil B. --- Criticism and interpretation. --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- DeMille, Cecil Blount, --- De Mille, Cecil B. --- DeMille, Cecil Blount
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Film --- anno 1930-1939 --- Motion pictures --- Films --- Reviews --- Comptes rendus --- #SBIB:309H522 --- film --- filmkritiek --- filmgeschiedenis --- twintigste eeuw --- Garbo Greta --- Ford John --- Cavalcanti Alberto --- Hitchcock Alfred --- Davis Bette --- Lorre Peter --- Marx Brothers --- Astaire Fred --- Rogers Ginger --- Slaughter Tod --- Capra Frank --- De Mille Cecil B. --- Fields W.C. --- Lang Fritz --- 791.43 --- Audiovisuele communicatie: kritiek --- Reviews. --- De Mille Cecil B --- Fields W.C --- Film reviews --- Motion picture plays --- Motion picture reviews --- Movie reviews --- Reviews of motion pictures
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791.43 --- #SBIB:309H1320 --- #SBIB:309H1326 --- film --- Hollywood --- filmgeschiedenis --- Vitagraph --- Griffith David Wark --- Dwan Allan --- King Henry --- Pickford Mary --- Brown Clarence --- Sloman Edward --- Wellman William --- de Mille Cecil B. --- von Sternberg Josef --- Rosher Charles --- camera's --- art direction --- Fairbanks Douglas --- melodrame --- scenario --- Booth Margaret --- Hornbeck William --- stille film --- stunts --- Farrar Geraldine --- Swanson Gloria --- Blythe Betty --- Ben Hur --- producers --- produktie --- filmproductie --- Mayer Louis B. --- Thalberg Irving --- Selznick David O. --- Denny Reginald --- slapstick --- LLoyd harold --- Keaton Buster --- Chaplin Charles --- Gance Abel --- Verenigde Staten --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- de Mille Cecil B --- Mayer Louis B --- Selznick David O --- CDL --- Motion pictures --- Silent films --- Cinéma --- Films muets --- History --- History and criticism --- Histoire --- Histoire et critique
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L'image-mouvement, qui a la singularité d'être à la fois un grand livre philosophique et un grand livre de cinéma, indivisiblement, part de cette idée que si, comme on le dit souvent, l'essence du cinéma c'est le mouvement, l'essence de ce mouvement n'a généralement pas été comprise (sinon intuitivement et pratiquement par les grands cinéastes). Le recours de Deleuze à Bergson balaye l'interprétation phénoménologique réductrice qui a dominé toute approche globale du cinéma depuis la guerre, en rapportant celui-ci aux données abstraites de la "perception naturelle".
Cinétique --- -Gilles Deleuze --- film en semiotiek --- deconstructivisme --- cadrering --- Griffith David Wark --- Vertov Dziga --- Gance Abel --- Bergson Henri --- Beckett Samuel --- Pasolini Pier Paolo --- Rohmer Eric --- Vigo Jean --- Grémillon Jean --- Eisenstein Sergei --- von Sternberg Josef --- Dreyer Carl Theodor --- Bresson Robert --- Minnelli Vincente --- Snow Michael --- von Stroheim Erich --- Buñuel Luis --- expressionisme --- naturalisme --- Vidor King --- Ray Nicholas --- Losey Joseph --- filmgenres --- de Mille Cecil B. --- westerns --- Ford John --- Kazan Elia --- komedies --- Chaplin Charles --- Lubitsch Ernst --- Hawks Howard --- Keaton Buster --- Herzog Werner --- Kurosawa Akira --- Mizoguchi Kenji --- Marx Brothers --- Hitchcock Alfred --- Lumet Sidney --- Cassavetes John --- Altman Robert --- Temporalité --- Sémiotique et cinéma --- -#SBIB:309H520 --- Gilles Deleuze --- tijd --- neorealisme --- Rossellini Roberto --- De Sica Vittorio --- Godard Jean-Luc --- Rivette Jacques --- Ozu Yasujiro --- Peirce C.S. --- Carné Marcel --- Mankiewicz Joseph --- Clair René --- flashback --- musicals --- Donen Stanley --- Lewis Jerry --- Tati Jacques --- Ophuls Max --- Renoir Jean --- Fellini Federico --- Visconti Luchino --- Robbe-Grillet Alain --- Resnais Alain --- Kubrick Stanley --- Duras Marguerite --- Straub Jean-Marie --- Syberberg Hans Jürgen --- Motion pictures --- Philosophy. --- #SBIB:309H520 --- #SBIB:309H524 --- 791.41 --- Artaud Antonin --- film --- filmmuziek --- filmtechniek --- filmtheorie --- filosofie --- geluid --- Italië --- Lang Fritz --- lichamelijkheid --- Nietzsche Friedrich --- nouvelle vague --- Peirce C.S --- Rouch Jean --- semiotiek --- Welles Orson --- 791.43.01 --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Filmologie. Filmtheorie. Esthetica van de film --- Philosophy --- Audiovisuele communicatie: algemene werken --- Audiovisuele communicatie: semiotiek --- Bergman Ingmar --- beweging --- de Mille Cecil B --- montage --- Film --- Theatrical science --- Cinéma --- Philosophie et cinéma --- Temps --- Esthétique --- Au cinéma --- Cinéma --- Philosophie --- Film. --- Philosophie et cinéma. --- Sémiotique et cinéma. --- Esthétique. --- Au cinéma. --- FRANCE. --- CDL --- Motion pictures - Philosophy
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791.45.072 --- Motion picture authorship --- -#SBIB:309H1327 --- Film authorship --- Film-making (Motion pictures) --- Film scriptwriting --- Filmmaking (Motion pictures) --- Motion picture plays --- Motion picture scriptwriting --- Motion picture writing --- Motion pictures --- Movie-making --- Moviemaking --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Authorship --- Screenwriters --- 791.45.072 Filmrecensenten, filmcritici, filmcensuur --- Filmrecensenten, filmcritici, filmcensuur --- History --- Films met een amusementsfunctie en/of esthetische functie: script --- Play-writing --- Tom Stempel ; Foreword by Philip Dunne --- filmstudio's --- McCardell Roy --- Gauntier Gene --- de Mille William --- Woods Frank --- Roach Hal --- Lloyd Harold --- Loos Anita --- Ince Thomas --- Sullivan Charles Gardner --- Mathis June --- Pomeroy Roy --- Zanuck Darryl F. --- Trotti Lamar --- Dunne Philip --- Johnson Nunnally --- Wallis Hal B. --- Robinson Casey --- Mankiewicz Herman J. --- De Mille Cecil B. --- Macpherson Jeanie --- LeBaron William --- Sturges Preston --- Buchman Sidney --- Riskin Robert --- Hecht Ben --- Furthman Jules --- Nichols Dudley --- Mankiewicz Joseph --- Hayes John Michael --- Schulberg Budd --- Lehman Ernest --- Anhalt Edward --- Goldman William --- Chayefsky Paddy --- Tesich Steve --- Newman David --- Benton Robert --- Henry Buck --- auteurtheorie --- Joyce Adrien --- Southern Terry --- Hopper Dennis --- Fonda Peter --- Spielberg Steven --- Coppola Francis Ford --- Lucas George --- Allen Woody --- Brooks Mel --- Simon Neil --- Mazursky Paul --- Hughes John --- Cimino Michael --- Schrader Paul --- Stone Oliver --- Rudolph Alan --- Sayles John --- #SBIB:309H1327 --- United States --- 791.43 --- 791.44 --- Chaplin Charles --- De Mille Cecil B --- dialogen --- film --- film en politiek --- filmgeschiedenis --- Griffith David Wark --- Hitchcock Alfred --- Hollywood --- Keaton Buster --- Mankiewicz Herman J --- scenario --- Sennett Mack --- stille film --- Verenigde Staten --- Wallis Hal B --- Welles Orson --- Zanuck Darryl F
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