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geld --- economie --- bankwezen --- kunst --- handel --- wetgeving --- geschiedenis --- Savonarola, Girolamo --- Botticelli, Sandro --- De' Medici, Lorenzo (il Magnifico) --- De' Medici, Cosimo (I) --- De' Medici, Piero (de Onfortuinlijke) --- De' Medici, Piero (de Jichtige) --- De' Medici, Cosimo (de Oude) --- 14de eeuw --- 15de eeuw --- Firenze

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Résumé en 4ème de couverture: "Vermeer, ou "le sphinx de Delft". Cette exposition, forgée au XIXe siècle, a figé la personnalité de Johannes Vermeer (1632-1675) dans une pose énigmatique et solitaire. Cet ouvrage original permet au contraire de découvrir que ce génie universel s'inscrivait dans un riche réseau d'influences, très loin du splendide isolement avec lequel il fut longtemps associé. La scène de genre élégante hollandaise connaît son âge d'or vers 1650-1680. Cette peinture, mise en scène luxueuse d'activité qui n'ont de quotidiennes que le nom, permet à la République des Provinces-Unies de s'affirmer face aux monarchies. Vermeer en est l'un des maîtres, aux côtés de Gerard Dou, Gerard ter Borch, Frans von Mieris, Gabriel Metsu, Pieter de Hooch... Ces peintres, actifs à Leyde, Deventer, Amsterdam ou Delft, ont eu connaissance du travail des uns et des autres. Leurs rapports alternent hommages, citation détournées, métamorphoses. Vues de la sorte, les sublimations de Vermeer prennent un sens nouveau: celui de ses rejets et des admirations."

Vermeer, Johannes --- Catalogues d'exposition. --- Painting --- genre painters --- genre [visual works] --- anno 1600-1699 --- Netherlands --- Painting, Dutch --- Genre painting, Dutch --- Genre painting --- Peinture hollandaise --- Peinture de genre hollandaise --- Peinture de genre --- Exhibitions --- Expositions --- genres --- iconografie --- techniek --- kunsthandel --- De Monconys, Balthasar --- Medici, Cosimo de --- 17de eeuw --- Noordelijke Nederlanden --- Holland --- Painters --- Professional relationships --- History --- Vermeer, Johannes, --- Exhibitions. --- De' Medici, Cosimo (I) --- Genre painting, Dutch - 17th century - Exhibitions --- Painters - Professional relationships - Netherlands - History - 17th century - Exhibitions. --- Vermeer, Johannes, - 1632-1675 - Exhibitions. --- Vermeer, Johannes, - 1632-1675 --- genres. --- iconografie. --- techniek. --- kunsthandel. --- Vermeer, Johannes. --- De Monconys, Balthasar. --- De' Medici, Cosimo (I). --- 17de eeuw. --- Noordelijke Nederlanden. --- Holland. --- genre pictures

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In ten chapters spanning two centuries, this collection of essays examines the relationships between women artists and their publics, both in early modern Italy as well as across Europe. Drawing upon archival evidence, these essays afford abundant documentary information about the diverse strategies that women found for carrying out their artistic careers, from Sofonisba Anguissola's role as a lady-in-waiting at the court of Felipe II of Spain, to Lucrezia Quistelli's avoidance of the Florentine market in favor of upholding the prestige of her family, to Costanza Francini's preference for the steady but humble work of candle painting for a Florentine confraternity. Their unusual life stories along with their outstanding talents brought fame to a number of women artists even in their own lifetimes--so much fame, in fact, that Giorgio Vasari included several women artists in his 1568 edition of artists' biographies. Notably, this visibility also subjected women artists to public scrutiny, to a much greater extent than what their male counterparts experienced. Because of their fame and their extraordinary (and often exemplary) lives, works made by women artists held a special allure for early generations of Italian collectors, including Grand Duke Cosimo III de' Medici, who made a point of collecting their self-portraits. In the eighteenth century, British collectors wishing to model themselves after the Italian virtuosi exhibited an undeniable penchant for the Italian women artists of a bygone era, but turned their backs to the contemporary women artists their midst.

Artists --- anno 1500-1599 --- Italy --- vrouwelijke kunstenaars --- verzamelaars --- kunsthandel --- Anguissola, Sofonisba --- Quistelli, Lucrezia --- Paladini, Arcangela --- Medici, de (familie) --- Francini, Costanza --- Gentileschi, Artemisia --- Guerrieri Nati, Camilla --- Medici, Cosimo de --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Italië --- Europa --- Women artists --- Artists, Women --- Women as artists --- Anguissola, Sofonisba, --- Quistelli, Lucrezia, --- Paladini, Arcangela, --- Francini, Costanza, --- Guerrieri, Camilla, --- Gentileschi, Artemisia, --- Gentileschi Lomi, Artemisia, --- Lomi, Artemisia Gentileschi, --- Francini, Gostanza, --- Cannodoli, Costanza, --- Cannodoli, Gostanza, --- Conferences - Meetings --- Broomans, Arcangela Paladini, --- Palladini, Arcangiola, --- Pietra, Lucrezia Quistelli, --- Quistelli della Mirandola, Lucrezia, --- Mirandola, Lucrezia Quistelli della, --- Della Mirandola, Lucrezia Quistelli, --- Art --- De' Medici (familie) --- De' Medici, Cosimo (I) --- vrouwelijke kunstenaars. --- verzamelaars. --- kunsthandel. --- Anguissola, Sofonisba. --- Quistelli, Lucrezia. --- Paladini, Arcangela. --- De' Medici (familie). --- Francini, Costanza. --- Gentileschi, Artemisia. --- Guerrieri Nati, Camilla. --- De' Medici, Cosimo (I). --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Italië. --- Europa. --- vrouwelijke kunstenaar

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Art --- Bronzino, Angelo --- Medici, de (familie) --- Allori, Alessandro --- Pontormo, Jacopo da --- 16de eeuw --- Firenze --- Bronzino, Agnolo, --- Criticism and interpretation --- Painting, Italian --- -Painters, Italian --- -Mannerism (Art) --- -Painters --- -759.45 --- Artists --- Italian painting --- Cosimo --- Bronzino, Agnolo --- -Bronzino, Agnolo --- -Medici, Cosimo I de', --- De' Medici, Cosimo I, --- Côme --- Themes, motives --- Palazzo Stozzi (Florence, Italy) --- -Painting, Italian --- -Criticism and interpretation --- -Art --- De' Medici (familie) --- Painting, Renaissance --- Portrait painting, Italian --- Painters --- Medici, House of --- Bronzino, Agnolo, - 1503-1572 - Exhibitions --- Bronzino, Agnolo, - 1503-1572 - Criticism and interpretation --- Bronzino, Agnolo, - 1503-1572 --- Bronzino, Angelo. --- De' Medici (familie). --- Allori, Alessandro. --- Pontormo, Jacopo da. --- 16de eeuw. --- Firenze.

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Cosimo I de Medici --- Monarchy --- Divine right of kings. --- Droit divin des rois --- History --- Cosimo --- Medici, House of. --- Cosme I, --- Médicis (famille de) --- Florence (Italy) --- Tuscany (Italy) --- Florence (italy) --- Toscane (Italie) --- Florence (Italie) --- Politics and government --- Kings and rulers --- Medici, de', Cosimo I --- Divine right of kings --- Kingdom (Monarchy) --- Executive power --- Political science --- Royalists --- Higher law --- Kings, Divine right of --- Authority --- Prerogative, Royal --- Medici, Cosimo I de', --- De' Medici, Cosimo I, --- Côme --- Toscana (Italy) --- Regione toscana (Italy) --- Toscane (Italy) --- Region of Tuscany --- Tuscany Region --- Tuscany (Grand Duchy) --- Florent︠s︡ii︠a︡ (Italy) --- Firenze (Italy) --- Florencia (Italy) --- Florença (Italy) --- Florenz (Italy) --- Florentia (Italy) --- Forence (Tuscany) --- Médicis --- Region of Tuscany (Italy) --- Tuscany Region (Italy) --- Cosme I --- Florence (Tuscany) --- de' Medici, Cosimo --- de Medici, Cosimo --- Médicis