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Distant voices, still lives
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ISBN: 1844571394 Year: 2006 Publisher: London BFI

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Davies, Terence


Article
"The long day closes"
Year: 1992

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Davies, Terence


Film
Distant voices, still lives (1988)
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Publisher: London : British Film Institute,

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Davies, Terence


Film
The Terence Davies trilogy: Childeren (1976); madonna and child (1980); Death and transfiguration (1983)
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Publisher: London : British Film Institute,

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Davies, Terence


Book
Terence Davies
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ISBN: 0252080211 0252096541 9780252096549 9780252038617 0252038614 9780252080210 Year: 2014 Publisher: Urbana

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Called the most important British filmmaker of his generation, Terence Davies made his reputation with modern classics like 'Distant Voices', 'Still Lives', and 'The Long Day Closes'. His idiosyncratic and unorthodox narrative films defy easy categorization; though they would seem to exist within the realms of realism and personal memory cinema, the films lay bare the director's personal pain in a daringly abstract way. Film critic Michael Koresky explores the unique emotional tenor of Davies' work by focusing on four paradoxes within the director's oeuvre: films that are autobiographical yet fictional; melancholy yet elating; conservative in tone and theme yet radically constructed; and obsessed with the passing of time yet frozen in time and space.

Distant voices, still lives
Authors: ---
ISBN: 1838715347 1838715355 9781838715342 9781838715359 9781844571390 Year: 2019 Publisher: London

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Book
Gay Directors, Gay Films? : Pedro Almodóvar, Terence Davies, Todd Haynes, Gus Van Sant, John Waters
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ISBN: 9780231152761 9780231152778 9780231526531 0231526539 0231152760 0231152779 Year: 2015 Publisher: New York, NY : Columbia University Press,

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Through intimate encounters with the life and work of five contemporary gay male directors, this book develops a framework for interpreting what it means to make a gay film or adopt a gay point of view. For most of the twentieth century, gay characters and gay themes were both underrepresented and misrepresented in mainstream cinema. Since the 1970s, however, a new generation of openly gay directors has turned the closet inside out, bringing a poignant immediacy to modern cinema and popular culture.Combining his experienced critique with in-depth interviews, Emanuel Levy draws a clear timeline of gay filmmaking over the past four decades and its particular influences and innovations. While recognizing the "queering" of American culture that resulted from these films, Levy also takes stock of the ensuing conservative backlash and its impact on cinematic art, a trend that continues alongside a growing acceptance of homosexuality. He compares the similarities and differences between the "North American" attitudes of Todd Haynes, Gus Van Sant, and John Waters and the "European" perspectives of Pedro Almodóvar and Terence Davies, developing a truly expansive approach to gay filmmaking and auteur cinema.


Book
Romantics and modernists in british cinema.
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ISBN: 0748671099 1282749781 9786612749780 0748642307 9780748642304 9780748640140 0748640142 9780748649372 0748649379 6612749784 Year: 2012 Publisher: Edinburgh Edinburgh university press

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In a fresh and invigorating look at British cinema that considers film as an art form among other arts, John Orr takes a critical look at the intriguing relationship between romanticism and modernism that has been much neglected in the study of UK cinema and downplayed in the development of Western cinema. Encompassing a broad selection of films, film-makers and debates, this book brings a fresh perspective to how scholars might understand and interrogate the major traditions that have shaped British cinema history. Covering the period between 1929 and the present, this book examines outstanding directors such as Alfred Hitchcock, David Lean, Carol Reed, Nicholas Roeg, Terence Davies and Bill Douglas, and articulates two genres vital to British cinema - the fugitive film and the trauma film - which bridge the gap between romantic and modern forms. Two detailed chapters also assess the powerful impact of major expatriate directors like Losey, Antonioni, Polanski, Kubrick and Skolimowski on modernism in the 1960s and 1970s. Detailed critical readings explore Blackmail, The Lady Vanishes, Black Narcissus, Odd Man Out, The Passionate Friends, The Innocents, Lawrence of Arabia, The Servant, Blow-Up, A Clockwork Orange, Don't Look Now, The Wicker Man, Moonlighting, the Bill Douglas trilogy and The Long Day Closes. The book concludes with an analysis of the persistence of romantic and modernist forms in the 21st century in two recent prize-winning features, Control and Hunger.

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