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This anthology offers contemporary perspectives on dance in the context of the popular screen. It analyzes the role played by the dancing body in popular culture and its multi-layered meanings in film, television, music videos, video games, commercials, and Internet sites such as YouTube. It explores how dance and choreography function within the filmic apparatus, and how the narrative, dancing bodies, and/or dance style set in motion multiple choreographies of identity such as race, gender, sexuality, class, and nation.

Dance in motion pictures, television, etc. --- Danse au cinéma --- Danse au cinéma --- Dance in motion pictures, television, etc

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The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field. Review: Rosenbergs work with video installations and his writings on dance for the camera have radicalized the way audiences think about dance and film. With this compilation, he calls for exploring space and medium with the body as center. G. King, Choice

Dance in motion pictures, television, etc. --- Danse au cinéma --- Danse --- Au cinéma --- Danse au cinéma --- Au cinéma. --- Au cinéma.

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A l'occasion de l'exposition présentée au Centre national de la danse en 2013, ce recueil d'essais traite des rapports féconds entre cinéma et danse.

Dance in motion pictures, television, etc. --- Choreographers --- Danse au cinéma --- Chorégraphes --- Attitudes --- Danse --- Films de danse --- Au cinéma --- Histoire et critique --- Danse au cinéma --- Chorégraphes --- Au cinéma. --- Histoire et critique. --- Au cinéma.