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Cet ouvrage donne les cles necessaires aux etudiants pour analyser la presse imprimee et la presse numerique, en s'attachant a definir des concepts, des methodes et des materiaux a mettre en oeuvre. Le fil conducteur est celui des identites discursives: identite editoriale du journal, normes de l'ecriture journalistique, genres journalistiques, interdiscours, genre de journalisme, type de recit, discours professionnel. Sa specificite tient a ce qu'il met en regard les enonces journalistiques et les scenes discursives qui regissent l'engendrement de l'information. Au fil des cinq chapitres, l'auteur developpe, tour a tour, le cadre theorique de l'analyse de discours, la construction de l'information, l'ecriture journalistique, le discours des sources et le renouvellement editorial.
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Dance archives --- Dance --- Dance --- Dance criticism
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This text examines dance criticism in the United States across 100 years, from the late 1920s to the early 21st century, 'Shaping Dance Canons' argues that critics in the popular press have influenced how dance has been defined and valued, as well as which artists and dance forms have been taken most seriously.
Dance criticism --- Dance --- History. --- Social aspects --- History.
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Recreation. Games. Sports. Corp. expression --- Dance criticism. --- Dance --- History. --- Philosophy. --- Social aspects.
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Dance. --- Dance criticism. --- Dance --- Danse --- History. --- Social aspects. --- Aspect social --- Histoire
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Dance and literary studies have traditionally been at odds: dancers and dance critics have understood academic analysis to be overly invested in the mind at the expense of body signification; literary critics and theorists have seen dance studies as anti-theoretical, even anti-intellectual.
Recreation. Games. Sports. Corp. expression --- Literature --- Dance criticism. --- Dance --- Criticism. --- Dance in literature. --- Critique de danse --- Danse --- Critique --- Danse dans la littérature --- Philosophy. --- Philosophie --- Dance criticism --- Dance in literature --- Philosophy --- Danse dans la littérature --- Dance - Philosophy
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Wars in this century are radically different from the major conflicts of the 20th century--more amorphous, asymmetrical, globally connected, and unending. Choreographies of 21st Century Wars is the first book to analyze the interface between choreography and wars in this century, a pertinent inquiry since choreography has long been linked to war and military training. The book draws on recent political theory that posits shifts in the kinds of wars occurring since the First and Second World Wars and the Cold War, all of which were wars between major world powers. Given the dominance of today's more indeterminate, asymmetrical, less decisive wars, we ask if choreography, as an organizing structure and knowledge system, might not also need revision in order to reflect on, and intercede in, a globalized world of continuous warfare. In an introduction and sixteen chapters, authors from a number of disciplines investigate how choreography and war in this century impinge on each other. Choreographers write of how they have related to contemporary war in specific works, while other contributors investigate the interconnections between war and choreography through theatrical works, dances, military rituals and drills, the choreography of video war games and television shows. Issues investigated include torture and terror, the status of war refugees, concerns surrounding fighting and peacekeeping soldiers, national identity tied to military training, and more. The anthology is of interest to scholars in dance, performance, theater, and cultural studies, as well as the social sciences.
Dance --- Choreography --- Dance criticism. --- Danse --- Critique de danse --- Political aspects. --- Aspect politique --- Chorégraphie --- Political aspects --- Thematology --- Theatrical science --- anno 2000-2099 --- Chorégraphie --- Dance criticism --- Criticism --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics
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This book takes an innovative approach to dance analysis, looking at issues in the interpretation and reading of dances. Building on Janet Adshead-Lansdale's Dance Analysis: Theory and Practice (1988), Dancing Texts reshapes recent developments in post-structuralist and literary theory to illuminate close readings of dances. Following a thorough introduction to the theoretical basis of intertextuality in relation to dance, the book offers a number of fully worked out examples of dance analysis, with subjects spanning the twentieth century and ranging from video-dance to ballet. The examples chosen include classical, modern and postmodern styles of theatre dance and also explore relations with music, film, architecture, language, popular culture and ethnicity. The shifting and fluid interpretations that emerge illustrate the processes of intertextuality itself, opening up a new arena for dance analysis and criticism. The editor, Janet Adshead-Lansdale, is forrmer Professor of Dance Studies and Head of the School of Performing Arts at the University of Surrey, and the authors are choreographers, researchers, and university lecturers working in dance analysis.
Recreation. Games. Sports. Corp. expression --- Dance. --- Modern dance. --- Dance criticism. --- Dance --- Danse --- Danse moderne --- Critique de danse --- Philosophy. --- Philosophie
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Musical criticism --- Opera --- Dance criticism --- Critique musicale --- Opéra --- Critique de danse --- History --- Histoire --- Opéra --- France --- 19th century
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