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Since the early nineties, Meg Stuart, and her dance company Damaged Goods, based in Brussels, have produced a remarkable and audacious body of choreographic work. In 2010, Damaged Goods published Are we here yet?, which spans the first twenty years of Meg Stuart's career. In the follow-up book Let's not get used to this place, the choreographer looks back on more than a decade of works through reflections, interviews, scores, and notes on the practice of creating, performing, teaching and living dance. These are mixed with reports, essays and poetry by collaborators and other observers, photos, performance texts and archive material. The book's title, gleaned from one of Stuart's recent video works, ties together these multifarious sources in a desire to discard tried and tested strategies, explore new contexts, and transgress the edge of what we (do not) know.Let's not get used to this place gives a sense of the plentitude of motions, inspirations and personalities that energize Meg Stuart's creative cosmos. It offers a personal and intimate look behind the scenes of the creative process, and expands this to include the world around it. As a journey through her more recent career, an inspiring manual and a work of art in its own right, it has a wide appeal to an international base of artists, students and peers, and to anyone who is interested in performance.

Stuart, Meg --- Damaged Goods

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"Comment la chorégraphe Meg Stuart crée-t-elle ses spectacles? Dans ce livre, Meg Stuart nous livre ses réflexions sur sa pratique, en dialogue avec Jeroen Peeters et des (ex)-membres de la compagnie Damaged Goods"--P. 4 of cover.

Choreographers --- Chorégraphes --- Stuart, Meg --- Damaged Goods (Dance company) --- Chorégraphes

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"Moving together" by Rudi Laermans examines contemporary dance from both a practical and a theoretical perspective, with interactions between the two. He proposes a (theoretical) framework and investigates how artistic cooperation results in dance. The book also includes some 25 interviews with choreographers from different generations.

dance [discipline] --- dansgeschiedenis --- #SBIB:316.7C211 --- Cultuursociologie: dans --- # BIBC : Academic collection --- Theatrical science --- Bel, Jérôme --- De Keersmaeker, Anne Teresa --- Stuart, Meg --- 712 --- Modern dance --- Interpretive dancing --- Modern dancing --- Dance --- Dans --- 791 --- dans --- dansen --- Choreografen --- theorie --- postmodernisme --- Rosas --- Dans- en bewegingskunst --- 793.01 --- 793.039 --- Dans ; hedendaagse --- De Keersmaeker, Anne Teresa °1960 (°Mechelen, België) --- Meg Stuart & Damaged Goods --- Dans ; theorie, filosofie, esthetica --- Dans ; 2000 - 2050 --- Danse --- Flandre --- Modern dance. --- dance [performing arts genre]

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theater --- theatergeschiedenis --- podiumkunsten --- Theatre: persons --- Flanders --- #VCV monografie gratis 2004 --- 629 Theater --- Podiumkunsten ; Vlaanderen ; 1990-2003 --- 792.038 --- Theater ; 1950 - 2000 --- Theater --- Vlaanderen --- Podiumkunsten --- Evolutie --- onder redactie van Michel Uytterhoeven ; met essays van Manu Claeys, Joris Janssen, Veerle Keuppens [et al.] ; vormgeving Paul Boudens --- België --- Vanden Eynde Charlotte --- Platel Pascal --- De Buysser Pieter --- Het Muziek Lod --- Olympique dramatique --- Meuleman Bart --- Benaouisse Mohamed Ben --- Verhelst Peter --- De Bie Peter --- Laika --- Stuart Meg --- Damaged Goods --- De Filmfabriek --- Goris Inne --- Art Basics for Children --- Vargas Enrique --- Les BAins --- BSB(Bis) --- Beursschouwburg Brussel --- P.A.R.T.S. --- Concertgebouw Brugge --- Muziekforum Gent --- Circus Ronaldo --- Verdonck Benjamin --- De Onderneming --- Pagnol Marcel --- Het Maskesmachine --- De Smedt Christine --- 9x9 --- Royal de Luxe --- 792 --- P.A.R.T.S --- CDL --- Theater (drama, pantomime, toneel) --- Media --- Kleuter --- Emigratie