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« Herman Daled a été le premier président de l’association Fonds Henry Van de Velde et il fut un président attentif, disponible, utile et généreux, pendant une quinzaine d’années – de 2004 à 2019. Sa disparition à la fin de l’année 2020 a été un choc pour tous ceux, très nombreux, qui l’avaient connu comme médecin radiologue, comme collectionneur et ami des artistes, comme amateur d’architecture aussi ; un amateur d’architecture engagé, propriétaire d’une des plus belles et des plus exigeantes maisons réalisées par van de Velde à Bruxelles : l’hôtel Wolfers.»

Art nouveau --- Daled, Herman --- Velde, Henry van de, --- Architecte --- Bruxelles --- 20e siècle

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Art, Modern --- Art --- Private collections --- Exhibitions --- Collections privées --- Expositions --- Daled, Herman --- Daled-Verstraeten, Nicole --- Art collections --- Archives --- kunst --- twintigste eeuw --- sixties --- seventies --- collecties --- verzamelingen --- conceptuele kunst --- concept art --- Daled Herman --- Daled Nicole --- 7.074 --- Kunstverzamelaars ; België ; Collectie Herman en Nicole Daled --- Conceptuele kunst ; 2de h. 20ste eeuw --- Concept Art --- Tentoonstellingscatalogi ; München ; Haus der Kunst --- Kunstverzamelaars --- Collections privées --- Exhibitions.

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"Unconcealed" describes the emergence of Conceptual art in Europe through the growth of an international network of artists, dealers, museum curators, collectors and critics. The publication is a detailed account of the decade 1967-77. The relationships, support structures and strategies of dealer galleries such as Konrad Fischer, Wide White Space and Lisson Gallery to promote artists such as Marcel Broodthaers, Richard Long and Lawrence Weiner, are revealed. The central section of the book brings to life many of the important figures of the art world of this period with a selection of Jacques Charlier's Vernissage des Expositions photographs from 1974-75 that were first shown at the Palais des Beaux-Arts, Brussels in 1975. Previously unpublished data recording the exhibitions and sales of Conceptual artworks to galleries, public institutions and private collections is a major feature of the book. For example, Richard has gathered data from the archives of leading European museums, charting purchases of international artists from dealers to museums, highlighting the power of these relationships. Some of the databases reveal a correlation between temporary exhibitions and museum purchases, suggesting that we need to consider the role of 'dealer-curators' as prime protagonists of this period. Richard's also conducted interviews with dealers, curators, artists and collectors of the period which further highlights the importance of the relationships brought to light in Unconcealed"--Publisher's website

Conceptual art --- Art, European --- Art museums --- Art galleries, Commercial --- Art --- Collectors and collecting --- collecties --- verzamelaars --- Maenz Paul --- Fischer Konrad --- Darboven Hanne --- minimal art --- minimalisme --- Siegelaub Seth --- Lippard Lucy R. --- Sperone Gian Enzo --- Wide White Space --- König Walther --- Op losse schroeven --- When attitudes become form --- Kosuth Joseph --- Huebler Douglas --- Greenwood Nigel --- Wendler Jack --- Ludwig Peter --- Ströher Karl --- Speck Reiner --- Hahn Wolfgang --- Herbig Jost --- Hock Wolfgang --- Matthys Roger --- Peeters Hubert --- Goeminne André --- Perlstein Sylvain --- Fiszman I9si --- Daled herman --- Herbert Annick --- Becht Frits --- Becht Agnes --- van Eelen Herman --- van Eelen Henriëtte --- Visser Martin --- Visser Mia --- Palumbo Peter --- Gordon Max --- Power Ted --- Power Alan --- Rausmüller Urs --- Marzona Egidio --- Baldassare Angelo --- Panza Giuseppe --- Ammann Jean-Christophe --- Charlier Jacques --- De Decker Anny --- Fuchs Rudi --- Harrison Charles --- Honnef Klaus --- Logsdail Nicholas --- Preisig Rolf --- Serota Nicholas --- Szeemann Harald --- Tremlett David --- Daled Herman --- Conceptual art. --- Art museums. --- Art galleries, Commercial. --- Collectors and collecting. --- 7.038 --- Andre Carl --- Art & Language --- Broodthaers Marcel --- Buren Daniel --- concept art --- conceptuele kunst --- Dibbets Jan --- galeries --- Gilbert & George --- kunst --- LeWitt Sol --- Lippard Lucy R --- Long Richard --- Merz Mario --- twintigste eeuw --- Weiner Lawrence --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Commercial art galleries --- Print galleries --- Prints --- Galleries and museums --- Art styles --- anno 1970-1979 --- anno 1960-1969 --- Europe --- Art conceptuel --- Histoire --- Histoire. --- Art, European. --- Ausstellung. --- Concept-art. --- Kunstbetrieb. --- Kunstgalerie. --- Kunsthandel. --- Künstler. --- Soziales Netzwerk. --- Serota, Nicholas. --- 1900-1999. --- Geschichte 1967-1977. --- Europa. --- Europe. --- Art, Primitive --- Conceptual art - Europe --- Art, European - 20th century --- Conceptual art - Europe - Exhibitions --- Art museums - Europe --- Art galleries, Commercial - Europe --- Art - Collectors and collecting - Europe