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Greco-Roman --- Pozzo, dal, Cassiano --- Art gréco-romain. --- Art gréco-romain --- Dessin --- Ouvrages avant 1800. --- Dal Pozzo, Cassiano (1588-1657). --- Dal Pozzo, Cassiano --- Collections d'art.

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This two-volume catalogue is the second part of the catalogue raisonné devoted to architectural and topographical drawings from the Paper Museum commissioned and collected by Cassiano dal Pozzo (1588-1657) and his younger brother Carlo Antonio (1606-89). The first Part (A.IX), published in 2004, was dedicated to drawings of ancient Roman topography and architecture; this one covers Renaissance and seventeenth-century architectural drawings.These are now divided between the Royal Library at Windsor Castle, the British Museum and numerous other collections. Bringing them together emphasises the range and quality of the collection, and their comprehensive coverage of Renaissance architecture, including churches, palaces, villas and military fortifications, as well as designs for architectural fitments and decorative schemes. Many of these are live project drawings from the hands, workshops or immediate circles of distinguished sixteenth- and seventeenth-century architects, including Raphael, Giulio Romano, Antonio da Sangallo the Younger and Gianlorenzo Bernini. As such they are connected with some of the most important buildings constructed or remodelled during this period, among them St Peter's and St John Lateran in Rome and the princely palaces in Mantua, Piacenza and Granada in Spain. A smaller group of drawings is associated with architectural theory and includes a remarkable series of façade schemes here attributed to Sebastiano Serlio.The introductory essay in Volume One explores the distinctive character of this part of the dal Pozzo collection. It is followed by the catalogue entries, grouped into schemes for whole buildings, with the plans and elevations (or both) of ecclesiastical and secular works arranged according to their location in Italy or, occasionally, France, Spain and elsewhere. Volume Two is principally concerned with architectural fitments, such as church furnishings, doorways and chimneys, as well as painted decorations and carved ornaments. It then moves to military subjects, cataloguing drawings of fortifications, sieges and related subjects, followed by drawings of topographical views and two drawings, omitted in A.IX, of ancient decorative designs.

Drawing --- architectuur --- Renaissance --- ornaments --- British Renaissance-Baroque architecture styles --- Architecture --- architecture [discipline] --- ornamenten --- Pozzo, dal, Cassiano --- Architectural drawing --- Architectural drawing, Renaissance --- Decoration and ornament, Renaissance --- Dal Pozzo, Cassiano, --- Art collections --- Architecture [Renaissance ] --- Italy --- Decoration and ornament [Renaissance ] --- ornaments [object genre] --- Dessin d'architecture de la Renaissance --- Dessin décoratif --- Dal Pozzo, Cassiano --- Collections d'art --- Collections d'art. --- Dessin décoratif. --- Art collections. --- Architectural drawing - Italy - Catalogs --- Architectural drawing, Renaissance - Catalogs --- Decoration and ornament, Renaissance - Catalogs --- Dal Pozzo, Cassiano, - 1588-1657 --- Dal Pozzo, Cassiano, - 1588-1657 - Art collections - Catalogs --- Architectural drawing. --- Architectural drawing, Renaissance. --- Military architecture. --- Decoration and ornament, Renaissance. --- Dessin d'architecture de la Renaissance. --- Architecture militaire.

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"This volume comprises 207 drawings, about half of which are in the Royal Library at Windsor Castle and the rest in the Department of Greece and Rome in the British Museum and numerous public or private collections in the UK and abroad. They depict a wide variety of ancient statues of gods and humans, standing, seated or supine, large and small, whole and fragmentary, mainly of marble but also of bronze, as well as statuettes in marble and alabaster, figurines in bronze and terracotta, both Roman and Etruscan, military trophy groups and phallic sculptures. Also represented are herms, a sizeable series of portrait busts and heads, miniature busts in semi-precious stones and figurative appliqués. Some are well-known pieces, from the Barberini, Giustiniani, Medici and Pamphilj collections in Rome, but many are unusual and otherwise unrecorded.The drawings were largely commissioned in the 1630s and 1640s from artists such as Pietro Testa and Vincenzo Leonardi, with smaller groups thereafter, the last in the mid-1680s. The assemblage was probably initially intended by Cassiano for publication as a series of prints for the benefit of antiquarian scholars and artists, complementing the larger quantity of drawings of bas-reliefs which Cassiano had begun to assemble from the early 1620s onwards (published in Part A.III) and constituting the core of the Paper Museum in Cassiano's narrower definition of it in 1654 as 'everything good in marbles and bronze which can provide some information about antiquity'."--

Sculpture, Roman --- Sculpture, Etruscan --- Drawing, Italian --- Dal Pozzo, Cassiano, --- Art collections --- Collections d'art --- Royal Collection (Great Britain) --- Drawing --- drawings [visual works] --- busts [general, figures] --- statues --- antieke beeldhouwkunst --- Pozzo, dal, Cassiano --- 'Museo carteceo' --- Art gréco-romain. --- Art gréco-romain --- Dessin --- Ouvrages avant 1800. --- Dal Pozzo, Cassiano (1588-1657). --- Dal Pozzo, Cassiano --- Collections d'art.

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Cassiano dal Pozzo's print collection was unique in its scope and organisation. Some 3,000 prints are known, in nine albums and many loose impressions mainly divided between the British Library and the Royal Library at Windsor Castle. Cassiano (1588-1657) and his younger brother Carlo Antonio dal Pozzo (1606-89) did not commission printmakers to engrave plates (as they did drawings), buying instead what was available from the flourishing printmaking industry of the time. The material they collected was essentially documentary, and they organised the collection by subject matter: costumes, religious processions and ceremonies, tombs and catafalques, the history of St Peter's, architecture, topography, maps and military engagements, portraits, social and humorous subjects, and so on. This first part of the catalogue presents ceremonies, costumes, portrait and genre prints. A remarkable proportion of the prints are not to be found in the existing literature, and many constitute additions to the known works of major printmakers. Indeed Cassiano's collection has been described as 'so far outside the common range of print collectors both in the seventeenth century and today that a very high proportion of its contents is excessively rare and will only with great difficulty be found elsewhere'. This ground-breaking catalogue will be an essential resource not only for students of prints, but for all those studying European visual culture in the seventeenth century.

7.074 "16" --- 7.026 --- 76 <017.2> --- 7.026 Kunstwerken: copiëren reproduceren facsimile's --- Kunstwerken: copiëren reproduceren facsimile's --- 76 <017.2> Grafische kunsten. Grafiek. Prentkunst--Private verzamelingen --- Grafische kunsten. Grafiek. Prentkunst--Private verzamelingen --- 7.074 "16" Kunstverzameling. Activiteiten van verzamelaars--17e eeuw. Periode 1600-1699 --- Kunstverzameling. Activiteiten van verzamelaars--17e eeuw. Periode 1600-1699 --- Dal Pozzo, Cassiano (1588-1657) --- Dal Pozzo, Cassiano, --- 7.026 Kunstwerken: copiëren; reproduceren; facsimile's --- Kunstwerken: copiëren; reproduceren; facsimile's --- Prints, European --- Portrait prints, European --- Genre prints --- Rites and ceremonies in art. --- Rites et cérémonies --- Processions in art. --- Processions --- Clothing and dress in art. --- Costume --- Estampe --- Dans l'art --- Dans l'art. --- Collections privées --- Dal Pozzo, Cassiano --- Art collections --- Collections d'art. --- Windsor Castle. --- British Library --- Art collections. --- Rites et cérémonies