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Photography --- daguerreotype [process] --- photography and photographic processes and techniques --- daguerreotypie

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fotografie --- daguerreotypie --- 19de eeuw --- 20ste eeuw --- History --- history [discipline] --- photography [process] --- Photography --- FotoMuseum [Antwerp] --- Photographic industry --- Belgium --- Fotografie --- Geschiedenis --- Exhibitions --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- fotografiegeschiedenis --- België --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- foto-industrie --- fotocamera's --- fotoalbums --- portretfotografie --- amateurfotografie --- 77.03 --- FOMU: Fotomuseum [Antwerp] --- FOMU: Fotomuseum Antwerp --- daguerreotypie. --- fotografie. --- 19de eeuw. --- 20ste eeuw.

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Ein Flohmarktfund in den 1970er-Jahren hat zur Entstehung einer einmaligen Sammlung mit nunmehr über 500 000 Fotografien geführt. Heute gehören Ruth und Peter Herzog zu den wichtigsten Fotosammlern weltweit. Die Bestände stammen aus der Frühzeit der 1839 erfundenen Technik und reichen bis in die 1970er-Jahre. Sie umfassen neben den berühmten Pionieren des Mediums wie Nadar oder Eadweard Muybridge auch bisher wenig bekannte oder anonyme Fotografen. Die Publikation vermittelt erstmals ein umfassendes Porträt dieser faszinierend vielfältigen Sammlung, die seit 2015 im Jacques Herzog und Pierre de Meuron Kabinett Basel konserviert und wissenschaftlich aufgearbeitet wird. Anhand von rund 300 ausgewählten Objekten werden thematische Schwerpunkte vorgestellt. Die Textbeiträge widmen sich zentralen Themen der Fotografie, etwa dem spannungsvollen Verhältnis zur Kunst oder der Beziehung von Fotografie und Geschichtsschreibung.

(Produktform)Hardback --- Nadar --- Kabinett --- Wunderkammer --- Ethnographie --- Jacques Herzog und Pierre de Meuron Kabinett --- Enzyklopädie --- Daguerreotypie --- Fototechnik --- Edward Muybridge --- The Incredible World of Photography --- Fotosammlung --- (VLB-WN)1587: Hardcover, Softcover / Kunst/Fotografie, Film, Video, TV

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"This influential text by French historian and theorist François Brunet considers the invention and history of photography as the birth of an idea, rather than a new type of image. This 'idea photography' combines a logical theme - that of an art without artistry - and the democratic political promise of an art for all. Officially endorsed by the 1839 French law on the daguerreotype, this idea reverberated throughout the nineteenth century in Europe and America. Brunet shows how emerging image technologies and practices in France and Britain were linked to this logical / political construction of photography, from the earliest researches of Nicéphore Niépce, Louis-Jacques-Mandé Daguerre, and Henry Fox Talbot up to the turn of the twentieth century. The parallel development of the Kodak camera and Alfred Stieglitz's 'straight' vision in the United States then fulfilled, while also depreciating, the utopian promise of photography for all. This history reached a provisional climax with the reflections on images by Ralph Waldo Emerson, Hippolyte Adolphe Taine, Sigmund Freud, Henri-Louis Bergson, and Charles Sanders Peirce, reflections that both demonstrated the novelty of photography and forecast many later debates on its technology and aesthetics. The Birth of the Idea of Photography has been enriched with more than fifty photographs, reproduced in color, from North American and European collections. This edition also features a new preface by the author."--

Photography --- Phtography --- fotografie --- fotografietheorie --- fotografiegeschiedenis --- negentiende eeuw --- Frankrijk --- Groot-Brittannië --- Verenigde Staten --- daguerreotypie --- Daguerre Louis Jacques Mandé --- Talbot William Henry Fox --- Kodak --- 77.035 --- Philosophy --- Social aspects --- History --- photography [process] --- art history --- aesthetics --- Photographie --- Photography. --- Aspect social. --- Histoire. --- Philosophie. --- History. --- Philosophy. --- Social aspects.

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77.039 --- Fotografie ; 21ste eeuw --- Fotografie ; oude technieken ; "photogenic drawing"; Cyanotypie --- Fotografie ; 19de eeuw --- Tentoonstellingscatalogi ; Gent ; Zebrastraat --- Fotografie ; 2000 - 2050 --- Exhibitions --- Photography --- photography [process] --- 761 --- 760.4 --- Pirila, Marja --- Uros, Abram --- Kockaerts, Roger --- De Mey, Annelies --- Ortelee, Marinus J --- Edam, Charlotte --- Bogaerts, Rudi --- Van de Steene, Saartje --- De Wijs, Jeroen --- fototheorie --- 762 --- camera obscura --- camera oralis --- cyanotypie --- aurotypie --- palladiumprints --- daguerreotypie --- gomdrukken --- collodiumdruk --- Gent --- fotografie, geschiedenis --- fotografie als kunst --- fotografie, theorethische grondslagen der fotografie