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"How decolonization and the cold war influenced literature from Africa, Asia, and the Caribbean. How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War, Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean--such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka-carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police.A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century"--

Thematology --- Decolonization in literature

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No detailed description available for "Subjectivity and Decolonisation in the Post-Independence Novel and Film".

Decolonization in literature.

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Covering a wide range of textual forms and geographical locations, The Bloomsbury Introduction to Postcolonial Writing: New Contexts, New Narratives, New Debates is an advanced introduction to prominent issues in contemporary postcolonial literary studies. With chapters written by leading scholars in the field, The Bloomsbury Introduction to Postcolonial Writing includes: *Explorations of key contemporary topics, from ecocriticism, refugeeism, economics, faith and secularism, and gender and sexuality, to the impact of digital humanities on postcolonial studies *Introductions to a wide range of genres, from the novel, theatre and poetry to life-writing, graphic novels, film and games * In-depth analysis of writing from many postcolonial regions including Africa, South Asia, the Caribbean and Latin America, and African American writing Covering Anglophone and Francophone texts and contexts, and tackling the relationship between postcolonial studies and world literature, with a glossary of key critical terms, this is an essential text for all students and scholars of contemporary postcolonial studies.Review: Those wishing to familiarise themselves with the new research emerging within postcolonial studies would do well to begin here. This volume showcases the exciting and innovative work being pursued by younger and more established scholars who are extending and reshaping the provenance of the `postcolonial' in response to the new challenges and developments that have profoundly transformed the geo-political frames of enquiry since the field was first established. Tackling issues such as neoliberal globalisation, migration and refugee crises, uneven development, exclusionary and racialized state governmentalities, faith and secularism, eco-crisis, the formation of the global literary marketplace and the tension between postcolonial studies and world literature, as well as addressing hitherto relatively under-examined aspects of postcolonial literary and cultural studies, this volume is a welcome reminder that prognoses of the obsolescence of postcolonial studies have been greatly exaggerated: on this evidence, the field is in rude health. * Anshuman A. Mondal, Professor of Modern Literature, University of East Anglia, UK * This is an exciting and valuable new contribution to contemporary postcolonial studies, offering a comprehensive overview of consolidated and emerging fields of scholarship, and covering a broad array of genres, geographical locations and authors. It will serve as a vital introduction to the field for students, but also offers a rich panoply of new material for established scholars of postcolonial studies, ranging from new readings of well-known colonial and postcolonial texts, to focused studies of current and emerging areas such as the digital humanities; neoliberalism; world literature and the graphic novel. Comprising 20 chapters and including a helpful glossary, this is essential reading for students and academics alike.

Decolonization in literature. --- Postcolonialism in literature. --- Postcolonialism.

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Covering a wide range of textual forms and geographical locations, The Bloomsbury Introduction to Postcolonial Writing: New Contexts, New Narratives, New Debates is an advanced introduction to prominent issues in contemporary postcolonial literary studies. With chapters written by leading scholars in the field, The Bloomsbury Introduction to Postcolonial Writing includes: *Explorations of key contemporary topics, from ecocriticism, refugeeism, economics, faith and secularism, and gender and sexuality, to the impact of digital humanities on postcolonial studies *Introductions to a wide range of genres, from the novel, theatre and poetry to life-writing, graphic novels, film and games * In-depth analysis of writing from many postcolonial regions including Africa, South Asia, the Caribbean and Latin America, and African American writing Covering Anglophone and Francophone texts and contexts, and tackling the relationship between postcolonial studies and world literature, with a glossary of key critical terms, this is an essential text for all students and scholars of contemporary postcolonial studies.Review: Those wishing to familiarise themselves with the new research emerging within postcolonial studies would do well to begin here. This volume showcases the exciting and innovative work being pursued by younger and more established scholars who are extending and reshaping the provenance of the `postcolonial' in response to the new challenges and developments that have profoundly transformed the geo-political frames of enquiry since the field was first established. Tackling issues such as neoliberal globalisation, migration and refugee crises, uneven development, exclusionary and racialized state governmentalities, faith and secularism, eco-crisis, the formation of the global literary marketplace and the tension between postcolonial studies and world literature, as well as addressing hitherto relatively under-examined aspects of postcolonial literary and cultural studies, this volume is a welcome reminder that prognoses of the obsolescence of postcolonial studies have been greatly exaggerated: on this evidence, the field is in rude health. * Anshuman A. Mondal, Professor of Modern Literature, University of East Anglia, UK * This is an exciting and valuable new contribution to contemporary postcolonial studies, offering a comprehensive overview of consolidated and emerging fields of scholarship, and covering a broad array of genres, geographical locations and authors. It will serve as a vital introduction to the field for students, but also offers a rich panoply of new material for established scholars of postcolonial studies, ranging from new readings of well-known colonial and postcolonial texts, to focused studies of current and emerging areas such as the digital humanities; neoliberalism; world literature and the graphic novel. Comprising 20 chapters and including a helpful glossary, this is essential reading for students and academics alike.

Postcolonialism in literature. --- Decolonization in literature. --- Postcolonialism.

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The contributors to the present volume, in espousing and extending the programme of such writers as Edward Said, Benedict Anderson, Homi Bhabha, and Gayatri Spivak, lay bare the genealogy of 'writing' empire (thereby, in a sense, ' un -writing' it). One focus is the Caribbean: the retrograde agenda of francophone crolit ; the re-writing of empire in the postmodern disengagement of Edouard Glissant; resistance to post-colonial allegiances, and the dissolving of binary categories, in contemporary West Indian writing. Essays on India, Malaysia, and Indonesia explore various aspects of cultural self-understanding in Asia: un-writing high culture through hybrid 'shopping' among Western styles; the use of indigenous oral forms to counter Western hegemony; romantic and anti-romantic attitudes towards empire and the land. A shift to Africa brings a study of Nadine Gordimer's feminist un-writing of Hemingway's masculinist colonising narrative, a searching analysis of Soyinka's restoration of ancient syncretic elements in his West African re-visions of Greek tragedy, changing evaluations of the validity of European civilization in Andr Gide's representations of Africa, and tensions of linguistic allegiance in Maghreb literature. North America, finally, is brought back into the imperial fold through discussions of Melville's re-writing of travel and captivity narratives to critique the mission of American empire, Leslie Marmon Silko's re-territorialization of expropriated Native American oral traditions, and Timothy Findley's representation of Canada's troubled involvement with its three shaping empires (French, British, American).

Comparative literature --- Thematology --- Imperialism in literature. --- Decolonization in literature.