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Though the differences in style and politics between Virginia Woolf and D.H. Lawrence are many, they both had formative experiences as teachers. Between 1905 and 1907, Woolf taught history and composition courses at Morley College while Lawrence spent nearly a decade in the field of elementary education between 1902 and 1912. 'The Sensuous Pedagogies of Virginia Woolf and D.H. Lawrence' reframes Woolf and Lawrence's later experiments in fiction, life-writing and literary criticism as the works of former teachers, of writers (that is) still preoccupied with pedagogy.

Teaching --- Philosophy. --- Woolf, Virginia, --- Lawrence, D. H. --- Criticism and interpretation. --- Virginia Woolf --- D.H. Lawrence --- pedagogy --- literary criticism --- modernist fiction

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Helena P. Blavatsky (1831-1891) --- esotericism --- biography --- world travels --- religions --- Madame Blavatsky --- Eastern wisdom and the West --- W.B. Yeats --- James Joyce --- D.H. Lawrence --- L. Frank Baum --- Wassily Kandinsky --- Piet Mondrian --- Gustav Mahler --- Jean Sibelius --- Alexander Scriabin --- Madame Blavatsky's soirées --- spiritual and ecological movements

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"This is a Swiss army knife of a book: it has many different uses. It is a highly focused account of Lawrence's discovery and reception of Melville, from when he first read Moby-Dick as a young man to his final references to Melville in his late works. It shows Lawrence first reaction to Moby-Dick; how it led him to other works by Melville, namely Typee and Omoo; and how Melville affected Lawrence's critical and creative writing and shaped his philosophy. The book is also a major contribution to Melville studies. By his death in 1891, outside of a small circle of English enthusiasts, Melville had been forgotten. That group put Lawrence onto Melville, whereupon he became a - until now largely unacknowledged - leader of the Melville Revival that rescued the great writer from obscurity. How Lawrence Read Melville also contributes to the history of the book and two of its subfields: the history of reading, and reception studies. And it is a study of the creative process, showing how one great writer inspired another"--

Lawrence, D. H. --- Criticism and interpretation. --- Lawrence, David Herbert --- Davison, Lawrence H. --- Lorensŭ --- Lorensŭ, D. H. --- Lourens, D. G. --- Lorenss, D. H. --- Lorens, Deĭvid Gerbert --- Lārensu, Ḍi. Ec. --- Lourens, Dėvid Gerbert --- לאורנס, ד. ה. --- לאורענס --- לורנס, ד״ה --- לורנס, ד.ה., --- לורנס, ד.ה..., --- Melville, Herman, --- Influence. --- Melville, Herman --- Melvill, German --- Melville, Hermann --- Meville, Herman --- Melvil, Cherman --- Mai-erh-wei-erh, Ho-erh-man --- Melṿil, Herman --- Tarnmoor, Salvator R. --- מלוויל, הרמן, --- מלויל, הרמן, --- ميلڤيل، هرمن، --- 麥爾維爾, --- Virginian spending July in Vermont, --- Melvill, Herman, --- Lawrence, D.H. --- LITERARY CRITICISM / American / General. --- Book History. --- Book Review. --- Creative Process. --- D. H. Lawrence. --- Herman Melville. --- Literary Study. --- Melville Revival. --- Reading History. --- Reception.

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Building on recent transformative theories of influence, John Foster explores the many ways Nietzsche's intellectual and artistic example helped shape an interconnected series of major literary projects from 1900 to the 1940s. He portrays Nietzsche as a stimulating but disturbing force who left a well-defined legacy of concerns that modernists appropriated for their fiction. The author focuses particularly on Gide, D. H. Lawrence, Malraux, and Mann, analyzing their strategies of acceptance, revision, and subversion.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Comparative literature --- Nietzsche, Friedrich W. --- anno 1900-1999 --- Literature, Modern --- Modernism (Literature) --- Philosophy in literature. --- History and criticism. --- Nietzsche, Friedrich Wilhelm, --- Influence. --- Modernism (Literature). --- Nietzsche, Friedrich --- Crepuscolarismo --- Literary movements --- History and criticism&delete& --- History and criticism --- Aestheticism. --- Allusion. --- Anguish. --- Antithesis. --- Apathy. --- Aphorism. --- Apollonian and Dionysian. --- Art for art's sake. --- Arthur Schopenhauer. --- Beyond Good and Evil. --- Black rage (law). --- Career. --- Catharsis. --- Consciousness. --- Criticism. --- Critique. --- Cultural Bolshevism. --- D. H. Lawrence. --- Death in Venice. --- Decadence. --- Dionysus. --- Disenchantment. --- Disgust. --- Distrust. --- Doctor Faustus (novel). --- Doctor Faustus (play). --- E. M. Forster. --- Epigram. --- Existence. --- Existentialism. --- Faust. --- Friedrich Nietzsche. --- Geoffrey Hartman. --- Gesta Romanorum. --- God is dead. --- Good and evil. --- Hans Vaihinger. --- Henri Bergson. --- Iconoclasm. --- Imagery. --- Irony. --- Jacques Derrida. --- Jude the Obscure. --- Karl Jaspers. --- Last man. --- Literary modernism. --- Literature. --- Man's Fate. --- Master–slave morality. --- Mephistopheles. --- Modernism. --- Morality. --- Necessitarianism. --- New Thought. --- Nietzschean affirmation. --- Nihilism. --- On the Aesthetic Education of Man. --- On the Genealogy of Morality. --- Out of Revolution. --- Paradox. --- Parody. --- Philosopher. --- Philosophy of Friedrich Nietzsche. --- Philosophy. --- Picaresque novel. --- Pity. --- Polemic. --- Posthumanism. --- Psychoanalysis. --- Psychology. --- Rainer Maria Rilke. --- Religion. --- Ressentiment. --- Result. --- Robert Musil. --- Romanticism. --- Scientism. --- Self-denial. --- Self-fulfillment. --- Superiority (short story). --- Søren Kierkegaard. --- The Birth of Tragedy. --- The Case of Wagner. --- The Counterfeiters (novel). --- The Cult of the Self. --- The Four Great Errors. --- The Goths. --- The Philosopher. --- The Work of Art in the Age of Mechanical Reproduction. --- Theodor W. Adorno. --- Thought. --- Thus Spoke Zarathustra. --- Tragedy. --- Twilight of the Idols. --- Utilitarianism. --- Will to power. --- Women in Love. --- Word and Object. --- Writer. --- Writing.

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Virtue, as used here, connotes integrity--that living force that issues from persons, societies, or texts in consequence of their accomplishing their distinctive ends. Professor Berthoff outlines the descent of the intuition of virtue from classical times into our own era and examines it as a formative presence in a series of major literary works.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Virtue in literature. --- Ethics in literature. --- Literature --- Didactic literature --- Literature and philosophy --- Philosophy and literature --- Philosophy. --- History and criticism --- Theory, etc. --- Theory --- Ad hominem. --- After Virtue. --- Allegory. --- Analogy. --- Anecdote. --- Antithesis. --- Apologue. --- Assonance. --- Bildungsroman. --- Chivalric romance. --- Consummation. --- Contingency (philosophy). --- Courtly love. --- Criticism. --- D. H. Lawrence. --- Dictionnaire philosophique. --- Eloquence. --- Epigram. --- Epigraph (literature). --- Fabliau. --- Fiction. --- Figure of speech. --- Fine art. --- Flattery. --- Form of life (philosophy). --- Fortinbras. --- French moralists. --- G. (novel). --- Grandiosity. --- Hedonism. --- Hermeticism. --- Heroic couplet. --- Heroic drama. --- Heroic verse. --- Historicism. --- Idealization. --- Indulgence. --- Intentionality. --- Internal rhyme. --- Irony. --- Irving Babbitt. --- Italo Svevo. --- Karl Kraus (writer). --- Libertine. --- Literary nonsense. --- Literature. --- Memoir. --- Modernism. --- Mutability (poem). --- Narcissism. --- Narrative. --- Negative capability. --- Novel. --- Novelist. --- Of Education. --- On Truth. --- Opportunism. --- Originality. --- Phrenology. --- Poetry. --- Polonius. --- Positivism. --- Pragmatism. --- Precaution (novel). --- Pride. --- Prose. --- Proverb. --- Quixotism. --- Robert Musil. --- Romanticism. --- Rosicrucianism. --- Satire. --- Scholasticism. --- Self-Reliance. --- Sensibility. --- Soliloquy. --- Solipsism. --- Stendhal. --- Superiority (short story). --- Symbolism (arts). --- Synecdoche. --- Søren Kierkegaard. --- The Book of Thel. --- The Charterhouse of Parma. --- The Counterfeiters (novel). --- The Man Without Qualities. --- The Philosopher. --- The Sacred Fount. --- Theodore Dreiser. --- Theory of Forms. --- Truism. --- Ulrich. --- V. --- Verbosity. --- Vocation (poem). --- W. B. Yeats. --- What Is Literature?. --- William Shakespeare. --- Writing.