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Art islamique --- Décoration islamique --- Islamic architecture. --- Islamic art. --- Islamische Kunst.
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Inscriptions turques --- Inscriptions islamiques --- Inscriptions arabes --- Décoration et ornement architecturaux --- Décoration islamique --- Inscriptions architecturales --- Palestine --- Histoire --- Sources
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Architecture almohade --- Architecture --- Décoration islamique --- Peinture et décoration murales islamiques --- Arabesques (arts décoratifs) --- Décoration architecturale --- Almoravides. --- Almohades. --- Maroc
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Setting a group of medieval carved ivory horns in the specific artistic and historical context in which they were manufactured, used and re-used, this book presents a mine of information for the study of medieval history. The first chapters explore such technical aspects as the cutting and carving of oliphants, and also the broader issues of the morphology of ivory and its availability in the Mediterranean basin in the Middle Ages. On the basis of specific carving methods and varying vocabulary of motifs, the oliphants are organized into groups and their probable sites of production are suggested. The core of this volume, however, is the attempt to place them in their specific historical context. The purpose of their mass-production, namely their patronage and original function, is explored, but also their reception and new functions in the church treasuries of Latin Europe is broadly discussed
Decorative arts, Fatimid --- Oliphant --- Olifant --- Oliphants --- Ivories --- Wind instruments --- Fatimid decorative arts --- Influence --- Oliphant. --- Influence. --- Art islamique --- Cor --- Décoration islamique --- Civilisation islamique --- Ivoires --- Moyen âge
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Architecture, Domestic --- Architecture domestique --- Yemen (Republic) --- Yémen --- Pictorial works. --- Ouvrages illustrés --- Décoration islamique. --- Architecture domestique. --- Architecture islamique. --- Habitations. --- Architecture. --- Ṣan'ā' (Yémen)
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Through close studies of ceramics, metalwares and other plastic arts from the ninth to the thirteenth centuries, Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate realms engaged in fertile dialogue with poetry, literature, painting, and, most strikingly, architecture.
Islamic decoration and ornament. --- Decoration and ornament, Medieval --- Interior decoration accessories --- Islamic architecture --- Architecture, Medieval --- Islamic arts. --- Arts, Medieval --- Influence. --- Islamic decoration and ornament --- Islamic architecture. --- Décoration islamique. --- Décoration médiévale. --- Architecture islamique. --- Arts médiévaux. --- Moyen-Orient.
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Through close studies of ceramics, metalwares and other plastic arts from the ninth to the thirteenth centuries, Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate realms engaged in fertile dialogue with poetry, literature, painting, and, most strikingly, architecture.
Islamic art. --- Art, Medieval. --- Art and architecture --- History --- Islamic countries --- Intellectual life. --- Architecture and art --- Architecture --- Medieval art --- Art, Islamic --- Art, Saracenic --- Muslim art --- Saracenic art --- Art --- Muslim countries --- Islamic decoration and ornament --- Decoration and ornament, Medieval --- Islamic architecture. --- Architecture, Medieval --- Islamic arts. --- Arts, Medieval --- Décoration islamique. --- Décoration médiévale. --- Architecture islamique. --- Arts médiévaux. --- Moyen-Orient. --- Décoration islamique. --- Décoration médiévale. --- Arts médiévaux. --- Islamic decoration and ornament. --- Interior decoration accessories --- Islamic architecture --- Influence.
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The ceiling paintings in the Hall of Justice of the Alhambra have not received serious scholarly attention for the past thirty years, perhaps due to their difficult incorporation into a discrete program of Christian vs. Islamic art, categories that until recently remained unchallenged themselves. The Alhambra itself continues to elicit the interest of many scholars, and several recent interpretations of the function of the Palace of the Lions, which houses the paintings, have been put forth. This collection brings together art historians, literary critics and historians who suggest new ways of approaching the paintings through their immediate social, historical, architectural and literary contexts, proposing a porous and flexible model for the production of culture in Iberia. Contributors are Jerrylin Dodds, Ana Echevarria, Jennifer Borland, Rosa María Rodríguez Porto, Oscar Martin, Amanda Luyster, Cynthia Robinson and Simone Pinet.
Islamic mural painting and decoration --- Sala de la Justicia (Alhambra, Granada, Spain) --- Islamic decoration and ornament --- Decoration and ornament, Architectural --- Ceilings --- Mural painting and decoration, Islamic --- Muslim mural painting and decoration --- Mural painting and decoration --- Decoration and ornament, Islamic --- Muslim decoration and ornament --- Decoration and ornament --- Architectural decoration and ornament --- Architecture --- Stonework, Decorative --- Architectural design --- Exterior walls --- Hall of Justice (Alhambra, Granada, Spain) --- Hall of Kings (Alhambra, Granada, Spain) --- Justice, Hall of (Alhambra, Granada, Spain) --- Justicia, Sala de la (Alhambra, Granada, Spain) --- Kings, Hall of (Alhambra, Granada, Spain) --- Reyes, Sala de los (Alhambra, Granada, Spain) --- Sala de los Reyes (Alhambra, Granada, Spain) --- Rooms --- Details --- Peinture et décoration murales islamiques --- Décoration islamique --- Plafonds --- Grenade (Espagne) --- Espagne --- Alhambra --- Peinture et décoration murales islamiques --- Décoration islamique
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