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Wie verändern sich Mensch und Körper durch Technik? Und welches Menschenverständnis resultiert daraus für den Transhumanismus? Anna Puzio befasst sich in der ersten philosophischen Studie zur Anthropologie des Transhumanismus mit führenden Personen des Feldes, u.a. mit Nick Bostrom, David Pearce und Natasha Vita-More. Neben Körperoptimierung und Wearables beleuchtet sie auch Alltags- und Medizintechnologien. Dabei entwickelt sie einen neuen Ansatz zur Technikanthropologie und ein neues inklusives Menschen- und Körperverständnis im Anschluss an Donna Haraway und den kritischen Posthumanismus im amerikanischen Raum.
Transhumanism. --- Philosophy --- Anthropology of Technology. --- Body Optimisation. --- Body. --- Cyborg. --- David Pearce. --- Donna Haraway. --- Enhancement. --- Human. --- Inclusion. --- Machine. --- Medicine Technology. --- Natasha Vita-more. --- Nature. --- Nick Bostrom. --- Philosophical Anthropology. --- Philosophy of Body. --- Philosophy of Technology. --- Philosophy. --- Posthumanism. --- Sociology of Technology. --- Technology. --- Wearables.
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Digitale Technologien sind eine Zumutung! Um dies zu ändern, sollten wir uns nicht von ihnen abwenden, sondern uns eingehender mit ihrer transformativen Macht befassen. Shintaro Miyazaki ruft dazu auf, die alternativen Rhythmen des kooperativen, solidarischen Zusammenlebens (Commoning) operabel zu machen und die Digitalität so zum Tanzen zu bringen. Er macht ein Leben vorstellbar, worin Profit und Eigentum keine Rolle mehr spielen, sondern das nachhaltige Zusammenspiel der Bedürfnisse unserer lebendigen Ökosysteme mit jenen aller Menschen oberste Priorität hat. Hier trifft Kapitalismuskritik auf eine kritische, marxistisch-informierte Medientheorie der algorithmischen Modellierung anderer Zukünfte.
SOCIAL SCIENCE / Media Studies. --- Algorithms. --- Body. --- Capitalism. --- Civil Society. --- Commoning. --- Commons. --- Cooperation. --- Culture. --- Cyborg. --- Digital Media. --- Digitalization. --- Do-it-yourself. --- Emancipation. --- Future. --- Media Philosophy. --- Media Studies. --- Media Theory. --- Media. --- Performativity. --- Play. --- Simulation. --- Sustainability. --- Transformation.
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Cyborg. --- Experimentelles Theater. --- Mixed media. --- Performance. --- Körper. --- Experimental theater --- Virtual reality in art. --- Technological innovations. --- Experimental theater. --- Cyborgs. --- Performing arts. --- Virtual reality. --- Technology and the arts. --- #SBIB:39A5 --- Arts and technology --- Arts --- Environments, Virtual --- Virtual environments --- Virtual worlds --- Computer simulation --- Reality --- Show business --- Performance art --- Cybernetic organisms --- Persons --- Alternative theater --- Avant-garde theater --- Theater --- Kunst, habitat, materiële cultuur en ontspanning --- Cyborg theater --- Cyborgs --- Performing arts --- Technology and the arts --- Virtual reality --- Engineering sciences. Technology --- Theatrical science
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The Cyborg Experiments analyzes the challenges posed to corporeality by techology. Taking as their starting point the work of the highly influential performance artists Orlan and Stelarc, the essays in this timely and important collection raise a number of questions in relation to new conceptions of embodiment, identity and otherness in the age of new technologies: Has the body become obsolete? Does transgender challenge traditional ideas of agency? Have we always been cyborgs?In addition to highlighting the playful character of digital aesthetics, the contributors investigate ethical issues concerning the ownership of our bodies and the experiments we perform on them. In this way the book explores how humanism, and ideas of "the human", have been placed under increasing scrutiny as a result of new developments in science, media and communications.Contributors:John Appleby, Rachel Armstrong, Fred Botting, Julie Clarke, Gary Hall, Chris Hables Gray, Meredith Jones, Orlan, Mark Poster, Jay Prosser, E. A. Scheer, Zod Sofia, Stelarc, Scott Wilson, Joanna Zylinska
Body Art mutilaties transformaties The Cyborg Experiments --- Orlan --- Stelarc --- Kunsttheorie 21ste eeuw --- 7.01 --- Kunst theorie, filosofie, esthetica --- Cyborgs --- Human-machine systems --- Robotics --- Body Art ; mutilaties ; transformaties ; The Cyborg Experiments --- Kunsttheorie ; 21ste eeuw --- Automation --- Machine theory --- Human operators (Systems engineering) --- Human subsystems (Systems engineering) --- Man-machine control systems --- Man-machine systems --- Operator-machine systems --- Engineering systems --- Human engineering --- Cybernetic organisms --- Persons --- Social aspects --- Kunst ; theorie, filosofie, esthetica --- Artificial intelligence. Robotics. Simulation. Graphics --- Sociology of culture --- Systèmes homme-machine --- Robotique --- Aspect social --- Social aspects. --- Human-machine systems. --- Cyborgs. --- Robotics - Social aspects
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Technoscience transformiert sowohl Technologien als auch herkömmliche Körperkonzepte. Dabei entstehen dynamische Verkörperungen. Diese faszinieren die wissenschaftliche Beobachtung und provozieren disziplinenübergreifend grundlegende Fragen. Der Band konturiert solche neuen Forschungsfronten. Er reflektiert Erweiterungen des Körperbegriffs und gibt Einsichten in die komplexe, aber produktive Verwobenheit von Diskursen und Technologien, die aus dem wissenschaftlichen Transfer von Leitbildern zwischen Naturwissenschaften und Kulturwissenschaften resultieren. Besprochen in: Freiburger FrauenStudien, 18 (2006), Anelis Kaiser
Sociology --- Body. --- Sociology of Science. --- Sociology. --- Technology. --- Human body --- Human beings --- Social aspects. --- Effect of technological innovations on. --- Homo sapiens --- Human race --- Humanity (Human beings) --- Humankind --- Humans --- Man --- Mankind --- People --- Hominids --- Persons --- Wissenschaft; Technik; Körper; Cyborg; Bioinformatik; Artificial Life; Wissenschaftssoziologie; Soziologie; Science; Technology; Body; Sociology of Science; Sociology
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As we are increasingly using new technologies to change ourselves beyond therapy and in accordance with our own desires, understanding the challenges of human enhancement has become one of the most urgent topics of the current age. This volume contributes to such an understanding by critically examining the pros and cons of our growing ability to shape human nature through technological advancements. The authors undertake careful analyses of decisive questions that will confront society as enhancement interventions using bio-, info-, neuro- and nanotechnologies become widespread in the years to come. They provide the reader with the conceptual tools necessary to address such questions fruitfully. What makes the book especially attractive is the combination of conceptual, historical and ethical approaches, which makes it highly original. In addition, the well-balanced structure of the volume allows both favourable and critical views to be voiced. Moreover, the work has a crystal clear structure. As a consequence, the book is accessible to a broad academic audience. The issues raised are of interest to a wide reflective public concerned about science and ethics, as well as to students, academics and professionals in areas such as philosophy, applied ethics, bioethics, medicine and health management.
bio-ethiek (medische, biomedische ethiek, bio-ethische aspecten) --- verbetergeneeskunde (mensverbetering) --- transhumanisme (cyborg) --- posthumanisme --- geschiedenis (historische aspecten) --- ethiek (ethische aspecten) --- filosofie (filosofische aspecten) --- bioéthique (éthique médicale, biomédicale, aspects bioéthiques) --- médecine de l'amélioration (médecine d'amélioration) --- transhumanisme --- histoire (aspects historiques) --- ethique (aspects ethiques) --- philosophie (aspects philosophiques) --- Social ethics --- Medical law --- Medical innovations. --- Medical ethics.
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A critical study of diabetes in the popular imaginationOver twenty-nine million people in the United States, more than nine percent of the population, have some form of diabetes. In Managing Diabetes, Jeffrey A. Bennett focuses on how the disease is imagined in public culture. Bennett argues that popular anecdotes, media representation, and communal myths are as meaningful as medical and scientific understandings of the disease. In focusing on the public character of the disease, Bennett looks at health campaigns and promotions as well as the debate over public figures like Sonia Sotomayor and her management of type 1 diabetes. Bennett examines the confusing and contradictory public depictions of diabetes to demonstrate how management of the disease is not only clinical but also cultural. Bennett also has type 1 diabetes and speaks from personal experience about the many misunderstandings and myths that are alive in the popular imagination. Ultimately, Managing Diabetes offers a fresh take on how disease is understood in contemporary society and the ways that stigma, fatalism, and health can intersect to shape diabetes’s public character. This disease has dire health implications, and rates keep rising. Bennett argues that until it is better understood it cannot be better treated.
Health Knowledge, Attitudes, Practice. --- Social Stigma. --- Patients --- Diabetes Complications. --- Diabetes Mellitus. --- Diabetes --- psychology. --- Treatment. --- A1C scores. --- DOHMH. --- Department of Health and Mental Hygiene. --- JDRF. --- Sonia Sotomayor. --- US Supreme Court. --- advocacy. --- children and diabetes. --- cyborg. --- diabetes disability. --- diabetes shame. --- epidemics. --- evergreening. --- fatalism. --- food consumption. --- generics. --- insulin. --- living with diabetes. --- race and diabetes.
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We live in the digital age where our sense of self and identity has moved beyond the body to encompass hardware and software. Cyborgs, online representations in social media, avatars, and virtual reality extend our notion of what it means to be human. This book looks at the progression of self from the biological to the technological using a multidisciplinary approach. It examines the notion of personhood from philosophical, psychological, neuroscience, robotics, and artificial intelligence perspectives, showing how the interface between bodies, brains, and technology can give rise to new forms of human identity. Jay Friedenberg presents the content in an organized and easy-to-understand fashion to facilitate learning. A gifted researcher, author, and classroom teacher, he is one of the most influential voices in the field of artificial psychology.
Self-presentation. --- Identity (Psychology) --- Brain. --- artificial intelligence. --- artificial psychology. --- artificial self. --- avatars. --- biology. --- biotech. --- body. --- brain. --- cyborg. --- digital age. --- digital identity. --- digital lives. --- digital self. --- embodiment. --- future selves. --- human identity. --- identity. --- neuroscience. --- nonfiction. --- online lives. --- online self. --- personhood. --- posthuman. --- postmodern. --- psychology. --- robotics. --- science. --- self. --- social media. --- software. --- stem. --- technology. --- virtual reality. --- virtual worlds.
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In an age when the nature of reality is complicated daily by advances in bioengineering, cloning, and artificial intelligence, it is easy to forget that the ever-evolving boundary between nature and technology has long been a source of ethical and scientific concern: modern anxieties about the possibility of artificial life and the dangers of tinkering with nature more generally were shared by opponents of alchemy long before genetic science delivered us a cloned sheep named Dolly. In Promethean Ambitions, William R. Newman ambitiously uses alchemy to investigate the thinning boundary between the natural and the artificial. Focusing primarily on the period between 1200 and 1700, Newman examines the labors of pioneering alchemists and the impassioned-and often negative-responses to their efforts. By the thirteenth century, Newman argues, alchemy had become a benchmark for determining the abilities of both men and demons, representing the epitome of creative power in the natural world. Newman frames the art-nature debate by contrasting the supposed transmutational power of alchemy with the merely representational abilities of the pictorial and plastic arts-a dispute which found artists such as Leonardo da Vinci and Bernard Palissy attacking alchemy as an irreligious fraud. The later assertion by the Paracelsian school that one could make an artificial human being-the homunculus-led to further disparagement of alchemy, but as Newman shows, the immense power over nature promised by the field contributed directly to the technological apologetics of Francis Bacon and his followers. By the mid-seventeenth century, the famous "father of modern chemistry," Robert Boyle, was employing the arguments of medieval alchemists to support the identity of naturally occurring substances with those manufactured by "chymical" means. In using history to highlight the art-nature debate, Newman here shows that alchemy was not an unformed and capricious precursor to chemistry; it was an art founded on coherent philosophical and empirical principles, with vocal supporters and even louder critics, that attracted individuals of first-rate intellect. The historical relationship that Newman charts between human creation and nature has innumerable implications today, and he ably links contemporary issues to alchemical debates on the natural versus the artificial.
Science, Renaissance. --- Alchemy --- Arts, Renaissance. --- History. --- alchemy, perfection, science, bioengineering, ethics, cloning, nature, technology, genetics, artificial life, cyborg, robot, ai, dolly, natural, transformation, transmutation, genetic engineering, creation, power, control, bernard palissy, leonardo da vinci, homunculus, francis bacon, chemistry, chymical, medieval, nonfiction, renaissance, art, synthetic, experiment, visual arts.
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A critical study of diabetes in the popular imaginationOver twenty-nine million people in the United States, more than nine percent of the population, have some form of diabetes. In Managing Diabetes, Jeffrey A. Bennett focuses on how the disease is imagined in public culture. Bennett argues that popular anecdotes, media representation, and communal myths are as meaningful as medical and scientific understandings of the disease. In focusing on the public character of the disease, Bennett looks at health campaigns and promotions as well as the debate over public figures like Sonia Sotomayor and her management of type 1 diabetes. Bennett examines the confusing and contradictory public depictions of diabetes to demonstrate how management of the disease is not only clinical but also cultural. Bennett also has type 1 diabetes and speaks from personal experience about the many misunderstandings and myths that are alive in the popular imagination. Ultimately, Managing Diabetes offers a fresh take on how disease is understood in contemporary society and the ways that stigma, fatalism, and health can intersect to shape diabetes’s public character. This disease has dire health implications, and rates keep rising. Bennett argues that until it is better understood it cannot be better treated.
Health Knowledge, Attitudes, Practice. --- Social Stigma. --- Patients --- Diabetes Complications. --- Diabetes Mellitus. --- Diabetes --- psychology. --- Treatment. --- A1C scores. --- DOHMH. --- Department of Health and Mental Hygiene. --- JDRF. --- Sonia Sotomayor. --- US Supreme Court. --- advocacy. --- children and diabetes. --- cyborg. --- diabetes disability. --- diabetes shame. --- epidemics. --- evergreening. --- fatalism. --- food consumption. --- generics. --- insulin. --- living with diabetes. --- race and diabetes. --- Diabetes. --- Psychology.
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