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Philosophy --- Philosophy, Brazilian --- Philosophie --- Congresses --- Congrès --- Bevilaqua, Clóvis, --- Cunha, Euclides da, --- Lessa, Pedro
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In the late nineteenth century, the Brazilian army staged several campaigns against the settlement of Canudos in northeastern Brazil. The colony's residents, primarily disenfranchised former slaves, mestizos, landless farmers, and uprooted Indians, followed a man known as Antonio Conselheiro ("The Counselor"), who promoted a communal existence, free of taxes and oppression. To the fledgling republic of Brazil, the settlement represented a threat to their system of government, which had only recently been freed from monarchy. Estimates of the death toll at Canudos range from fifteen thousand to thirty thousand.Sentencing Canudos offers an original perspective on the hegemonic intellectual discourse surrounding this monumental event in Brazilian history. In her study, Adriana Michele Campos Johnson offers a close examination of nation building and the silencing of "other" voices through the reinvisioning of history. Looking primarily to Euclides da Cunha's Os Sertões, which has become the defining--and nearly exclusive--account of the conflict, she maintains that the events and people of Canudos have been "sentenced" to history by this work. Johnson investigates other accounts of Canudos such as local oral histories, letters, newspaper articles, and the writings of Cunha's contemporaries, Afonso Arinos and Manoel Benício, in order to strip away political agendas. She also seeks to place the inhabitants and events of Canudos within the realm of "everydayness" by recalling aspects of daily life that have been left out of official histories.Johnson analyzes the role of intellectuals in the process of culture and state formation and the ensuing sublimation of subaltern histories and populations. She echoes recent scholarship that posits subalternity as the product of discourse that must be disputed in order to recover cultural identities and offers a view of Canudos and postcolonial Latin America as a place to think from, not about.
Cunha, Euclides da, --- Brazil --- Canudos (Euclides da Cunha, Brazil) --- History --- Historiography. --- In literature. --- da Cunha, Euclides
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Literature, Modern --- Brazilian literature --- Comparative literature --- Religion and literature --- History and criticism --- History and criticism --- Cunha, Euclides da,
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This book studies how the rhetoric of travel introduces different conceptualizations of space and time in scenarios of war during the last decades of the 19th century, in Argentina, Brazil, Paraguay, and Uruguay. By examining accounts of war and travel in the context of the consolidation of state apparatuses in these countries, Uriarte underlines the essential role that war (in connection to empire and capital) has played in the Latin American process of modernization and state formation. In this book, the analysis of British and Latin American travel narratives proves particularly productive in reading the ways in which national spaces are reconfigured, reimagined, and reappropriated by the state apparatus. War turns out to be a central instrument not just for making possible this logic of appropriation, but also for bringing temporal notions such as modernization and progress to spaces that were described - albeit problematically - as being outside of history. The book argues that wars waged against "deserts" (as Patagonia, the sertão, Paraguay, and the Uruguayan countryside were described and imagined) were in fact means of generating empty spaces, real voids that were the condition for new foundations. The study of travel writing is an essential tool for understanding the transformations of space brought by war, and for analyzing in detail the forms and connotations of movement in connection to violence. Uriarte pays particular attention to the effects that witnessing war had on the traveler's identity and on the relation that is established with the oikos or point of departure of their own voyage. Written at the intersection of literary analysis, critical geography, political science, and history, this bookwill be of interest to those studying Latin American literature, Travel Writing, and neocolonialism and Empire writing.
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The massacre of Canudos In 1897 is a pivotal episode in Brazilian social history. Looking at the event through the eyes of the inhabitants, Levine challenges traditional interpretations and gives weight to the fact that most of the Canudenses were of mixed-raced descent and were thus perceived as opponents to progress and civilization. In 1897 Brazilian military forces destroyed the millenarian settlement of Canudos, murdering as many as 35,000 pious rural folk who had taken refuge in the remote northeast backlands of Brazil. Fictionalized in Mario Vargas Llosa's acclaimed novel, War at the End of the World, Canudos is a pivotal episode in Brazilian social history. When looked at through the eyes of the inhabitants of Canudos, however, this historical incident lends itself to a bold new interpretation which challenges the traditional polemics on the subject. While the Canudos movement has been consistently viewed either as a rebellion of crazed fanatics or as a model of proletarian resistance to oppression, Levine deftly demonstrates that it was, in fact, neither. Vale of Tears probes the reasons for the Brazilian ambivalence toward its social history, giving much weight to the fact that most of the Canudenses were of mixed-race descent. They were perceived as opponents to progress and civilization and, by inference, to Brazil's attempts to "whiten" itself. As a result there are major insights to be found here into Brazilians' self-image over the past century.
Millennialism --- NON-CLASSIFIABLE. --- Amillennialism --- Chiliasm --- Millenarianism --- Millennianism --- Postmillennialism --- Premillennialism --- Dispensationalism --- Fundamentalism --- Millennium (Eschatology) --- History --- 19th century --- Brazil. --- Conselheiro, Antônio, --- Cunha, Euclides da, --- Maciel, Antônio Vicente Mendes, --- Mendes Maciel, Antônio Vicente, --- Brazil --- Canudos (Euclides da Cunha, Brazil)
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Cunha, Euclides da, --- Rio Branco, José Maria da Silva Paranhos Júnior, --- Branco, José Maria da Silva Paranhos Júnior, --- Da Silva Paranhos Júnior, José Maria, --- Júnior, José Maria da Silva Paranhos, --- Paranhos Júnior, José Maria da Silva, --- Penn, J., --- Rio Branco, --- Rio Branco, José Maria da Silva Paranhos, --- Silva Paranhos Júnior, José Maria da, --- Cunha, Euclydes da, --- Da Cunha, Euclides, --- Pimenta da Cunha, Euclides Rodrigues, --- Rodrigues Pimenta da Cunha, Euclides, --- Travel --- Amazon River Region --- Brazil --- Amazonia --- History
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"The Black Butterfly focuses on the slavery writings of three of Brazil's literary giants--Machado de Assis, Castro Alves, and Euclides da Cunha. These authors wrote in the late nineteenth and early twentieth centuries, as Brazil moved into and then through the 1888 abolition of slavery. Assis was Brazil's most experimental novelist; Alves was a Romantic poet with passionate liberationist politics, popularly known as "the poet of the slaves"; and da Cunha is known for the masterpiece Os Sertoes/Sertőes (The Backlands), a work of genius that remains strangely neglected in the scholarship of transatlantic slavery. Wood finds that all three writers responded to the memory of slavery in ways that departed from their counterparts in Europe and North America, where emancipation has typically been depicted as a moment of closure. He ends by setting up a wider literary context for his core authors by introducing a comparative study of their great literary abolitionist predecessors Luis/Luís Gonzaga Pinto da Gama and Joaquim Nabuco. The Black Butterfly is a revolutionary text that insists Brazilian culture has always refused a clean break between slavery and its aftermath. Brazilian slavery thus emerges as a living legacy subject to continual renegotiation and reinvention"-- "The Black Butterfly focuses on the slavery writings of three of Brazil's literary giants--Machado de Assis, Castro Alves, and Euclides da Cunha--from the late nineteenth and early twentieth century"--
Brazilian literature --- Slavery in literature. --- Slavery --- Abolitionists --- Africans --- Blacks --- LITERARY CRITICISM / Caribbean & Latin American. --- SOCIAL SCIENCE / Slavery. --- History and criticism. --- History. --- Alves, Castro, --- Machado de Assis, --- Cunha, Euclides da, --- Criticism and interpretation. --- Ethnology --- Social reformers --- Slavery and slaves in literature --- Slaves in literature --- Cunha, Euclydes da, --- Da Cunha, Euclides, --- Pimenta da Cunha, Euclides Rodrigues, --- Rodrigues Pimenta da Cunha, Euclides, --- Assis, Joaquim Maria Machado de, --- Assis, Machado de, --- De Assis, Joaquim Maria Machado, --- De Assis, Machado, --- Machado de Assis, Joaquim Maria, --- Machado de Assis, Joaquín María, --- Mashado de Assiz, Zhoakin, --- Alves, Antônio de Castro, --- Castro Alves, Antônio Frederico de, --- De Castro Alves, Antônio Frederico, --- Alves, Antônio Frederico de Castro, --- Castro Alves, Antônio de, --- Black persons --- Negroes --- Black people --- Semana --- Enslaved persons in literature
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