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Provincial and Territorial Cultural Policy in Canada: Origins, Evolution, and Implementation offers a comprehensive synthesis of the history of subnational cultural policies, including governments' institutionalization and instrumentalization of culture, and the development, dissemination, and impact of cultural policy interventions.

Cultural policy. --- Canadian provinces. --- Canadian Cultural Policies. --- Comparative analysis of cultural policies. --- History of cultural policies. --- Provincial and Territorial Cultural Policy in Canada Public 'Cultural' Administration.

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cultural management --- creative economy --- cultural policies --- creative policies --- cultural heritage --- cultural tourism

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Societies. --- Humboldt, Alexander von, --- Societies, etc. --- Alexander von Humboldt-Stiftung --- Alexander von Humboldt-Stiftung. --- West Germany --- Cultural policies --- to date --- Serials

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Multiculturalism --- Culture and globalization --- Multiculturalisme --- Culture et mondialisation --- Europe --- Cultural policy --- Politique culturelle --- Cultural pluralism --- European cultural policies - Globalization. --- Cultural pluralism - Europe --- Cultural policy - Europe --- Culture and globalization - Europe

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This book examines the reputation of the Hungarian composer Béla Bartók (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connections between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music.

The book argues that the 'Bartókian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartók myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartók into a martyr, just as the 'Resistenza' and the catastrophe of war had redeemed post-war Italy.

Anti-fascist movements --- Bartók, Béla, --- Political and social views. --- Italy. --- Béla Bartók. --- Cold War. --- Hungarian musician. --- Italian-Hungarian cooperation. --- antifascist hero. --- cultural policies. --- cultural resistance. --- music. --- politics. --- Fascism and music --- History