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"From Mrs Peel in The Avengers to the first female Doctor Who, this book offers a timely focus on the popular phenomenon of the cult TV heroine. First, the enduring phenomenon of Cult TV is carefully explored, taking account of academic approaches to date including questions of genre, the role of the audience and the external environment of technological advances and business drivers. Catriona Miller then suggesting a fresh account of the psychological dimension of the phenomenon utilising Carl Jung's concepts of the transcendent function and active imagination. Her analysis of the heroines themselves focuses on the workings of the audiovisual text alongside examination of narrative and character arcs, to explore the complex ways in which the heroines demonstrate both progressive visions of female emancipation whilst at the same time remaining enmeshed in more traditional representations of femininity. Established Cult TV favourites such as Buffy the Vampire Slayer are examined alongside more contemporary offerings such as Wynonna Earp, and Chilling Adventures of Sabrina. A thematic approach places each type of heroine (such as warriors and witches) into a historical context, before comparing shows across the decades, with the sometimes surprising conclusion that earlier representations were less conflicted about their feminist credentials, though the most recent (post #Metoo) are allowing a more woman-centred voice to be heard. This book both challenges and celebrates the Cult TV heroine and looks to the role of fantasy in helping us to imagine what might be possible for women in contemporary culture"--

Heroines on television. --- Women on television. --- Cult television programs --- Characters and characteristics on television. --- Fantasy television programs --- History and criticism.

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This book is the first sustained critical analysis of Cult British TV comedy from 1990 to the present day. The book examines 'post-alternative' comedy as both 'cult' and 'quality' TV, aimed mostly at niche audiences and often possessing a subcultural aura (comedy was famously declared 'the new 'rock'n'roll' in the early '90s). It includes case studies of Vic Reeves and Bob Mortimer and the sitcom writer Graham Linehan. It examines developments in sketch shows and the emergence of 'dark' and 'cringe' comedy, and considers the politics of 'offence' during a period in which Brass Eye, 'Sachsgate' and Frankie Boyle provoked different kinds of media outrage. Programmes discussed include Vic Reeves Big Night Out, Peep Show, Father Ted, The Mighty Boosh, The Fast Show and Psychoville. Cult British TV Comedy will be of interest to both students and fans of modern TV comedy.

Cult films --- Television comedies --- Comedies, Television --- Comedy programs --- Comedy programs, Television --- Comedy television programs --- Television comedy programs --- Television programs --- Cult classics --- Cult movies --- Motion pictures --- Cult television programs --- televisie --- televisieseries --- televisiereeksen --- comedy --- Groot-Brittannië --- twintigste eeuw --- eenentwintigste eeuw --- Reeves Vic --- Mortimer Bob --- Linehan Graham --- 791.46 --- Film and Media --- Television --- SOCIAL SCIENCE / Popular Culture --- Electronic, holographic & video art --- British Television. --- Cult TV. --- Post-alternative comedy. --- TV Comedy.