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Die Gabe der Tränen : zur Tradition und Theologie eines vergessenen Kapitels der Glaubensgeschichte
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ISBN: 3429024161 9783429024161 Year: 2002 Volume: 35 Publisher: Würzburg: Echter,

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Le don des larmes au moyen âge : un instrument spirituel en quête d'institution (Ve-XIIIe siècle)
Authors: ---
ISBN: 2226120548 9782226120540 Year: 2000 Publisher: Paris: Albin Michel,

Joy-bearing grief : tears of contrition in the writings of the early Syrian and Byzantine Fathers
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ISBN: 9004141235 9789004141230 9786610867233 1429429151 9047406451 128086723X 1433706865 9781429429153 9781433706868 9781280867231 6610867232 9789047406457 Year: 2004 Volume: 57 Publisher: Leiden: Brill,

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Abstract

This volume is the first full-length study of penthos (tears of contrition) since Hausherr's in 1944. It traces its exposition in the early eastern Christian tradition, through detailed analysis of Greek and Syriac texts by Klimakos, Ephrem, Isaac and Symeon the New Theologian. It suggests why such weeping is, for these writers, a joyful as well as a sobering experience, and it places their writings in their historical and geographical context, giving some lexicographical background. Issues of religious anthropology, and the unusual choice of a female exegete in the person of the 'sinful woman' (Luke 7.36-50) are considered. The conclusion points the way to an appropriate theological interpretation of these teachings and highlights modern, non-monastic examples of joy-bearing, penitent grief.

Telling tears in the English Renaissance
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ISBN: 9789004477902 9789004105171 9004105174 900447790X Year: 1996 Publisher: Leiden: Brill,

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Abstract

Tears and weeping are, at once, human universals and socially-constrained phenomena. This volume explores the interface between those two viewpoints by examining medical literature, sermons, and lyric poetry of the sixteenth and seventeenth centuries to see how dominant paradigms regarded who could, who must, and who must not weep. These paradigms shifted in some cases radically, during these centuries. Without a clear understanding of how the Renaissance 'read' tears, it is difficult to avoid using our own preconceptions - often quite different and very misleading. There are five chapters; one on medical and scientific material, two on sermons, and two on different types of lyric.

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