Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Une histoire des acteurs travestis en femmes, dans le contexte rituel ou des arts du spectacle, dans divers lieux et époques, illustrant l'éviction des femmes de l'espace public dans des sociétés patriarcales.

Cross-dressing. --- Cross-dressing in literature. --- Feminism and the arts --- Travestisme --- Travestisme dans la littérature --- Féminisme et arts

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Cette étude interroge la notion de travestissement dans une perspective transgénérique et transhistorique. Une analyse comparative du Siècle d'or et de l'époque contemporaine qui s'appuie sur les domaines de la littérature, de la linguistique, de l'histoire et de l'image ibérique.

Cross-dressing in art --- Cross-dressing in literature --- Spanish literature --- Travestisme dans l'art --- Travestisme dans la littérature --- Littérature espagnole --- Congresses. --- Congresses. --- Themes, motives --- Congresses --- Congrès --- Congrès --- Thèmes, motifs --- Congrès

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Masquerading as a man, seeking adventure, going to war or to sea for love and glory, the transvestite heroine flourished in all kinds of literature, especially ballads, from the Renaissance to the Victorian age. Warrior Women and Popular Balladry, 1650-1850 identifies this heroine and her significance as a figure in folklore, and as a representative of popular culture, prompting important reevaluations of gender and sexuality. Dugaw has uncovered a fascination with women cross-dressers in the popular literature of early modern Europe and America. Surveying a wide range of Anglo-American texts from popular ballads and chapbook life histories to the comedies and tragedies of aristocratic literature, she demonstrates the extent to which gender and sexuality are enacted as constructs of history.

Great Britain --- United States --- Ballads, English --- Ballads, English. --- Cross-dressers in literature. --- Cross-dressing in literature. --- Heroines in literature. --- Popular literature --- Popular literature. --- War poetry, English --- War poetry, English. --- Women soldiers in literature. --- History and criticism --- History and criticism. --- England. --- United States of America --- History --- Heroes --- Literature --- War --- Poetry --- Popular culture --- Cross-dressing --- Book

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Like other English Renaissance writers and dramatists, Shakespeare was attracted to the heroine in male disguise. Gender in Play on the Shakespearean Stage examines the use of this type of character--man playing woman playing man--by framing five plays by Shakespeare against readings of some of the other "female page" plays written by other playwrights of the period. The many variations Michael Shapiro traces are placed in the context of female cross-dressing as a social phenomenon and in the context of female impersonation as the standard way of representing women on the Shakespearean stage. Shakespeare's use of the female page spanned his entire career: The Two Gentlemen of Verona (an early comedy), The Merchant of Venice, As You Like It, Twelfth Night (mature romantic comedies), and Cymbeline (a late romance). Shapiro deploys several modes of literary criticism to establish the distinctiveness of each of Shakespeare's five disguised heroine plays and to trace the subtle and ingenious variations on the motif by such writers as Greene, Fletcher, Chapman, Middleton, Jonson, and Ford. The popularity of the "female page" is examined as a playful literary and theatrical way of confronting, avoiding, or merely exploiting issues such as the place of women in a patriarchal culture and the representation of women on stage. Looking beyond and behind the stage for the cultural anxieties that cross-dressing London women being punished as prostitutes and speculation that the apprentices who played female roles in adult companies engaged in homoerotic practices. [This book] will appeal not only to scholars of Renaissance drama but to any reader interested in the historical construction and analysis of gender and sexuality, both on- and offstage"-- Back cover.

Theatrical science --- Thematology --- Shakespeare, William --- Theâtre --- Rôle selon le sexe --- Women in the theater. --- Women in literature. --- Theater --- Theater. --- Sex role in literature. --- Gender identity in the theater. --- Gender identity in literature. --- Disguise in literature. --- Cross-dressing in literature. --- Child actors. --- Travestisme dans la litterature. --- Femmes dans la litterature. --- Deguisement dans la litterature. --- Rôle selon le sexe dans la litterature. --- Identite de genre dans la litterature. --- Enfants acteurs --- Femmes au theâtre --- Identite de genre au theâtre --- Child actors --- Women in the theater --- Gender identity in the theater --- Identite sexuelle --- Dans la litterature. --- Casting. --- Histoire --- Distribution artistique --- History --- Casting --- Shakespeare, William, --- Characters --- Women. --- Dramatic production. --- Stage history --- England.