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Comics are stuff; comics tell stories about stuff; and they display stuff.When we use the phrase "and stuff" in everyday speech, we often mean something vague, something like "etcetera." In this book, stuff refers not only to physical objects, but also to the emotions, sentimental attachments, and nostalgic longings that we express--or hold at bay--through our relationships with stuff.In Comics and Stuff, his first solo authored book in over a decade, pioneering media scholar Henry Jenkins moves through anthropology, material culture, literary criticism, and art history to resituate comics in the cultural landscape. Through over one hundred full-color illustrations, using close readings of contemporary graphic novels, Jenkins explores how comics depict stuff and exposes the central role that stuff plays in how we curate our identities, sustain memory, and make meaning. . They give vivid expression to a culture preoccupied with the processes of circulation and appraisal, accumulation and possession. By design, comics encourage the reader to scan the landscape, to pay attention to the physical objects that fill our lives and constitute our familiar surroundings. Because comics take place in a completely fabricated world, everything is there intentionally. . Considers how comics display our everyday stuff--junk drawers, bookshelves, attics--as a way into understanding how we represent ourselves nowFor most of their history, comics were widely understood as disposable--you read them and discarded them, and the pulp paper they were printed on decomposed over time. Today, comic books have been rebranded as graphic novels--clothbound high-gloss volumes that can be purchased in bookstores, checked out of libraries, and displayed proudly on bookshelves. They are reviewed by serious critics and studied in university classrooms. A medium once considered trash has been transformed into a respectable, if not elite, genre.While the American comics of the past were about hyperbolic battles between good and evil, most of today's graphic novels focus on everyday personal experiences. Contemporary culture is awash with stuff. .

transformative works. --- toxic masculinity. --- still life painting. --- sketchbook. --- scrapbooks. --- monster culture. --- mise-en-scene. --- material culture. --- accumulation;Alice in Wonderland;Animation history;army surplus;art world;autobiography;Cabinet d'amateur;Caricature;Chicago;Collage;collecting;consciousness raising;Crooners;Culling;Display;Early comic strips;Early photography;family history;fantasy;furniture;Graphic novels;Happy objects;hoarding;Homosocial Relations;identity;inheritance. --- Wonder cabinets. --- White supremacy. --- WWII veterans. --- Underground comics. --- Trickster stories. --- Transitional objects. --- Trading. --- Toy. --- The residual. --- The abject. --- Southern folklore. --- Senior citizens. --- Rituals. --- Relic. --- Racism. --- Nostalgia. --- Music hall. --- Midcentury Podern. --- Memory. --- Meaning. --- Local History. --- Alice in Wonderland. --- Animation history. --- Cabinet d’amateur. --- Caricature. --- Chicago. --- Collage. --- Crooners. --- Culling. --- Display. --- Early comic strips. --- Early photography. --- Graphic novels. --- Happy objects. --- Homosocial Relations. --- Local History. --- Meaning. --- Memory. --- Midcentury Podern. --- Music hall. --- Nostalgia. --- Racism. --- Relic. --- Rituals. --- Senior citizens. --- Southern folklore. --- The abject. --- The residual. --- Toy. --- Trading. --- Transitional objects. --- Trickster stories. --- Underground comics. --- WWII veterans. --- White supremacy. --- Wonder cabinets. --- accumulation. --- army surplus. --- art world. --- autobiography. --- collecting. --- consciousness raising. --- family history. --- fantasy. --- furniture. --- hoarding. --- identity. --- inheritance. --- material culture. --- mise-en-scene. --- monster culture. --- scrapbooks. --- sketchbook. --- still life painting. --- toxic masculinity. --- transformative works.