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Charting over 45 years of feminist debate on the significance of gender in the making and understanding of art, this archival anthology gathers together 88 indicative texts from North-America, Europe and Australasia, and elsewhere.

The volume embraces a broad range of threads and perspectives, from diverse national and global approaches, lesbian and queer theory, and postmodernism to education and aesthetics. The writings of artists and activists are juxtaposed with those of academics, creating an entertaining and provocative web of ideas. Some of the texts are now regarded as classic, but the anthology is particularly notable for its inclusion of rare and significant material not reprinted elsewhere.

The scale and structure of the volume make it a uniquely flexible resource for study and research. Each of the seven sections focuses on a specific area of debate and is introduced by a descriptive summary. The texts within each chapter are then presented in chronological order, indexing differing positions as they developed over time.

Feminism and art. --- Feminist art criticism. --- Art, Modern --- Féminisme et art --- Critique d'art féministe --- Art --- kunstfilosofie --- Philosophy and psychology of culture --- feminisme --- Féminisme et art --- Critique d'art féministe --- #breakthecanon

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(e.) Twin Gabriel ; Acconci, Vito ; Almeida, Helena ; Antin, Eleanor ; Bacon, Francis ; Balla, Giacomo ; Bayer, Herbert ; Belling, Hans ; Bellmer, Hans ; Boiffard, Jacques-André ; Bourgeois, Louise ; Bourneville, D.M. ; Breitz, Candice ; Brus, Günter ; Dali, Salvador ; Dix, Otto ; Drtikol, Frantisek ; Dumas, Marlene ; Ernst, Max ; Export, Valie ; Fahlström, Öyvind ; Fautrier, Jean ; Freddie, Wilhelm ; Frydlander, Barry ; Gordon, Douglas ; Graham, Dan ; Hajek-Halke, Heinz ; Halsman, Philippe ; Henri, Jacques ; Höch, Hannah ; Horn, Rebecca ; Hugo, Valentine ; Hurrel, George ; Jonas, Joan ; Jorn, Asger ; Journiac, Michel ; Kelly, Mary ; Van Kerckhoven, Anne-Mie ; Kertesz, André ; Kiwitz, Heinz ; Klauke, Jürgen ; Klein, Yves ; Krull, Germaine ; Krystufek, Elke ; Lam, Wifredo ; Lassnig, Maria ; Leonard, Zoe ; Lüthi, Urs ; Magritte, René ; Man Ray ; Masson, Andre ; Matta (Roberto Antonio Sebastian Matta Echaurren) ; Mayer, Katharina ; Melián, Michaela ; Mendieta, Ana ; Molinier, Pierre ; Nathan, Piotr ; Nauman, Bruce ; Novak, Ladislav ; Oppenheim, Meret ; Pane, Gina ; Picasso, Pablo ; Rainer, Arnulf ; Rama, Carol ; Reeb, David ; Regnard, P. ; Reichmann, Vilém ; Roh, Franz ; Rosenberg, Aura ; Rosler, Martha ; Schneemann, Carolee ; Sherman, Cindy ; Stryrsky, Jindrich ; Tanning, Dorothea ; Teige, Karel ; Thek, Paul ; Ubac, Raoul ; Warhol, Andy ; Weibel, Peter ; Wilding, Faith ; Wilke, Hannah ; Zürn, Unica

History --- art history --- performance art --- hysterie (kunst) --- feminism --- art [fine art] --- Surrealist --- Art styles --- Iconography --- women [female humans] --- Art --- eroticism --- anno 1900-1999 --- Feminism and art --- Women in art --- Art, Modern --- Feminist art criticism. --- Féminisme et art --- Femmes dans l'art --- Critique d'art féministe --- Exhibitions. --- Expositions --- human figures [visual works] --- Féminisme et art --- Critique d'art féministe --- art [discipline] --- kunstsociologie --- kunst en technologie

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Critique d'art féministe --- Feminist art criticism --- Feministische kunstkritiek --- -Art criticism --- Feminist criticism --- Duchamp, Marcel --- -Criticism and interpretation --- -Duchamp, Marcel --- Art criticism --- Duchamp, Marcel, --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Criticism and interpretation. --- Criticism and interpretation --- Duchamp, Marcel, - 1887-1968 - Criticism and interpretation. --- Feminist art criticism - United States. --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose

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"A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"-- "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"--

Modernism (Art) --- Painting, American --- Art criticism --- Art and race. --- Race and art --- Ethnopsychology --- Painting, Modern --- Washington Color School (Group of artists) --- History --- Johnson, Malvin Gray, --- Kuniyoshi, Yasuo, --- Weber, Max, --- וועבער, מאקס, --- 国吉康雄, --- 國吉康雄, --- Johnson, Gray, --- Criticism and interpretation. --- Art and race --- 75.037(7/8) --- Johnson, Malvin Gray 1896-1934 (° Greensboro, North Carolina, Verenigde Staten) --- Kuniyoshi, Yasuo 1889-1953 (°Okayama, Japan) --- Kunst en ras ; etno-raciale aspecten --- Niet-Westerse kunst --- Racial Art --- Schilderkunst ; New York ; 1ste h. 20ste eeuw --- Weber, Max 1881-1961 (°Belostok, Rusland, huidige Bialystok, Polen) --- Schilderkunst ; 1900 - 1950 ; Amerika --- Critique d'art --- Peinture americaine --- Modernisme (art) --- Art et race. --- Modernisme (Art) --- Histoire --- Critique et interpretation. --- Johnson, Malvin Gray --- Criticism and interpretation --- Kuniyoshi, Yasuo --- Weber, Max --- United States --- Painting [American ] --- 20th century --- Geschichte 1920-1940. --- Art moderniste --- Modernité (art) --- Avant-garde --- Modernisme --- Art --- Peintres américains --- Peinture --- Aquarelle américaine --- Art américain --- Critique artistique --- Critique picturale --- Art et littérature --- Critiques d'art --- Journaux --- Critique photographique --- Critique architecturale --- Chefs-d'oeuvre (art) --- Critique d'art féministe --- Critique --- Vie artistique --- esthétique --- Appréciation --- Cahiers, Chroniques, etc. -- Arts --- Chroniques artistiques --- Critique et interprétation