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American literature --- Literature --- anno 1900-1999 --- Criticism --- Critique --- History --- Histoire --- Criticism - History - 20th century --- Criticism - United States - History - 20th century --- CRITICISM --- HISTORY --- 20th CENTURY --- U.S.
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Social sciences --- Critical theory. --- Criticism --- Philosophy --- History. --- Philosophy. --- History --- Social sciences - United States - Philosophy - History. --- Social sciences - Philosophy. --- Criticism - United States - History - 20th century.
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Described in the New York Times as the greatest art historian America ever produced, Meyer Schapiro was both a close friend to many of the famous artists of his generation and a scholar who engaged in public debate with some of the major intellectuals of his time. This volume synthesizes his prolific career for the first time, demonstrating how Schapiro worked from the nexus of artistic and intellectual practice to confront some of the twentieth century’s most abiding questions.Schapiro was renowned for pioneering interdisciplinary approaches to interpreting visual art. His lengthy formal analyses in the 1920s, Marxist interpretations in the 1930s, psychoanalytic critiques in the 1950s and 1960s, and semiotic explorations in the 1970s all helped open new avenues for inquiry. Based on archival research, C. Oliver O’Donnell’s study is structured chronologically around eight defining debates in which Schapiro participated, including his dispute with Isaiah Berlin over the life and writing of Bernard Berenson, Schapiro’s critique of Martin Heidegger’s ekphrastic commentary on Van Gogh, and his confrontation with Claude Lévi-Strauss over the applicability of mathematics to the interpretation of visual art. O’Donnell’s thoughtful analysis of these intellectual exchanges not only traces Schapiro’s philosophical evolution but also relates them to the development of art history as a discipline, to central tensions of artistic modernism, and to modern intellectual history as a whole.Comprehensive and thought-provoking, this study of Schapiro’s career pieces together the separate strands of his work into one cohesive picture. In doing so, it reveals Schapiro’s substantial impact on the field of art history and on twentieth-century modernism.
Art criticism --- Art --- History --- Schapiro, Meyer, --- Art criticism - United States - History - 20th century --- Art - History --- Schapiro, Meyer, - 1904-1996 --- Art history --- History of art
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Dans cette étude décisive, Thierry De Duve se propose de lire Greenberg en prenant le contre-pied des critiques du célèbre critique et parfois du critique lui-même. Réinterprétant les analyses que Greenberg fait des grandes figures de l'art moderne, dont Pollock et Duchamp, l'auteur établit de nouvelles coordonnées théoriques qui permettent de comprendre les complexités subtiles et toute l'importance de la démarche de Greenberg.
Greenberg, Clément --- Art criticism --- Art, Modern --- Critique d'art --- Ecrit théorique --- Théorie de l'art --- Analyse de l'art --- History --- 20e siècle --- Art criticism - United States - History - 20th century. --- Art, Modern - 20th century.
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Non-fiction --- English literature --- American literature --- anno 1800-1999 --- anno 1700-1799 --- Criticism --- Critique --- Littérature anglaise --- History --- History and criticism --- Histoire --- Histoire et critique --- Littérature anglaise --- Criticism - Great Britain --- Criticism - United States - History - 20th century --- English literature - History and criticism
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English literature --- Criticism --- History and criticism --- Theory, etc --- History --- -English literature --- -82.09 --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Appraisal of books --- Books --- Evaluation of literature --- Literary criticism --- Literature --- Rhetoric --- Aesthetics --- Style, Literary --- -History and criticism --- -Theory, etc --- Literaire kritiek --- Appraisal --- Technique --- Evaluation --- 82.09 Literaire kritiek --- 82.09 --- History and criticism&delete& --- English literature - History and criticism - Theory, etc --- Criticism - United States - History - 20th century
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American literature --- Literature --- anno 1900-1999 --- Criticism --- Critique --- History --- Histoire --- World War, 1939-1945 --- Influence --- -World War, 1939-1945 --- -European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Appraisal of books --- Books --- Evaluation of literature --- Literary criticism --- Rhetoric --- Aesthetics --- Style, Literary --- -Influence --- Appraisal --- Technique --- Evaluation --- -History --- European War, 1939-1945 --- Criticism - United States - History - 20th century --- World War, 1939-1945 - United States - Influence
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Criticism --- Modernism (Literature) --- English literature --- American literature --- History --- History and criticism --- American literature. --- Criticism. --- English literature. --- Modernism (Literature). --- Letterkunde. --- Modernisme (cultuur) --- Engels. --- Littérature anglaise --- Critique --- Littérature américaine --- Modernisme (littérature) --- History and criticism. --- Histoire et critique. --- 1900-1999. --- Modernisme (cultuur). --- Modernisme (littérature). --- 820 "19" --- 820 "19" Engelse literatuur--20e eeuw. Periode 1900-1999 --- Engelse literatuur--20e eeuw. Periode 1900-1999 --- anno 1900-1999 --- Criticism - Great Britain - History - 20th century --- Criticism - United States - History - 20th century --- English literature - 20th century - History and criticism --- American literature - 20th century - History and criticism
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