Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Rethinking Hanslick: Music, Formalism, and Expression' is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to the aesthetics and philosophy of music and looks anew at his literary interests. The essays embrace ways of thinking about Hanslick's writings that go beyond the polarities that have long marked discussion of his work such as form/expression, absolute/program music, objectivity/subjectivity, and formalist/hermeneutic criticism. This approach takes into consideration both Hanslick's important 'On the Musically Beautiful' and his critical and autobiographical writings, demonstrating Hanslick's rich insights into the context in which a musical work is composed, performed, and received. 'Rethinking Hanslick' serves as an invaluable companion to Hanslick's prodigious scholarship and criticism, deepening our understanding of the major themes and ideas of one of the most influential music critics of the nineteenth century. Dr Nicole Grimes is a Marie Curie Fellow at University College Dublin (UCD), and the University of California, Irvine. Dr Siobhán Donovan is a College Lecturer at the School of Languages and Literatures, UCD. Dr Wolfgang Marx is a Senior Lecturer at the School of Music, UCD.

Musical criticism --- Music --- Hermeneutics (Music) --- Music criticism --- Journalism --- History --- Philosophy and aesthetics. --- History and criticism --- Hanslick, Eduard, --- Hanslik, Eduard, --- Гансликъ, Эдуардъ, --- Ganslik, Ėduard, --- Music - 19th century - Philosophy and aesthetics --- Musical criticism - History - 19th century --- Hanslick, Eduard, - 1825-1904 --- Eduard Hanslick. --- absolute/program music. --- aesthetics. --- form/expression. --- formalist/hermeneutic criticism. --- literary interests. --- nineteenth-century musical life. --- objectivity/subjectivity. --- philosophy of music.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Criticism --- Literature, Modern --- Postmodernism (Literature) --- History --- History and criticism --- 82.09 --- -Criticism --- -Literature, Modern --- -Postmodernism (Literature) --- Literary movements --- Modernism (Literature) --- Post-postmodernism (Literature) --- Modern literature --- Arts, Modern --- Appraisal of books --- Books --- Evaluation of literature --- Literary criticism --- Literature --- Rhetoric --- Aesthetics --- Style, Literary --- Literaire kritiek --- -History --- -History and criticism --- Appraisal --- Technique --- Evaluation --- 82.09 Literaire kritiek --- Criticism - History - 20th century --- Literature, Modern - 19th century - History and criticism --- Criticism - History - 19th century

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Die systematische Rekonstruktion der poetologischen und literaturkritischen Diskussion zwischen der Revolution von 1848 und der problematischen Moderne des Wilhelminismus stellt das traditionelle Epochenprofil um: Statt des poetischen tritt der programmatische Realismus in den Fokus des Interesses; die Wende zum Realismus erscheint nicht mehr als Rückzug auf bildungsbürgerliche Kompensation, sondern als literaturpolitischer Strategiewechsel, der Parteinahme durch Nationalpädagogik substituiert. Obwohl er sich bis in die achtziger Jahre als offizielle Programmatik des Reiches fühlen kann, werden die idealistischen Konzepte Hayms, Freytags und Spielhagens bald vom urbanen Liberalismus der Gründerzeitkritiker wie Karl Frenzel und Paul Lindau überboten, bevor die Literaturkritik des Naturalismus mit Rückgriff auf jene und polemischer Distanzierung von diesen in schriller Vielstimmigkeit die Moderne proklamiert. Diese Transformation wird vom positivistischen Literaturverständnis der Scherer-Schüler flankiert: Indem sie Literatur zunächst als Untersuchungsgegenstand begreifen, der in Struktur und medialer Logik zu bestimmen ist, lösen sie die ästhetische Beurteilung von inhaltlicher Wertung und eröffnen damit den Weg zum formalen Literaturverständnis der Moderne.

Littérature réaliste --- Naturalism in literature --- Naturalisme dans la littérature --- Naturalisme in de literatuur --- Neorealism (Literature) --- Neorealisme (Literatuur) --- Néoréalisme (Littérature) --- Realism (Literary movement) --- Realism in literature --- Realisme (Letterkundige beweging) --- Realisme (Literaire beweging) --- Realisme in de literatuur --- Realistische literatuur --- Réalisme (Mouvement littéraire) --- Réalisme dans la littérature --- Criticism --- Realism --- Naturalism --- History --- German literature --- Naturalism in literature. --- Politics and literature --- Realism in literature. --- History and criticism --- Theory, etc. --- History and criticism. --- 19th century --- Magic realism (Literature) --- Mimesis in literature --- Literature --- Literature and politics --- Young Germany --- Political aspects --- Criticism - History - 19th century