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In this essay, I will examine Marcel Broodthaers’s works which subverted the medium discourse and offered new aesthetic critiques of art in the 1960s. My essay will focus on substitution of artistic materials from language to object and finally to an institutional critique itself. Broodthaers’s artistic materials caused not only in the material shifts, but also a breakthrough in the medium critique generated by Clement Greenberg. I argue that Broodthaers’s practice challenges both in the aesthetic critique and in the social critique. In Broodthaers’s artistic vision, it is impossible that art cannot be detached from the consumptive society. His works function the political and sociological analysis in the conceptual and material levels.
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Douglas Crimp is the rare art critic whose work profoundly influenced a generation of artists. He is best known for his work with the Pictures Generationthe very name of which Crimp coined to define the work of artists like Robert Longo and Cindy Sherman who appropriated images from mass culture to carry out a subversive critique. But while his influence is widely recognized, we know little about Crimps own formative experiences before Pictures. Before Pictures tells the story of Crimps life as a young gay man and art critic in New York City during the late 1960s through the turbulent 1970s. Crimp participated in all of what made the city so stimulating in that vibrant decade. The details of his professional and personal life are interwoven with the particularly rich history of New York City at that time, producing a vivid portrait of both the critic and his adopted city. The book begins with his escape from his hometown in Idaho, and we quickly find Crimp writing criticism for ArtNews while working at the Guggenheimwhere, as a young curatorial assistant, he was one of the few to see Daniel Burens Peinture-Sculpture before it was removed amid cries of institutional censorship. We also travel to the Chelsea Hotel (where Crimp helped the down-on-his-luck couturier Charles James organize his papers) through to his days as a cinephile and balletomane to the founding of the art journal October, where he remained a central figure for many years. As he was developing his reputation as a critic, he was also partaking of the New York night life, from drugs and late nights alongside the Warhol crowd at the Maxs Kansas City to discos, roller-skating, and casual sex with famous (and not-so-famous) men. As AIDS began to ravage the closely linked art and gay communities, Crimp eventually turned his attention to activism dedicated to rethinking AIDS. Part biography and part cultural history, Before Pictures is a courageous account of an exceptional period in both Crimps life and the life of New York City. At the same time, it offers a deeply personal and engaging point of entry into important issues in contemporary art.
English language --- autobiographies [literary works] --- kunstgeschiedenis --- Crimp, Douglas --- New York City
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Edited by Hal Foster --- cultuurfilosofie --- kunst --- architectuur --- kunstkritiek --- fotografie --- kunsttheorie --- beeldhouwkunst --- feminisme --- museologie --- twintigste eeuw --- postmodernisme --- Baudrillard Jean --- Crimp Douglas --- Frampton Kenneth --- Habermas Jürgen --- Jameson Fredric R. --- Krauss Rosalind --- Owens Craig --- Said Edward W. --- Ulmer Gregory L. --- 7.01 --- 130.2 --- Civilization, Modern --- Modernism (Aesthetics) --- Jameson Fredric R --- Said Edward W --- Ulmer Gregory L --- Aesthetics --- Postmodernisme --- Esthétique --- Civilization, Modern - 1950 --- -Postmodernisme
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Art --- Dercon, Chris --- Nauman, Bruce --- Koolhaas, Rem --- Buren, Daniel --- Wall, Jeff --- Graham, Dan --- Chris Dercon --- musea --- museologie --- Museum Boijmans Van Beuningen --- Witte de With --- kunsttheorie --- esthetica --- de Duve Thierry --- Sennett Richard --- Koolhaas Rem --- Crimp Douglas --- Graham Dan --- Buren Daniel --- Wallis Brian --- Daney Serge --- Nauman Bruce --- Wall Jeff --- Fabbri Paolo --- Paetzold Antje --- Documenta X --- David Catherine --- 7.01 --- 069 --- Art critics --- Art museums --- Artists and museums. --- Artists --- Arts, Modern --- Avant-garde (Aesthetics) --- Philosophy. --- History --- Artists and museums --- Aesthetics --- Modernism (Art) --- Museums and artists --- Critics --- Philosophy
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"It has been argued, most notably in psychoanalytic and modernist art discourse, that the production of works of art is fundamentally driven by sexual desire. It has been further argued, particularly since the early 1970s, that sexual drives and desires also condition the distribution, display and reception of art. This anthology traces how and why this identification of art with sexual expression or repression arose and how the terms have shifted in tandem with artistic and theoretical debates, from the era of the rights movements to the present. Among the subjects it discusses are abjection and the "informe," or formless; pornography and the obscene; the performativity of gender and sexuality; and the role of sexuality in forging radical art or curatorial practices in response to such issues as state-sponsored repression and anti-feminism in the broader social realm." -- Publisher's description
politics --- performance art --- philosophy of art --- hedendaagse kunst --- theme --- seksualiteit --- Contemporary [style of art] --- longing --- pornography --- thema's in de kunst --- Art --- sexuality --- Sex and art --- Art, Modern --- Psychology --- Sex and art. --- Psychology. --- 7.041 --- Iconografie ; de mens, portretten --- Thema's in de kunst ; seksualiteit ; erotiek --- Beeldende kunst ; 20ste en 21ste eeuw --- Gender Studies --- Sexualité --- Bourgeois, Louise --- Acconci, Vito --- Alloway, Lawrence, 1926-1989 --- Chicago, Judy --- Crimp, Douglas --- Delvoye, Wim --- Duchamp, Marcel --- Foucault, Michel --- Krauss, Rosalind --- Mccarthy, Paul --- Marcuse, Herbert --- Mekas, Jonas --- Michelson, Annette --- Neshat, Shirin --- Opie, Catherine, --- Sontag, Susan --- Minh-ha, Trinh T. --- Kunst --- politiek --- pornografie --- performances [live] --- thema --- kunstfilosofie --- verlangen --- anno 1900-1999 --- anno 2000-2099 --- kunst --- 130.2 --- 7.039 --- 7.01 --- homoseksualiteit --- performance --- cultuurfilosofie --- twintigste eeuw --- eenentwintigste eeuw --- erotiek --- gender studies --- Foucault, Michel, --- seksualiteit in de kunst --- Art, Modern. --- Sexualität. --- Kunst. --- 1900 - 2099. --- Foucault, Michel, 1926-1984 --- Opie, Catherine, 1961 --- -Sontag, Susan --- lichaam (van de mens) --- Artists --- Pornography --- Sexuality --- Book --- Eroticism
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7.01 --- Kunsttheorie ; kunst in de publieke ruimte --- Kunst in de stad --- Community Art --- Omgevingskunst --- Urban Art ; Verenigde Staten --- Interviews ; gesprekken met kunstenaars --- Kunst in opdracht --- Kunst ; theorie, filosofie, esthetica --- Art --- Art, American --- Artists --- Community arts projects --- Public art --- Commissioning --- sculpture [visual works] --- outdoor sculpture --- art [fine art] --- architecture [discipline] --- urban planning --- public art --- public spaces --- Ahearn, John --- Avalos, David --- Chaney, Rufus L. --- Crimp, Douglas --- Ginzel, Andrew --- Glatt, Linnea --- Hock, Louis --- Jensen, Ron --- Jones, Kristin --- Lowe, Rick --- McLean, Jackie --- Moore, Frank --- Przybylak, Jagoda --- Freire, Paulo --- Shakur, Assata --- David, Michael --- Sisco, Elizabeth --- Symes, Arthur --- Ukeles, Mierle Laderman --- Venturi, Robert --- Scott Brown, Denise --- Acconci, Vito --- Chin, Mel --- Lin, Maya --- Wodiczko, Krysztof --- anno 1990-1999 --- art [discipline] --- kunstsociologie
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77.01 --- Fotografie--Semiotiek van de fotografie. Theorie --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Edited by Liz Wells --- Avgikos Jan --- Bailey David A. --- Batchen Geoffrey --- Bate David --- Becker Karin E. --- Berger John --- Brik Ossip --- Collins Jane --- Damisch Hubert --- Desnoes Edmundo --- Edwards Steve --- Grundberg Andy --- Hall Stuart --- Henderson Lisa --- Kelly Angela --- Kember Sarah --- Hooks Bell --- Kuhn Anette --- Lister Martin --- Lutz Catherine --- McGrath Roberta --- Manovich Lev --- Martin Rosy --- Metz Christian --- Mitchell W.J.T. --- Moholy-Nagy László --- Morris Wright --- Perloff Marjorie --- Sekula Allan --- Solomon-Godeau Abigail --- Spence Jo --- Szarkowski John --- Tagg John --- Weston Edward --- Wollen Peter --- Photographie. --- fotografie --- twintigste eeuw --- digitale fotografie --- documentaire fotografie --- fotografietheorie --- reportagefotografie --- tentoonstellingen --- musea --- onderwijs --- Barthes Roland --- Benjamin Walter --- Burgin Victor --- Crimp Douglas --- Eco Umberto --- Lippard Lucy R. --- Rosler Martha --- Sontag Susan --- Photography --- Photography. --- Essays. --- departement Beeldende Kunst 09 --- hedendaagse fotografie --- Bailey David A --- Becker Karin E --- Lippard Lucy R --- Mitchell W.J.T
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Art --- Minimal --- minimal art --- anno 1960-1969 --- Art, American --- Minimal art --- James Meyer --- kunst --- schilderkunst --- beeldhouwkunst --- installaties --- galeries --- kunstkritiek --- neon --- minimalisme --- twintigste eeuw --- Verenigde Staten --- André Carl --- Baer Jo --- Bell Larry --- Bladen Ronald --- Bochner Mel --- Bourdon David --- Burn Ian --- Chave Anna C. --- Chicago Judy --- Coplans John --- Crimp Douglas --- De Maria Walter --- Di Suvero Mark --- Flavin Dan --- Foster Hal --- Fried Michael --- Glaser Bruce --- Greenberg Clement --- Gregor Harold --- Hesse Eva --- Humphrey Ralph --- Judd Donald --- Kramer Hilton --- Krauss Rosalind --- Leider Philip --- LeWitt Sol --- Lippard Lucy R. --- McCracken John --- McShine Kynaston --- Mangold Robert --- Marden Brice --- Martin Agnes --- Merleau-Ponty Maurice --- Meyer Ursula --- Michelson Annette --- Mogenson Paul --- Morris Robert --- Novros David --- Rainer Yvonne --- Rose Barbara --- Rosenblum Robert --- Ryman Robert --- Serra Richard --- Smith Tony --- Smithson Robert --- Stella Frank --- Truitt Anne --- Wagstaff Jr. Samuel J. --- 7.038 --- art history --- Chave Anna C --- Lippard Lucy R --- Wagstaff Jr. Samuel J --- Art, Minimal --- Minimalism (Art) --- Minimalist art --- Systematic painting --- Art, Abstract --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- United States --- Art [Modern ] --- 20th century
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Important documents and appraisals of appropriation art from Duchamp's readymades to feminist and postcolonial critique. Scavenging, replicating, or remixing, many influential artists today reinvent a legacy of “stealing” images and forms from other makers. Among the diverse, often contestatory strategies included under the heading “appropriation” are the readymade, détournement, pastiche, rephotography, recombination, simulation and parody. Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation's significance for art is not limited by that cultural and political moment. In an expanded art-historical frame, this book recontextualizes avant-garde photomontage, the Duchampian readymade, and the Pop image among such alternative precursors as Francis Picabia, Bertolt Brecht, Guy Debord, Akasegawa Genpei, Dan Graham, Cildo Meireles, and Martha Rosler. In the recent work of many artists, including Mike Kelley, Glenn Ligon, Pierre Huyghe, and Aleksandra Mir, among others, appropriation is central to their critique of the contemporary world and vision for alternative futures. Artists surveyed include Akasegawa Genpei, Santiago Álvarez, Art Workers Coalition, Ross Bleckner, Marcel Broodthaers, Victor Burgin, Maurizio Cattelan, Hans-Peter Feldmann, Douglas Gordon, Johan Grimonprez, Peter Halley, Hank Herron, Pierre Huyghe, Mike Kelley, Idris Khan, Barbara Kruger, Sherrie Levine, Glenn Ligon, Steve McQueen, Alexandra Mir, Keith Piper, Richard Prince, Jorma Puranen, Cindy Sherman, John Stezaker, Retort, Martha Rosler, Philip Taaffe. Writers include Malek Alloula, Jean Baudrillard, Walter Benjamin, Nicolas Bourriaud, Benjamin H. D. Buchloh, Johanna Burton, Douglas Crimp, Thomas Crow, Guy Debord, Georges Didi-Huberman, Marcel Duchamp, Okwui Enwezor, Jean-Luc Godard, Isabelle Graw, Boris Groys, Raoul Hausmann, Sven Lütticken, Cildo Meireles, Kobena Mercer, Slobodan Mijuskovic, Laura Mulvey, Jo Spence, Elisabeth Sussman, Lisa Tickner, Reiko Tomii, Andy Warhol.
Appropriation (Art) --- Art, Modern --- kunst --- appropriation art --- appropriation --- eenentwintigste eeuw --- twintigste eeuw --- Alvarez Santiago --- Genpei Akasegawa --- Art Workers Coalition --- Broodthaers Marcel --- Burgin Victor --- Cattelan Maurizio --- Gordon Douglas --- Grimonprez Johan --- Halley Peter --- Huyghe Pierre --- Kelley Mike --- Khan Idris --- Kruger Barbara --- Levine Sherrie --- Ligon Glenn --- McQueen Steve --- Mir Aleksandra --- Piper Keith --- Prince Richard --- Puranen Jorma --- Retort --- Rosler Martha --- Sherman Cindy --- Stezaker John --- Taaffe Philip --- Alloula Malek --- Baudrillard Jean --- Benjamin Walter --- Bourriaud Nicolas --- Buchloh Benjamin H.D. --- Burton Johanna --- Crimp Douglas --- Crow Thomas --- Debord Guy --- Didi-Huberman Georges --- Duchamp Marcel --- Enwezor Okui --- Godard Jean-Luc --- Graw Isabelle --- Groys Boris --- Hausmann Raoul --- Lüttiken Sven --- Meireles Cildo --- Mercer Kobena --- Mijuskovic Slobodan --- Mulvey laura --- Spence Jo --- Sussman Elisabeth --- Tickner Lisa --- Tomii Reiko --- Warhol Andy --- Welchman John C. --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; 21ste eeuw --- Appropriaton Art --- hedendaagse kunst --- Contemporary [style of art] --- Art --- appropriation [imagery] --- anno 1900-1999 --- Appropriation (Art). --- Buchloh Benjamin H.D --- Welchman John C --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Appropriated imagery --- Appropriated images --- Appropriationism (Art) --- Postmodernism --- Imitation in art --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Objet de récupération --- Ready made --- Dadaïsme --- Situationnisme --- Kunst --- pastiche [ontlening] --- Appropriation (art) --- Simulationnisme. --- Art, Modern - 20th century
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