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Coxcie, Michiel,

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Coxcie, Michiel.

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Coxie, Michiel [Elder] --- Coxcie, van, Raphael --- Malines --- Coxcie, Michiel --- italianisanten --- contrareformatie --- renaissance --- Filips II (Koning van Spanje) --- 16de eeuw --- Rome --- Nederlanden --- C3 --- schilderkunst --- Kunst en cultuur --- Exhibitions --- Coxcie, Michiel, --- Mechelen --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- 790 --- Nederlanden schilderkunst --- schilderkunst 16de eeuw --- kunstenaars --- artistes --- italianisanten. --- contrareformatie. --- Coxcie, Michiel. --- Filips II (Koning van Spanje). --- 16de eeuw. --- Rome. --- Nederlanden.

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Michiel Coxcie lived to the age of 93 and witnessed all the important political, religious, economic and artistic upheavals of the sixteenth century. He was born just before Gerard David raised the art of the Flemish Primitives to its final pinnacle and did not die until the young Rubens had returned to Antwerp from Cologne. He must have known Quinten Metsijs, Joos van Cleve and Pieter Coecke van Aelst. Willem Key and Frans Floris were younger contemporaries, and Bruegel was of the next generation. He outlived them all. During his time in Italy in the 1530s he knew Michelangelo, and was said to be a friend of Giorgio Vasari. Titian, the Venetian prodigy, sent him pigments to help him finish his copy of Jan van Eyck's Adoration of the Mystic Lamb, and he even painted frescoes in the old Basilica of St Peter in Rome. Few people have led such a fascinating life as Michiel Coxcie. He was a celebrated painter, inundated with prestigious commissions from important clients. He had spent some ten years in Rome where he studied classical antiquity and the art of Renaissance masters like Raphael, Michelangelo and Da Vinci. Back in his the low Countries, Coxcie designed altarpieces, stained-glass windows and tapestries for clients in Brussels, Antwerp and Mechelen. The pinnacle of his career was his appointment as court painter to Emperor Charles V and Philip I. This book focuses on the multifaceted oeuvre of a highly talented yet all but forgotten master who, by introducing the art of the Italian High Renaissance into the Netherlands, earned himself the epithet of the 'Flemish Raphael'.

Coxie, Michiel [Elder] --- Painting, Dutch --- Art, Dutch --- Painting, Renaissance --- Peinture hollandaise --- Art néerlandais --- Peinture de la Renaissance --- Exhibitions. --- Exhibitions --- Italian influences --- Expositions --- Influence italienne --- Coxcie, Michel, --- italianisanten --- contrareformatie --- renaissance --- Coxcie, Michiel --- Filips II (Koning van Spanje) --- 16de eeuw --- Rome --- Nederlanden --- Art néerlandais --- Coxcie, Michel --- Painting [Renaissance ] --- Flanders (Belgium) --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Coxie, Michiel --- Van Coxcyen, Michiel --- Coxcien, Michiel --- Coxius, Michiel --- italianisanten. --- contrareformatie. --- Coxcie, Michiel. --- Filips II (Koning van Spanje). --- 16de eeuw. --- Rome. --- Nederlanden. --- Paelinck-Horgnies, Fanny.

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In der fürstlichen Sammeltätigkeit der Frühen Neuzeit lässt sich eine bisher kaum erforschte Form des Umgangs mit sakralen Bildern beobachten: der Ersatz von Altarbildern durch Kopien, die im Kirchenraum verblieben, während die Originale in höfischen Besitz übergingen. Wie kam es zu dieser Aneignung der Bilder? Änderte sich ihre Funktion mit dem Standortwechsel? Welche Rolle fiel der Kopie zu? Antonia Putzger geht diesen Fragen anhand von Altarbildern Rogier van der Weydens, Jan van Eycks und Albrecht Dürers nach. Sie untersucht, ob der veränderte Präsentationszusammenhang auch einen Wandel in der religiösen und ästhetischen Rezeption jener Werke bedeutete. Der vermeintliche Gegensatz von Kult und Kunst am Übergang vom Spätmittelalter zur Frühen Neuzeit wird so produktiv hinterfragt.

Painting --- altarpieces --- replicas --- originals [objects] --- Pasture, de le, Roger --- Dürer, Albrecht --- Eyck, van, Jan --- anno 1500-1799 --- anno 1400-1499 --- Coxie, Michiel [Elder] --- Art --- Altarpieces --- Christian art and symbolism --- Reproduction of works of art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Predellas --- Reredos --- Retables --- Screens (Church decoration) --- Reproduction --- Weyden, Rogier van der, --- Eyck, Jan van, --- Dürer, Albrecht, --- Durer, Albert --- Van Eyck, Jan --- van Eyck, Jan --- Ėĭk, I︠A︡n van, --- Eyck, Jean van, --- Van der Weyden, Rogier --- de le Pasture, Roger --- Criticism and interpretation. --- van der Weyden, Rogier --- Weyden, Rogier van der --- altaarstukken --- kunst (+ kopie, kopiëren) --- Eyck, Jan van --- Coxcie, Michiel --- altaarstukken. --- kunst (+ kopie, kopiëren). --- van der Weyden, Rogier. --- van Eyck, Jan. --- Dürer, Albrecht. --- Coxcie, Michiel.