Listing 1 - 8 of 8 |
Sort by
|
Choose an application
Choose an application
Theatrical science --- Great Britain --- Royal Court Theatre --- English Stage Company --- Royal Court Theatre. --- English Stage Company. --- Theatre --- Realisation et direction --- Grande-bretagne
Choose an application
The Royal Court Theatre is one of the primary forums in the development of post-war drama. Under the title of the English Stage Company the theatre's house actors and dramatists commissioned and produced some of the most influential plays in modern theatre history, including the works of Brenton, Churchill, Bond and Osborne. The story of the Royal Court is also the history of the contemporary stage. In this absorbing account of the theatre's history from 1956 to 1998, first published in 1999, Philip Roberts draws on previously unpublished archives in both public and private collections and a series of interviews with people prominent in the Court's life. The book also includes a Foreword by the former Director of the Royal Court, Max Stafford-Clark. The result is an intimate account of the working of the foremost house of modern drama and its relationships to the world of the theatre in Britain and abroad.
Royal Court Theatre --- English Stage Company --- Royal Court --- Royal Court Jerwood Theatre Upstairs --- Royal Court Jerwood Theatre Downstairs --- Jerwood Theatre Downstairs --- Jerwood Theatre Upstairs --- Royal Court Theatre Upstairs --- History. --- Theatrical science --- London --- English drama --- History and criticism.
Choose an application
Theatrical science --- anno 1960-1969 --- Great Britain --- Theater --- Théâtre --- Reviews --- Comptes rendus --- Royal Court Theatre --- Théâtre
Choose an application
The Royal Court Theatre is one of the primary forums in the development of post-war drama. Under the title of the English Stage Company the theatre's house actors and dramatists commissioned and produced some of the most influential plays in modern theatre history, including the works of Brenton, Churchill, Bond and Osborne. The story of the Royal Court is also the history of the contemporary stage. In this absorbing account of the theatre's history from 1956 to 1998, first published in 1999, Philip Roberts draws on previously unpublished archives in both public and private collections and a series of interviews with people prominent in the Court's life. The book also includes a Foreword by the former Director of the Royal Court, Max Stafford-Clark. The result is an intimate account of the working of the foremost house of modern drama and its relationships to the world of the theatre in Britain and abroad.
Royal Court Theatre --- History --- Drama --- Music, Dance, Drama & Film --- History. --- Royal Court Theatre - History. --- Theatrical science --- London --- English drama --- History and criticism. --- Royal Court --- Royal Court Jerwood Theatre Upstairs --- Royal Court Jerwood Theatre Downstairs --- Jerwood Theatre Downstairs --- Jerwood Theatre Upstairs --- Royal Court Theatre Upstairs --- English Stage Company
Choose an application
Royal Court: International is the first full-length study of the Royal Court Theatre's International Department. It charts the engagement of the UK's premiere theatre for new writing with an internationalist agenda and takes readers inside the process developed by the Court for the workshop projects it has undertaken in different parts of the world since the late 1990s. Covering the theatre's unique programming of international plays and seasons, it highlights new writing from different parts of the globe, including France, Spain, Germany, Russia, Eastern Europe, Brazil, Cuba, Mexico, Columbia, Iran, the Near East, North Africa, Nigeria and India. First-hand accounts of the work appear in contributions from Stephen Daldry, Elyse Dodgson and Vicky Featherstone, and in interviews with Marcos Barbosa (Brazil), Anupama Chandrasekhar (India), Dominic Cooke, Sasha Dugdale, Marius von Mayenburg (Germany), Mark Ravenhill and Indhu Rubasingham. Book jacket.
PERFORMING ARTS --- Playwriting --- Theater --- History & Criticism. --- Study and teaching (Higher) --- English Stage Company. --- Fürstliches Schauspielhaus --- Royal Court Theatre. --- Great Britain. --- London.
Choose an application
In der frühen Sowjetunion kursierten zahlreiche Broschüren mit Gerichtstheaterstücken, in denen Alkoholiker, Wunderheilerinnen, Mücken oder gar Gott vor Gericht standen. Die teils komischen, teils grotesken Stücke, die Laien in Dörfern oder Fabriken aufführten, offenbaren eine für die postrevolutionären 1920er Jahre typische Ambivalenz: Sie oszillieren zwischen Ideen der Selbstermächtigung und einem brutalen Projekt der Disziplinierung und Säuberung. Gianna Frölicher zeigt, wie in diesem Genre im Zuge der Totalitarisierung unter Stalin die Grenzen zwischen Theater und Gericht zunehmend verschwinden - bis das Gerichtstheater zu Beginn der 1930er Jahre lautlos in eine theatrale Justiz übergeht.
LITERARY CRITICISM / European / Eastern (see also Russian & Former Soviet Union). --- Cleaning. --- Court Theatre. --- Cultural History. --- Justtice. --- Law. --- Literary Studies. --- Literature. --- Self-empowerment. --- Slavic Studies. --- Theatre Studies. --- Theatre.
Choose an application
In Europa rückte die Herausbildung eines modernen Berufstheaters vielerorts ins Zentrum nationalkulturellen Selbstbewusstseins. Die Commedia dell'arte, Werke von Shakespeare, Lope de Vega oder Molière avancierten dabei zum kulturellen Kapital. Im deutschsprachigen Raum stehen entsprechende nationalkulturelle »Leistungen« hingegen mit der Verdrängung des Berufstheaters nach Maßgabe der Aufklärung in Verbindung. Zu zeigen, was in der deutschen Theatergeschichte verdrängt wird, ist ein Ziel dieser Edition. Die publizierten Spieltexte stehen beispielsweise mit dem Elisabethanischen Theater, der Amsterdamer Schouwburg, dem Jesuitentheater oder Molière in Verbindung, womit ein deutschsprachiges »Internationaltheater«, das sich an Bedürfnissen des Publikums orientierte, neu entdeckt wird. In Europe, the emergence of a modern professional theatre in many places became a focus of national self-esteem. The Commedia dell'arte, works by Shakespeare, Lope de Vega or Moliere, became a weighty cultural capital. In German-speaking countries, however, corresponding cultural "achievements" are connected with the repression of the traditional theatre profession in accordance with the Enlightenment. To show what is being repressed in German theatre history is one aim of this edition. For example, the published plays are related to the Elizabethan Theater, the Amsterdam Schouwburg, the Jesuit Theater or Moliere, thus revealing a German-language "international theatre" that was oriented towards the expectations of its audience.
Performing Arts / Theater / History & Criticism --- Performing arts --- Show business --- Arts --- Performance art --- Theatergeschichte, Berufstheater, Wandertheater, Wanderbühne, Jesuitentheater, Hoftheater, Frühe Neuzeit, Spielhandschriften, Drama --- ÖFOS 2012, Theaterwissenschaft --- ÖFOS 2012, Literaturgeschichte --- ÖFOS 2012, Kulturgeschichte --- theatre history, professional theatre, itinerant theatre, travelling theatre, travelling stage, Jesuit theatre, court theatre, early modern times, play manuscripts, drama --- ÖFOS 2012, Theatre studies --- ÖFOS 2012, History of literature --- ÖFOS 2012, Cultural history --- Performing arts.
Listing 1 - 8 of 8 |
Sort by
|