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Human skin color --- Human skin color in art --- Skin in art --- Human beings in art --- Couleur de la peau --- Couleur de la peau dans l'art --- Peau dans l'art --- Personnages dans l'art

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Traditional medicine --- Human skin color --- Skin --- Phenol oxidase. --- Médecine populaire --- Couleur de la peau --- Peau --- Tyrosinase --- Bleaching --- Blanchiment --- EPUB-ETHESIS TPHAR PTHESIS TPHA

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Gender identity in art. --- Human skin color in art. --- Polychromy --- Vase-painting, Greek --- Identité sexuelle dans l'art --- Couleur de la peau dans l'art --- Polychromie --- Peinture de vases grecque --- Themes, motives. --- Thèmes, motifs

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Le monde s'offre en couleurs. A commencer par le corps humain. Et la construction de l'identité, individuelle ou collective, en dépend, selon toute une gamme chromatique qui est aussi bien intérieure qu'extérieure. La génétique, l'âge, le sexe et l'environnement, mais aussi le tatouage, le maquillage, la dépigmentation ou le bronzage déterminent ce jeu à travers l'espace et le temps, les géographies et les histoires.Corps dits " normaux ", corps stigmatisés, malades, corps exhibés ou cachés, corps parés : les sciences humaines et sociales ont trouvé là un lieu de savoirs, de théories et de pratiques, de catégorisations enfin. C'est cet immense chantier que nous fait découvrir cet ouvrage sans précédent, réunissant les meilleurs spécialistes de la question. Un livre essentiel qui éclaire nos jugements, nos discours, nos expériences.Un livre crucial qui questionne nos conditionnements culturels.

Body image --- Human body --- Human skin color --- Symbolism of colors --- Physical anthropology --- Image du corps --- Corps humain --- Couleur de la peau --- Symbolisme des couleurs --- Anthropologie physique --- Congresses --- Social aspects --- Congrès --- Aspect social --- Congresses. --- Pigmentation de la peau --- Couleurs --- Anthropologie. --- Société. --- Aspect symbolique.

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'Fleshing out surfaces' is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.--

Skin --- Skin in art. --- Human skin color in art. --- Art, French --- Anatomy, Artistic. --- Art, Modern --- French art --- Ecole de Nice (Group of artists) --- Forces nouvelles (Group of artists) --- Nabis (Group of artists) --- Ne pas plier (Group of artists) --- Artistic anatomy --- Human anatomy in art --- Art --- Nude in art --- Human figure in art --- Medicine and art --- Proportion (Art) --- Cutis --- Integument (Skin) --- Beauty, Personal --- Body covering (Anatomy) --- Psychological aspects. --- Themes, motives. --- Skin in art --- Human figure in art. --- Peau dans l'art --- Couleur de la peau dans l'art --- Corps humain dans l'art --- Anatomie artistique --- Art français --- Human medicine --- skin [animal component] --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- France --- art theory, France 1600-1900. --- artistic anatomy 1700-1900. --- colour. --- flesh tones. --- history of the body. --- materiality. --- medical History, 1600-1900. --- painterly practice. --- painting, France 1700-1850. --- skin colour. --- skin.