Listing 1 - 10 of 31 | << page >> |
Sort by
|
Choose an application
Choose an application
Choose an application
Choose an application
Sculpture --- art [discipline] --- sculpting --- Cotteleer, Anton --- Belgium
Choose an application
Jaber, Athar --- Baeyens, Nicolas --- Andrews, Nick --- Cotteleer, Anton --- Naveau, Nadia
Choose an application
Art --- Sculpture --- art [discipline] --- sculpting --- Cotteleer, Anton --- Belgium
Choose an application
Geerlinks, Margi --- Beeck, Martien van --- Cotteleer, Anton --- Mits, Trees de --- Vanhoudt, Zoë
Choose an application
In the first publication issued in connection with his doctoral research, Anton Cotteleer shows how, by zooming in, cropping and enlarging, he manipulates personal and anonymous family photos from the 1970s and 80s, and infuses them with a new narrative potential. These are the first steps towards the creation of the sculptures that he ultimately wants to achieve. Every stage of the thinking and working process, from the enlarged photos, through the process of sketching, to reliefs in silicone and textile, and finally the realisation of the sculpture, constitutes a new manipulation and reinterpretation of the image. With every anecdote that is told, memories change; with every scan, different aspects of an image come to the fore. Every new intervention on the supposedly factual representation of a moment both questions the veracity of the medium and seeks to create a new artistic narrative. How does the blurredness - the lack of sharpness - in Cotteleer's photographs translate into sculpture? In earlier sculptures, he used a ''soft skin''. The contours of the sculpture become softer, less sharply delineated, and therefore, in a certain sense, more human. It is precisely this that constitutes the basis of his interest in the blurred, the out-of-focus. Currently, he is also exploring the possibilities of (this) skin in photography and reliefs. The process of zooming in on body parts and skin quickly takes on a soft, sensual quality in the photographic images. The artist continues this in the reliefs and undoubtedly also in the sculptures, where fragments of bodies find each other. In a surreal, almost hallucinatory manner, he brings together body parts and objects, which fuse together in a sculptural manner. The question where this path leads to the continuation of his research. The Track Report publication 'An Out-of-Focus Scan, part 1' is the result of a phd research project by Anton Cotteleer at the Royal Academy of Fine Arts Antwerp in collaboration with University of Antwerp.
Art --- Photography --- blur --- narrative art --- onderzoek in de kunsten --- Cotteleer, Anton --- artistieke fotografie
Choose an application
Art --- sculpture [visual works] --- installations [visual works] --- multimedia works --- detail studies --- blur --- photography [discipline] --- Cotteleer, Anton
Choose an application
Cotteleer, Anton --- Dedobbeleer, Koenraad --- Dockx, Nico --- Nagtzaam, Marc --- Vanden Meersch, Els --- van Haren Noman, Ruth --- Volders, Jethro --- België --- Vlaanderen
Listing 1 - 10 of 31 | << page >> |
Sort by
|