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Fouilles archéologiques --- Corinthe (Grèce) --- Antiquités.
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In 1900-1902 American archeologists found sculptural debris and richly decorated structural elements in the agora of Corinth, from which Richard Stillwell reconstructed on paper a two-storied facade in 1941. This volume presents a comprehensive reevaluation and dating of a significant example of imperial architecture. Thanks to stylistic and iconographic criteria and comparison, the sculptures and structural elements of the marble facade can (in distinction to previous interpretation) be recognized as homogeneous and dating to the Neronian period, whereas they were previously thought to be late 1st century B.C.E. to early 3rd century C.E. In den Jahren 1900-1902 fanden amerikanische Archäologen an der Agora von Korinth Skulpturentrümmer und reichgeschmückte Bauglieder, aus denen Richard Stillwell 1941 eine zweigeschossige Prunkfassade auf dem Papier rekonstruierte. Der Band präsentiert nun eine umfassende Neubewertung und -datierung eines wichtigen Beispiels kaiserzeitlicher Architektur. Die Skulpturen und Bauglieder der Marmorfassade können dank zahlreicher stilistischer und ikonographischer Kriterien und Vergleiche entgegen der bisherigen Auffassung als einheitlich erkannt und in neronische Zeit datiert werden. Bislang schwankte die zeitliche Festlegung zwischen dem späten 1. Jahrhundert v. Chr. und dem frühen 3. Jahrhundert n. Chr.
Sculpture, Roman --- Architecture, Roman --- Facades --- Sculpture romaine --- Architecture romaine --- Façades --- Agora (Corinth, Greece) --- Corinth (Greece) --- Agora (Corinthe, Grèce) --- Corinthe (Grèce) --- Antiquities, Roman. --- Buildings, structures, etc. --- Antiquités romaines --- Constructions --- Façades --- Agora (Corinthe, Grèce) --- Corinthe (Grèce) --- Antiquités romaines
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Corinth (Greece) --- Magna Graecia (Italy) --- Corinthe (Grece) --- Grande-Grece (Italie) --- Grande-Grece --- Foreign economic relations --- Congresses. --- Congresses --- Antiquities --- History --- Civilization --- Relations economiques internationales --- Congres --- Antiquites --- Histoire --- Civilisation
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Inscriptions, Greek --- Inscriptions grecques --- Indexes --- Index --- Catalogs. --- -Greek inscriptions --- Greek language --- Greek philology --- Catalogs --- Corinth (Greece) --- -Antiquities --- -Catalogs --- Greek inscriptions --- Corinth, Greece --- Kórinthos (Greece) --- Corinto (Greece) --- Corinthe (Greece) --- Antiquities --- Inscriptions, Greek - Greece - Corinth - Catalogs. --- Corinthe (Grèce) --- Grèce --- Antiquités
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Peirene Fountain (Corinth, Greece) --- Fountains --- Springs --- Excavations (Archaeology) --- Fontaine de Pirène (Corinthe, Grèce) --- Fontaines --- Sources (Hydrographie) --- Fouilles (Archéologie) --- History --- Histoire --- Corinth (Greece) --- Corinthe (Grèce) --- Antiquities. --- Buildings, structures, etc. --- Antiquités --- Constructions --- Antiquities --- Fontaine de Pirène (Corinthe, Grèce) --- Fouilles (Archéologie) --- Corinthe (Grèce) --- Antiquités --- Fountains - Greece - Corinth - History --- Springs - Greece - Corinth - History --- Excavations (Archaeology) - Greece - Corinth --- Corinth (Greece) - Antiquities --- Corinth (Greece) - Buildings, structures, etc.
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Archeology --- Corinth --- Corinthe, Grèce --- Histoire --- Archéologie --- Corinth, Greece --- Antiquities --- History --- #GGSB: Exegese N.T. --- #GGSB: Bijbelse archeologie --- #GGSB: Paulus --- 227.1*2 --- Brieven van Paulus aan de Corinthiërs --- 227.1*2 Brieven van Paulus aan de Corinthiërs --- Corinthe, Grèce --- Archéologie --- #GGSB: Exegese N.T --- Exegese N.T --- Bijbelse archeologie --- Paulus
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This book analyses the stylistic, iconographic and historical aspects of the Chigi vase, the famous Protocorinthian olpe dating back as early as ca. 650 BC. The vase is the masterpiece of the Chigi Painter, a skilful vase-painter who was acquainted as well with the big size Corinthian painting. The different themes, which run along the three main friezes, link each other in order to build up a true iconographic program: its key point is the distinction between the lower frieze for the ephebes' paideia and the two main friezes which show the Corinthian elites through their activities - either real or symbolic ones - and distinguishing attributes. Paris' judgment is meant as part of this iconographic program as it shows, through a mythical paradigm, a necessary step of the life, i.e. the wedding, as well as the risks that it involves. The socio-political interpretation of the iconographic program opens the historical question of which system could be implied, as the vase was painted in a critical moment of Corinthian history, i.e. in the period when Kypselos became tyrant and exiled the Bakchiads. Finally, on the background of Demaratus' tradition, the analysis investigates a possible scenario for the arrival of the Chigi olpe in the hands of an Etruscan prince of Veii, in whose tumulus it was found in 1882.
Vases, Ancient --- Art and society --- Vases antiques --- Art et société --- Corinth (Greece) --- Corinthe (Grèce) --- Civilization. --- Civilisation --- Art et société --- Corinthe (Grèce) --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Macmillan Painter. --- Corinth, Greece --- Kórinthos (Greece) --- Corinto (Greece) --- Corinthe (Greece) --- Corinth. --- Olpe Chigi. --- iconography. --- vase painting.
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