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The series offers lively, comprehensive accounts of contemporary German culture written by experts and designed for advanced student readers and scholars alike. Both in monographs and closely-defined edited collections, it aims to introduce major authors, thinkers, filmmakers, literary topics, genres and landmark individual works, focusing on the period since 1989 but reaching back, where appropriate, to the vital hinterland of the 1970s.
German literature. --- German literature --- History and criticism. --- Contemporary German literature. --- contemporary poetry. --- migration literature. --- women's writing.
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A companion to contemporary German crime fiction for English-speaking audiences is overdue. Starting with the earlier Swiss "classics" Glauser and Dürrenmatt and including a number of important Austrian authors, such as Wolf Haas and Heinrich Steinfest, this volume will cover the essential writers, genres, and themes of crime fiction written in German. Where necessary and appropriate, crime fiction in media other than writing (TV-series, movies) will be included. Contemporary social and political developments, such as gender issues, life in a multicultural society, and the afterlife of German fascism today, play a crucial role in much of recent German crime fiction. A number of contributions to this volume will comment on the literary reflection of these issues in the texts. The goal of the volume is to make available to English-speaking audiences, to students, teachers and to a wider circle of interested readers, a series of articles on genres, topics, authors, and texts that will help them understand the scope and depth of German crime fiction, its ties to international traditions and also the specificity of the German context, its historical development and contemporary situation.
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»Einfachheit« gehört zu den maßgeblichen Wertzuschreibungen der Kunst-, Kultur- und Literaturgeschichte. Nadine Wisotzki greift das mit der »Sehnsucht nach Einfachheit« einhergehende Funktionalisierungspotential auf, um dem bemerkenswerten Erfolg der Einfachheit in der deutschsprachigen Gegenwartsliteratur nachzugehen. Am Beispiel des erzählerischen Werks von Judith Hermann, Peter Stamm und Robert Seethaler fragt sie, mit welcher Intention und Qualität sich die Einfachheit hier formiert und ob es sich bei der Kunst der Reduktion um ein spezifisch für die Gegenwart relevantes Konzept handelt. Damit leistet sie einen wesentlichen Beitrag zu der noch ausstehenden literaturwissenschaftlichen Systematisierung einer »Ästhetik der Einfachheit«.
Einfachheit; Komplexität; Deutschsprachige Gegenwartsliteratur; Form; Ästhetik; Erzähltechnik; Stilistik; Begriffsgeschichte; Judith Hermann; Peter Stamm; Robert Seethaler; Literatur; Kultur; Germanistik; Allgemeine Literaturwissenschaft; Kulturwissenschaft; Literaturwissenschaft; Simplicity; Complexity; Contemporary German Literature; Aesthetics; Plot Device; Stylistics; Conceptual History; Literature; Culture; German Literature; Literary Studies; Cultural Studies --- Aesthetics. --- Complexity. --- Conceptual History. --- Contemporary German Literature. --- Cultural Studies. --- Culture. --- Form. --- German Literature. --- Judith Hermann. --- Literary Studies. --- Literature. --- Peter Stamm. --- Plot Device. --- Robert Seethaler. --- Stylistics.
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Romane, die das lang verdrängte Thema des deutschen Kolonialismus ins Gedächtnis rufen, haben innerhalb der deutschsprachigen Gegenwartsliteratur seit der Jahrtausendwende Konjunktur. Ausgehend von der Beobachtung, dass ein besonderes Merkmal der Texte ihre Intertextualität ist, geht Julian Osthues der Frage nach, inwiefern sich die spezifische Ästhetik dieser Literatur anhand der Schriftmetapher des »Palimpsests« beschreiben lässt und ihr ein »postkoloniales Potential« eigen ist. Die Studie lotet die heuristische Leistung der Palimpsest-Metapher für textanalytische und literaturtheoretische Perspektiven aus und schließt an zentrale Überlegungen der postkolonialen Theorie an.
Roman allemand --- Littérature postcoloniale. --- Esthétique. --- Thèmes, motifs --- Postcolonialism in literature --- German literature --- Aesthetics in literature --- Intertextuality --- History and criticism --- German literature - 21st century - History and criticism --- German literature - 20th century - History and criticism --- Germanistik; Interkulturalität; Deutschsprachige Gegenwartsliteratur; Literaturtheorie; Kulturtheorie; Postkolonialismus; Palimpsest; Metapher; Intertextualität; Ästhetik; Textanalyse; Literatur; Allgemeine Literaturwissenschaft; Literaturwissenschaft; German Literature; Interculturalism; Contemporary German Literature; Theory of Literature; Cultural Theory; Postcolonialism; Metaphor; Intertextuality; Aesthetics; Text Analysis; Literature; General Literature Studies; Literary Studies --- Aesthetics. --- Contemporary German Literature. --- Cultural Theory. --- General Literature Studies. --- Interculturalism. --- Intertextuality. --- Literary Studies. --- Literature. --- Metaphor. --- Palimpsest. --- Postcolonialism. --- Text Analysis. --- Theory of Literature.
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In the German-speaking world there has been a new wave - intensifying since 2007 - of autobiographically inspired writing on illness and disability, death and dying. Nina Schmidt's book takes such writing seriously as literature, examining how the authors of such personal narratives come to write of their experiences between the poles of cliché and exceptionality. Identifying shortcomings in the approaches taken thus far to such texts, she makes suggestions as to how to better read such narratives from the stance of literary scholarship, then demonstrates the value of a literary disability studies approach to such writing with close readings of Charlotte Roche's Schoßgebete (2011), Kathrin Schmidt's Du stirbst nicht (2009), Verena Stefan's Fremdschläfer (2007), and - in the final, comparative chapter - Christoph Schlingensief's So schön wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung (2009) and Wolfgang Herrndorf's blog-cum-book Arbeit und Struktur (2010-13). Schmidt shows that authors dealing with illness and disability do so with an awareness of their precarious subject position in the public eye, a position they negotiate creatively. Writing the liminal experience of serious illness along the borders of genre, moving between fictional and autobiographical modes, they carve out spaces from which they speak up and share their personal stories in the realm of literature, to political ends. Nina Schmidt is a postdoctoral researcher in the Friedrich Schlegel School of Literary Studies at the Freie Universität Berlin.
Diseases in literature. --- People with disabilities in literature. --- German fiction --- Autobiographical fiction, German --- German prose literature --- History and criticism. --- German literature --- Handicapped in literature --- Physically handicapped in literature --- Autobiographical Literature. --- Autobiographical Narratives. --- Autobiographical Writing. --- Contemporary German Literature. --- Disability Studies. --- Disability. --- German Authors. --- German Literature. --- Illness Experience. --- Illness Narratives. --- Illness Writing. --- Illness. --- Intimacy. --- Liminal Experience. --- Literary Analysis. --- Literary Disability Studies. --- Literary Scholarship. --- Literature on Illness. --- Literature. --- Personal Narratives. --- Political Ends. --- Reflective Approach. --- The Wounded Self. --- Wounded Self.
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