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Zinc dust in paints
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Year: 1967 Publisher: London : Zinc Pigment Development Association,

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Book
Peintures et vernis

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Book
Principes de syntagmatique
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Year: 1972 Publisher: Bruxelles : Paris : AIMAV ; Didier,

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Book
Pigments belges
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Publisher: Bruxelles : Edistions Saturne, S.A.,

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Paint testing manual : physical and chemical examination [of] paints, varnishes, lacquers and colors
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Year: 1962 Publisher: Bethesda, Md. : Gardner Laboratory, Inc.,

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Outlines of paint technology
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Year: 1947 Publisher: London : Charles Griffin & Company Limited,

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Book
Greek painting techniques and materials from the fourth to the first century BC
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ISBN: 9781904982425 1904982425 Year: 2009 Publisher: London : Archetype Publications,

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Manuel de peintures et vernis : des concepts à l'application I : constituants des peintures et vernis
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ISBN: 2705665668 9782705665661 Year: 2005 Publisher: Paris : Hermann,

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Past forward, from paint to finishes
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ISBN: 9781916642010 Year: 2024 Publisher: London : Archetype Publications,

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Book
Lucio Fontana : the artist's materials
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ISBN: 9781606061145 Year: 2012 Publisher: Los Angeles, Calif. Getty Conservation Institute

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"Lucio Fontana (1899-1968) is widely regarded as one of the most influential and innovative post-World War II Italian artists. Best known for his tagli--slashed, mostly monochromatic canvases--Fontana fashioned a remarkably multifaceted œuvre that encompasses architecture, sculpture, and ceramics, as well as painting. In his quest to expand the vocabulary of his art, Fontana subjected the pictorial surface of his paintings to a remarkable assortment of punctures, gashes, and slashes, as well as adornments of glass fragments, glittering aluminum flakes, and sand. This richly illustrated book, the third in the Getty Conservation Institute's Artist's Materials series, presents the first technical study in English of this important painter. Initial chapters present an informative overview of Fontana's life and work. Subsequent chapters examine the nine major cycles of work on canvas that constitute his most important achievement, focusing on the physical genesis of these landmark paintings: How did Fontana's philosophical concerns influence his choice of materials? Once he had settled on an aesthetic concept, what precise means did he use to realize it? Did physical constraints imposed by the material force him to adjust his concepts? In considering these questions, this book seeks to illuminate how Fontana's material choices over the course of his career fit into the gradual evolution of idea into form"-- Provided by publisher.

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