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Thomas Adès’s Violin Concerto, written in 2005, is one of the most important additions to the violin concerto repertoire since Ligeti’s. Cast in three contrasting movements – each linked by a preoccupation with circling musical figures – the concerto, subtitled ‘Concentric Paths’ now occupies a place in standard repertoire. Two lithe, rhythmically driven movements – ‘Rings’ and ‘Rounds’ – bookend ‘Paths’ an intensely emotional and gritty exploration of passacaglia-like sequences which peaks in a lyrical outpouring of exceptional beauty.
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This text represents both a study and a historical musicological analysis of Sir William Walton's Violin Concerto, treating the form of the violin concerto, in general, in England as it developed between 1900 and 1940, taking into consideration the works
Concertos (Violin) --- History and criticism. --- Walton, William,
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Concertos (Violin) --- Scores. --- Concerto's --- Duitsland --- Rusland --- 19e eeuw
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Concertos (Piano) --- Concertos (Violin) --- Concertos (Violoncello) --- Analysis, appreciation.
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Concertos (Violin) --- Concertos (Violon) --- Janiewicz, Feliks, --- Thematic catalogs.
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