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The art of strict musical composition
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ISBN: 0300024835 Year: 1982 Volume: 4 Publisher: New Haven (Conn.): Yale university

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The concerto : a listener's guide
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ISBN: 019802634X 1280452439 1282384341 9786610452439 9786612384349 1423738675 1602564302 9781423738671 9780198026341 0195139313 9780195139310 0195103300 9780195103304 0195139313 9780195139310 0190286075 0197729347 Year: 2023 Publisher: Oxford : Oxford University Press,

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The Concerto is a companion to The Symphony: A Listener's Guide, Michael Steinberg's best seller. The text covers the orchestral concerto repertoire from Bach to the present, and features all instruments.


Book
Improkomposition : Buch I der imaginären Geometrie zur Anwendung in der Klavierimprovisation
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ISBN: 9783862196630 3862196631 9783862196623 Year: 2014 Publisher: Kassel : Kassel University Press,

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Elements of Musical Composition : Comprehending the Rules of Thorough Bass, and the Theory of Tuning
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ISBN: 1107300606 1108065171 Year: 1812 Publisher: Place of publication not identified : Cambridge : publisher not identified, Cambridge University Press

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An exceptional child prodigy at the keyboard, the organist and composer William Crotch (1775-1847) attracted the attention of both George III and Charles Burney, going on to become one of the most eminent musical figures of his day. Following a period of study in Cambridge, at the age of fifteen he was appointed organist at Christ Church, Oxford. At twenty-one he assumed the university's chair of music, a post he retained until his death. The first principal of the Royal Academy of Music between 1822 and 1832, Crotch is remembered today for his oratorio Palestine. The present work, first published in 1812, made his expertise available to a wider audience. A clearly written primer on music theory, composition and figured bass, it includes an abundance of musical examples. Crotch's Substance of Several Courses of Lectures on Music (1831) is also reissued in this series.


Book
Concertare - Concerto - Concert : das Konzert bei Telemann und seinen Zeitgenossen : Bericht über die Internationale Wissenschaftliche Konferenz, Magdeburg, 14. und 15. März 2016, anlässlich der 23. Magdeburger Telemann-Festtage
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ISBN: 9783487158877 3487158876 Year: 2020 Publisher: Hildesheim Georg Olms Verlag

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"Der musikalische Terminus 'Concerto' ist vieldeutig, sein Sinngehalt in der Geschichte zudem einem steten Wandel unterlegen. Erwa seit der ersten Hälfte des 18. Jahrhunderts wird der Begriff im deutschen Sprachbereich nach und nach auf eine sich herausbildende Gattung der Instrumentalmusik übertragen, in der das Prinzip des Konzertierens unterschiedlicher Stimmen oder Stimmgruppen eines der konstituierenden Merkmale ist. Diese Prinzip wirkt zudem in den Bereich der Vokalmusik hinein. Doch auch die Zusammenkünfte von Collegia musica wurden als 'Concert' bezeichnet, ebenso das sich etablierende öffentliche oder halböffentliche Musizieren vor einem Auditorium. George Philipp Telemann hat in allen diesen Bereichen musikhistorisch relevante Spuren hinterlassen, die es in ihren Kontexten sowie Aus- und Nachwirkungen zu untersuchen und zu verstehen gilt. Das verdeutlichen auch die siebzehn in diesem Band publizierten Tagungsbeiträge. Sie nähern sich dem Thema aus kompositionstechnischer und sozialgeschichtlicher Perspektive, widmen sich Besonderheiten des konzertierenden Stils in Telemanns Oeuvre, berühren davon abzuleitende Fragen der Echtheitskritik, spüren dem Konzertleben in verschiedenen mit Telemanns Lebensweg im Zusammenhand stehenden Orten nach und setzen sich mit dem Widerhall von öffentlichen Konzertveranstaltungen in der Musikpublizistik der Aufklärung auseinander. Die Untersuchung der sich etablierenden Musik- und Konzertkritik und eine umfangreiche Darstellung frühbürgerlicher Konzertpraktiken und Konzertgründungen im deutschprachigen Raum lenken den Blick über Telemann hinaus auf wichtige, mit dem Konzert verbundene Veränderungen des Musiklebens im 18. Jahrhundert, die er nachhaltig mit Impulsen befruchtet hat"--Back cover.


Book
The German concerto : five eighteenth-century studies
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ISBN: 0198161220 Year: 1980 Volume: *17

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Book
Geschichte der Kompositionslehre : von den Anfängen bis gegen 1700
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ISBN: 3795902533 Year: 1981 Publisher: Wilhelmshaven Heinrichshofen

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Book
Music outside the lines
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ISBN: 019982679X 019026828X 0199826781 0199826773 1299966691 9780199826797 9781299966697 9780190268282 9780199826773 Year: 2012 Publisher: Oxford New York Oxford University Press

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Music Outside the Lines is an informative and practical resource for all who are invested in making music composition an integral part of curriculum. Author Maud Hickey offers both a well-grounded justification for teaching music composition and also a compendium of useful instructional ideas and classroom activities. Hickey begins with a rationale for teachers to begin composition activities in their own classrooms, with a thoughtful argument that demonstrates that all music teachers possess the skills and training needed to take children along the path toward composing satisfying musical com

Children composing, 4-14
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ISBN: 1134580762 1280401362 0203134419 0203169859 9780203169858 9780203134412 9780415230728 0415230721 9780415230735 041523073X 9786610401369 6610401365 9781280401367 9781134580767 9781134580712 9781134580750 1134580754 Year: 2000 Publisher: London New York Routledge/Falmer

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Composing is part if the mainstream music curriculum for many children yet children's music does not receive the same attention as their art or creative writing. Children Composing 4-14 traces the ways in which composing can be organised and taught within the school music curriculum, drawing on children's own music-making activities. This practical book looks at how teaching composing can enable hildren to progress by acquiring musical skills and understanding, whilst developing their own sense of musical purpose. One of the main concern's of the book is the need to sustain continuity and quality in children's composing experience as they mover through each phase of music education. Children's Composing is considered in relation to the wider musical context in which they grow up, including cultural differences in composing roles and in perceptions of composing and composers. Projects that bring children into contact with professional composers are critically examined, and suggestions are made for ways of ensuring that composing in schools is rooted in the musical world outside. For more information, please visit the authors web site at: http://www.bathspa.ac.uk/children-composing/.

The Cambridge companion to the concerto
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ISBN: 052154257X 052183483X 9780521834834 9780521542579 9781139000901 Year: 2005 Volume: *10 Publisher: Cambridge: Cambridge university press,

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