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What John C. Welchman calls the "blazing network of focused conflations" from which Mike Kelley's styles are generated is on display in all its diversity in this second volume of the artist's writings. The first volume, Foul Perfection, contained thematic essays and writings about other artists; this collection concentrates on Kelley's own work, ranging from texts in "voices" that grew out of scripts for performance pieces to expository critical and autobiographical writings.Minor Histories organizes Kelley's writings into five sections. "Statements" consists of twenty pieces produced between 1984 and 2002 (most of which were written to accompany exhibitions), including "Ajax," which draws on Homer, Colgate- Palmolive, and Longinus to present its eponymous hero; "Some Aesthetic High Points," an exercise in autobiography that counters the standard artist bio included in catalogs and press releases; and a sequence of "creative writings" that use mass cultural tropes in concert with high art mannerisms--approximating in prose the visual styles that characterize Kelley's artwork. "Video Statements and Proposals" are introductions to videos made by Kelley and other artists, including Paul McCarthy and Bob Flanagan and Sheree Rose. "Image-Texts" offers writings that accompany or are part of artworks and installations. This section includes "A Stopgap Measure," Kelley's zestful millennial essay in social satire, and "Meet John Doe," a collage of appropriated texts. "Architecture" features an discussion of Kelley's Educational Complex (1995) and an interview in which he reflects on the role of architecture in his work. Finally, "Ufology" considers the aesthetics and sexuality of space as manifested by UFO sightings and abduction scenarios.

Kelley, Mike --- Conceptual art --- Performance art --- History --- Kelley, Mike, --- art criticism --- Aesthetics of art --- kunstbeschouwing --- essays --- Art --- Conceptual art - United States - History - 20th century --- Performance art - United States - History - 20th century --- Kelley, Mike, - 1954-2012

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Artiste --- Conceptual art --- Exhibitions --- Nauman, Bruce --- Nauman, Bruce, --- 20e siècle --- Artists --- Interviews --- Exhibitions. --- Interviews. --- ruimtelijke kunst --- Conceptual art - United States - Exhibitions --- Nauman, Bruce, - 1941- - Exhibitions --- Nauman, Bruce, - 1941 --- -Artists --- -Artiste --- Nauman, Bruce, - 1941-

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Baldessari, John --- Baldessari, John, --- Artiste --- Art conceptuel --- Conceptual art --- Criticism and interpretation --- 20e siècle --- kunst --- conceptuele kunst --- concept art --- Baldessari John --- Verenigde Staten --- twintigste eeuw --- fotografie --- schilderkunst --- installaties --- 7.071 BALDESSARI --- Exhibitions --- Criticism and interpretation. --- Baldesari, G'on, --- בלדסארי, ג׳ון --- CDL --- Conceptual art - United States --- Baldessari, John, - 1931- - Criticism and interpretation --- Baldessari, John, - 1931 --- -Baldessari, John, --- -Artiste --- Baldessari, John, - 1931-

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"In this detailed examination of Kunsthalle Bern, 1992, Anne Rorimer considers the work in the context of Asher's ongoing desire to fuse art with the material, economic and social conditions of insitutional presentation. Rorimer analyses the work in relation to earlier Minimalist artists like Dan Flavin and Conceptualists such as Marcel Broodthaers, Daniel Burren and Maria Nordman. She also considers how Asher's practice has resonated with a younger generation including Fred Wilson, Andrea Fraser and Maria Eichhorn"--Back cover.

Conceptual art --- Asher, Michael. --- Asher, Michael --- Criticism and interpretation. --- Radiators --- Exhibitions --- Art --- Criticism and interpretation --- Asher, Michael, --- Conceptual art - United States - 20th century --- Conceptual art - Switzerland - Bern - 20th century - Exhibitions --- Radiators - Art - Exhibitions --- Asher, Michael - Criticism and interpretation --- Asher, Michael - Exhibitions --- Asher, Michael, - 1943-2012

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Cet ouvrage porte sur les rapports qui se tissent entre pratique et théorie artistiques dans le contexte de l'art conceptuel américain (1965-1975), et envisage l'influence exercée sur ces créateurs par divers textes produits en Europe (et en France particulièrement) dans le champ des sciences humaines au cours des années 1960 et 1970. À côté des noms de Norwood Russell Hanson ou de Ludwig Wittgenstein, sont ainsi évoquées des figures telles que Roland Barthes, Michel Foucault, Claude Lévi-Strauss ou Jean Piaget. Parmi les artistes envisagés, citons entre autres Mel Bochner, Douglas Huebler, Robert Morris et Lawrence Weiner.

Conceptual art --- Art --- History --- Philosophy --- Bochner, Mel, --- Huebler, Douglas --- Morris, Robert, --- Weiner, Lawrence --- History. --- Conceptual art. --- Huebler, Douglas. --- Weiner, Lawrence. --- Conceptual art - United States --- Conceptual art - History --- Art - Philosophy - 20th century --- Bochner, Mel, - 1940 --- -Huebler, Douglas --- Morris, Robert, - 1931 --- -Weiner, Lawrence