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Conceptual art --- Exhibitions --- LeWitt, Sol, --- Art conceptuel --- Expositions --- Conceptual art - Exhibitions --- LeWitt, Sol, - 1928-2007 - Exhibitions. --- LeWitt, Sol, - 1928-2007
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'Conceptual Art in a Curatorial Perspective : Between Dematerialization and Documentation' focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the paradox of conceptual art is analyzed. It also elaborates on the history of exhibiting conceptual artworks, and on the influence of curators in their canonization.
Conceptual art --- Art --- Exhibition techniques. --- exhibiting --- Conceptual --- exhibition curators --- Exhibition techniques --- Art conceptuel --- Exposition --- Muséologie --- Exhibitions --- Techniques d'exposition --- Kunsttentoonstellingen ; 1960-2002 ; mijlpalen --- Moderne en actuele kunst ; conservatie en restauratie --- Kunsttheorie ; dematerialisatie van het kunstwerk --- Conceptuele kunst --- Museologie ; cureren van tentoonstellingen --- Kunst; tentoonstellen --- 069.53 --- Museologie ; collecties ; techniek van het tentoonstellen --- Conceptual art - Exhibitions --- Conceptual art - Exhibitions - Case studies --- Art - Exhibition techniques
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Conceptual --- Art styles --- Kosuth, Joseph --- Morris, Robert --- Barry, Robert --- Darboven, Hanne --- Kawara, On --- Weiner, Lawrence --- Art & Language --- anno 1900-1999 --- Conceptual art --- Art conceptuel --- Exhibitions. --- Expositions --- Artiste --- Art & language --- Anti-form --- An-esthetisme --- Art, American --- Art, Modern --- On Kawara --- 20e siècle --- Exhibitions --- Conceptual art - United States - Exhibitions --- Art, American - 20th century - Exhibitions --- Conceptual art - Exhibitions --- Art, Modern - 20th century - Exhibitions
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Ce tome 2 du catalogue "Ecriture dans la peinture" reprend une série de communications associant le thème de l'écriture et de la peinture. Quelques exemples de titre de ces communications: "Ecrire et dessiner sont identiques en leur fond" "Peinture et écriture comme nécessité holistique vers un nouveau réalisme discursif" "Ecriture-Peinture: un vieux collage qui a la vie dure", etc...
Art and literature --- Painting, Modern --- Art et littérature --- Peinture --- Exhibitions --- Expositions --- Analyse de l'art --- Théorie de l'art --- Writing in art --- Letter-pictures --- Conceptual art --- Art, Modern --- Exhibitions. --- Art et littérature --- Writing in art - Exhibitions --- Letter-pictures - Exhibitions --- Conceptual art - Exhibitions --- Art, Modern - 20th century - Exhibitions
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Le Centre Pompidou-Metz met à l'honneur l'artiste conceptuel américain Sol LeWitt (1928-2007) en lui dédiant un projet inédit. En Galerie 2, sur une superficie de 1 200 m2, est présentée une rétrospective des wall drawings (dessins muraux) de Sol LeWitt d'une envergure sans précédent en Europe : avec ses trente-trois oeuvres murales, parcourant la carrière de l'artiste de ses débuts à ses dernières réalisations, l'exposition du Centre Pompidou-Metz propose l'ensemble de wall drawings le plus important jamais présenté en Europe.
Wall drawing (Conceptual art) --- Dessin mural (Art conceptuel) --- Exhibitions --- Expositions --- LeWitt, Sol, --- Interviews --- Minimal art --- Conceptual art --- Lewitt, Sol --- Minimal art - Exhibitions --- Conceptual art - Exhibitions --- LeWitt, Sol, - 1928-2007 - Exhibitions --- Exhibitions. --- Interviews. --- LeWitt, Sol, - 1928-2007 --- LeWitt, Sol --- Art, Modern --- Art, American
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Un examen des relations entre le cinéma, la vidéo, la technologie et l'art, en particulier des influences réciproques entre art conceptuel et cinéma expérimental. Basée sur l'exposition éponyme organisée à Berlin en 2006, cette publication constitue un recueil autonome de textes et d'images. Projet artistiques, lectures et performances d'artistes internationaux, proposés pour l'exposition et prolongés pour cette publication, sont rassemblés aux côtés d'images de films expérimentaux issus des archives de la Freunde der Deutschen Kinemathek de Berlin. Les interventions des auteurs et des artistes constituent un examen collectif des multiples dimensions sémantiques, critiques, technologiques, sociales et psychologiques de l'art conceptuel et du cinéma expérimental.Œuvres de Stephanie Taylor, Sebestyén Kodolányi, Sebastian Lütgert, Henrik Olesen, Mathias Poledna, Sean Snyder, Daria Martin, Kirsten Pieroth, Martin Ebner, Florian Zeyfang, Anthony Balch, Len Lye, Carolee Schneeman, Bruce Conner, Harry Smith, Joyce Wieland, George Landow, Marie Menken, Ken Jacobs, Rober Breer, Emile Cohl... The third manifestation of a project visualised earlier through an exhibition in Vienna (Kunsthalle Exnergasse, 2004) and an exhibition with screenings and performances in Berlin (Arsenal - Institute for Film and Video Art, 2006).
Technology in art --- Experimental films --- Conceptual art --- Kunsthalle Exnergasse (Vienna, Austria) --- Arsenal, Institut für Film und Videokunst --- Cinéma expérimental --- Art conceptuel --- Technologie et art --- Exhibitions --- Technology in art - Exhibitions --- Experimental films - Exhibitions --- Conceptual art - Exhibitions --- Arsenal, Institut für Film und Videokunst
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Rapports et différences entre l'image et le mot ou le texte, à travers l'oeuvre photographique. Les deux concepts expriment-ils la même idée ou des idées différentes, montrent-ils les mêmes choses.
Conceptual art --- Communication in art --- Words in art --- Art conceptuel --- Communication dans l'art --- Mots dans l'art --- Exhibitions. --- Expositions --- Art --- Art contemporain --- Ecriture --- Langage --- Photographie --- Sémiologie de l'image --- Vidéo art --- Jean-Luc Nancy, Régis Durand, Savine Faupin [et al.] --- kunst --- twintigste eeuw --- woord en beeld --- kunst en poëzie --- fotografie --- literatuur --- kunst en literatuur --- 7.01 --- 7.038 --- Artistic communication --- Conceptual art - Exhibitions --- Communication in art - Exhibitions --- Words in art - Exhibitions
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Monographie consacrée au sculpteur Erwin Wurm qui fait évoluer la sculpture du monde de l'objet au monde de la video et de la photographie. Il introduit ainsi dans d'autres mEdias,de nouveaux paramètres tels la gravitation, le poids, l'équilibre, la forme... propres à la sculpture
Drawing --- performance art --- Sculpture --- furniture making --- installations [visual works] --- art [fine art] --- textile materials --- drawing [image-making] --- photography [process] --- outdoor sculpture --- Iconography --- sculpting --- Art --- Wurm, Erwin --- anno 1900-1999 --- anno 2000-2099 --- Austria --- Sculpture, Austrian --- Wurm, Erwin, --- Art contemporain --- Photographie --- Vidéo --- Installations (Art) --- Conceptual art --- Installations (Art) - Exhibitions --- Conceptual art - Exhibitions --- Sculpture, Austrian - 20th century - Exhibitions --- Wurm, Erwin, - 1954- - Exhibitions --- Wurm, Erwin, - 1954 --- -Iconography --- art [discipline] --- -Art contemporain --- Wurm, Erwin, - 1954-
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Cette publication est un aperçu de la pratique de Pierre Huyghe au cours des dix dernières années: «L'hôte et le nuage» (2009-2010) s'est déroulé dans un ancien musée parisien; «Untilled» (2012) a été développé lors de la documenta (13); 'After ALife Ahead' (2017) a été conçu dans une patinoire désaffectée dans le cadre de Skulptur Projekte Münster; 'UUmwelt' (2018), qui a été installé d'abord aux Serpentine Galleries de Londres, puis à Luma Arles, est l'aboutissement d'une approche révolutionnaire des expositions. Une conversation entre Hans Ulrich Obrist et un essai de Dorothea von Hantelmann offrent une discussion complète de cette période. Des dessins, des diagrammes, des plans, du texte et des images de référence, des photographies et des photos de films s'ajoutent à plus de 400 pages et en font un ouvrage de référence important. This publication is a survey of Pierre Huyghe's practice from the last ten years: "The Host and the Cloud" (20092010 took place in a former museum in Paris; "Untilled" (2012 was developped during documenta (13; "After ALife Ahead" (2017 was conceived in a disused ice rink as part of Skulptur Projekte Münster; "UUmwelt" (2018 which was installed first at the Serpentine Galleries in London and later at Luma Arles is the culmination of a groundbreaking approach to exhibitions A conversation between Hans Ulrich Obrist and an essay by Dorothea von Hantelmann offer a comprehensive discussion of this period Drawings diagrams plans text and reference images photographs and film stills add to over 400 pages and make this an important reference book Publisher.
kunst --- eenentwintigste eeuw --- performances --- performance art --- installaties --- video --- videoinstallaties --- Frankrijk --- 7.071 HUYGHE --- Diagram --- Installation --- Kunst --- Skulptur --- Zeichnung --- Zeitgenössische Kunst --- (VLB-WN)1583: Hardcover, Softcover / Kunst/Bildende Kunst --- Huyghe, Pierre --- Conceptual art --- Art, Modern --- Art --- Exhibitions --- Exhibition techniques --- Huyghe, Pierre, --- Conceptual art - Exhibitions --- Art, Modern - 21st century --- Art - Exhibition techniques --- Huyghe, Pierre - 1962 --- -Huyghe, Pierre, - 1962- - Exhibitions --- Huyghe, Pierre, - 1962- - Interviews --- -Huyghe, Pierre, - 1962 --- -kunst --- -Conceptual art --- -Huyghe, Pierre --- -Huyghe, Pierre, - 1962-
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Contents:##- The unfixed photograph / Matthew S. Witkovsky##- Across the universe / Mark Godfrey##- Uninteresting pictures: photography and fact at the end of the 1960s / Joshua Shannon##- Hazarded into the blue: John Baldessari and photography in the early 1970s / Robin Kelsey##- Rona Barrett's Hollywood / Allen Ruppersberg##- Art is the copy of art: Italian photography in and after arte povera / Giuliano Sergio##- Reconfiguring representation: mechanical reproduction and the human figure in conceptual art / Anne Rorimer.
artistieke fotografie --- photography [process] --- Conceptual --- Photography --- conceptuele kunst --- Conceptual art --- Photography, Artistic --- Art and photography --- kunst --- fotografie --- kunst en fotografie --- concept art --- kunstenaarsboeken --- artists' books --- Verenigde Staten --- twintigste eeuw --- Ruscha Ed --- LeWitt Sol --- Bochner Mel --- Dibbets Jan --- Snow Michael --- Wallace Ian --- Nauman Bruce --- Paolini Giulio --- Broodthaers Marcel --- Baldessari John --- van Elk Ger --- Acconci Vito --- Heizer Michael --- Matta-Clark Gordon --- Burgin Victor --- Rosler Martha --- Huebler Douglas --- Sekula Allan --- Kawara On --- Shore Stephen --- Antin Eleanor --- Boetti Alighiero --- Attalai Gabor --- Smithson Robert --- Baumgarten Lothar --- Winogrand Garry --- Celmins Vija --- Klein William --- Clemente Francesco --- Ader Bas Jan --- Maurer Dora --- Polke Sigmar --- Sikora Rudolf --- Kiefer Anselm --- Barry Robert --- Denes Agnes --- Kosuth Joseph --- Anselmo Giovanni --- Becher Bernd & Hilla --- Wall Jeff --- Baxter Iain --- N.E. Thing Co. --- Klein Yves --- Ruppersberg Allen --- Manzoni Piero --- Prini Emilio --- Vaccari Francesco --- Mulas Ugo --- Zorio Gilberto --- Oppenheim Dennis --- Wegman William --- Conrad Tony --- Boltanski Christian --- Wilson Martha Story --- Feldmann Hans-Peter --- Anderson Laurie --- Messager Annette --- Gilbert & George --- Piper Adrian --- Graham Dan --- Salvo --- Mangione Salvatore --- Penone Giuseppe --- Export Valie --- Dimitrijevic Braco --- Nemetschek Peter --- Haacke Hans --- 7.038 --- Exhibitions --- History --- N.E. Thing Co --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Arte Povera --- conceptual artists --- LeWitt, Sol --- Penone, Giuseppe --- Ruscha, Ed --- Acconci, Vito --- Bochner, Mel --- Nauman, Bruce --- Baldessari, John --- anno 1960-1969 --- anno 1970-1979 --- Conceptual art - Exhibitions --- Photography, Artistic - Exhibitions --- Art and photography - Exhibitions
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