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Do you sigh in frustration when your computer shows a blank screen for no apparent reason? Are you tired of waiting for your husband to install that wireless network? Have you felt belittled by the sales guy at your local tech emporium? Well, you're not alone.In How to Be a Geek Goddess , author Christina Tynan-Wood shares the expertise she gained while writing for magazines like PC World and PC Magazine but keeps the book light and conversational. Like advice from the geek girlfriends you always wished you had, the book explains topics in a way you'll understand: No patronizing guy bluster, u
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Information society --- Digital divide --- Computers and women
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Au début des années 1980, les premiers ordinateurs firent leur apparition, toute une génération de personnes a appris à les utiliser en auto-apprentissage ou a fait appel à de brefs cours de formation. Mais que savons-nous de leur expérience, souvent positive ? Ce livre explore, dans le récit d'un groupe de femmes et d'hommes, les disparités individuelles et le rôle que joue le genre, appréhendé en tant que système hiérarchisant de normes de sexe, dans la relation à l'ordinateur.
Computer science --- Sex differences. --- Computers and women. --- Social aspects.
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Computers and women --- Internet and women --- Internet --- Social aspects
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For over a dozen years, the Vectors Lab has experimented with digital scholarship through its online publication, Vectors, and through Scalar, a multimedia authoring platform. The history of this software lab intersects a much longer tale about computation in the humanities, as well as tensions about the role of theory in related projects. Tara McPherson considers debates around the role of cultural theory within the digital humanities and addresses Gary Hall’s claim that the goals of critical theory and of quantitative or computational analysis may be irreconcilable (or at the very least require “far more time and care”). She then asks what it might mean to design—from conception—digital tools and applications that emerge from contextual concerns of cultural theory and, in particular, from a feminist concern for difference. This path leads back to the Vectors Lab and its ongoing efforts at the intersection of theory and praxis.
Computer software --- Computers and women. --- Digital humanities. --- Development.
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For over a dozen years, the Vectors Lab has experimented with digital scholarship through its online publication, Vectors, and through Scalar, a multimedia authoring platform. The history of this software lab intersects a much longer tale about computation in the humanities, as well as tensions about the role of theory in related projects. Tara McPherson considers debates around the role of cultural theory within the digital humanities and addresses Gary Hall’s claim that the goals of critical theory and of quantitative or computational analysis may be irreconcilable (or at the very least require “far more time and care”). She then asks what it might mean to design—from conception—digital tools and applications that emerge from contextual concerns of cultural theory and, in particular, from a feminist concern for difference. This path leads back to the Vectors Lab and its ongoing efforts at the intersection of theory and praxis.
Computer software --- Computers and women. --- Digital humanities. --- Development.
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Foreword Preface 1. Some background 2. IT professionals 2.1 Entrepreneurs 3. Academics 4. An interview with Karen Spaerck-Jones 5. Useful links.
Computers and women. --- Computer industry --- Women employees. --- Employees.
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Computer literacy --- Computers and women. --- Women in education. --- Women --- Sex differences. --- Effect of automation on.
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