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Year: 2021 Publisher: Lüneburg, Germany : Meson Press,
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How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of ?creative AI.? It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital.
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Year: 2021 Publisher: Lüneburg, Germany : Meson Press,
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How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of ?creative AI.? It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital.
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ISBN: 9789619219287 9619219287 Year: 2015 Publisher: Ljubljana : Clichy : Aksioma - Institute for Contemporary Art ; Pavillon Vendôme Art Center,
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ISBN: 9791096155101 Year: 2018 Publisher: Paris : Nevers : Poptronics ; Tombolo Presses,
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Year: 2018 Publisher: Berlin, [Germany] ; Boston, [Massachusetts] : De Gruyter,
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2018 sind die Künstlerin Elisa Rose & der Musiker Gary Danner mit STATION ROSE/STR 30 Jahre im Bereich Digital Art tätig. In der Zeit erfolgte die Transformation einer rein analogen zu einer neuen, untrennbar verschmolzenen digital-analogen Welt. Schon 1988 postulierte STR: „Der Ausgang dieser Geschichte findet überall statt". Er findet nun tatsächlich überall statt: die Welt ist für immer vernetzt und überwacht, transparenter, aber auch kontrollierter. Wie haben Kunst und Musik sich verändert? Zu "30.0" entfaltet STR, nach Jahren im Ausland nun wieder in Wien, ihre Themen der letzten Jahre: Ausstellungen, Installationen, Performances, das Netz, die Natur, Kompositionen, TV- & Radio-Produktionen. STATION ROSE 30.0 enthält AUGMENTED REALITY. Mit Texten von Angela Stief, Katharina Gsöllpointner, Nate Hitchcock, Lucas Gehrmann u.a. In 2018, the artist Elisa Rose and the musician Gary Danner will have been involved in digital art for 30 years as STATION ROSE/STR. During that time, there was a transformation from a purely analog to a new, irretrievably interwoven digital/analog world. Back in 1988, STR posited: "The outcome of this history will take place everywhere". Now it really is taking place everywhere – the world is permanently networked and monitored, it is more transparent, but also more controlled. How have art and music changed? On the subject of "30.0", STR – who for years were abroad and are now back in Vienna – unfold their topics of recent years: exhibitions, installations, performances, the Net, nature, compositions, TV and radio productions. STATION ROSE 30.0 is an AUGMENTED BOOK and contains texts by Angela Stief, Katharina Gsöllpointner, Nate Hitchcock, Lucas Gehrmann, and others.
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Year: 2016 Publisher: London, [England] : Hodder Education,
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Year: 2021 Publisher: Lüneburg, Germany : Meson Press,
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How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of ?creative AI.? It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital.
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ISBN: 0070508941 0070508992 Year: 1984 Publisher: New York McGraw-Hill
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