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This book is an innovative contribution to Alexander Scriabin (1872-1915) studies, covering aspects of Scriabin's life, personality, beliefs, training, creative output, as well as his interaction with contemporary Russian culture. It offers new and original research from leading and upcoming Russian music scholars. Key Scriabin topics such as mysticism, philosophy, music theory, contemporary aesthetics, and composition processes are covered. Musical coverage spans the composer's early, middle and late period. All main repertoire is being discussed: the piano miniatures and sonatas as well as the symphonies. In more detail, chapters consider: Scriabin's part in early twentieth-century Russia's cultural climate; how Scriabin moved from early pastiche to a style much more original; the influence of music theory on Scriabin's idiosyncratic style; the changing contexts of Scriabin performances; new aspects of reception studies. Further chapters offer: a critical understanding of how Scriabin's writings sit within the traditions of Mysticism as well as French and Russian Symbolism; a new investigation into his creative compositional process; miniaturism and its wider context; a new reading of the composer's mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic 'tonal function' of Scriabin's late works, as well as self-regulating structures in the composer's music.
Scriabin, Aleksandr Nikolayevich, --- Criticism and interpretation. --- MUSIC / Instruction & Study / Composition. --- Alexander Scriabin. --- Compositional Process. --- Legacy. --- Music Analysis. --- Music Theory. --- Musicology. --- Mysticism. --- Russian Composer. --- Synaesthesia.
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An engagement with the huge growth in neomedievalism forms the core of this volume, with other essays testing its conclusions. The focus on neomedievalism at the 2007 International Conference on Medievalism, in ever more sessions at the annual International Congress on Medieval Studies, and by many recent or forthcoming publications has left little doubtof the importance of this new, provocative area of study. In response to a seminal essay defining medievalism in relationship to neomedievalism [published in volume 18 of this journal], this book begins with seven essays definingneomedievalism in relationship to medievalism. Their positions are then tested by five articles, whose subjects range from modern American manifestations of Byzantine art, to the Vietnam War as refracted through non-heterosexual implications in the 1976 movie Robin and Marian, and versions of abjection in recent Beowulf films. Theory and practice are thus juxtaposed in a volume that is certain to fuel a central debate in not one but two of the fastest growing areas of academia. Contributors: Amy S. Kaufman, Brent Moberley, Kevin Moberley, Lesley Coote, Cory Lowell Grewell, M.J. Toswell, E.L. Risden, Lauryn S. Mayer, Glenn Peers, Tison Pugh, David W. Marshall,Richard H. Osberg, Richard Utz
Medievalism. --- History. --- Civilization, Medieval --- Middle Ages --- Amy S. Kaufman. --- Beowulf films. --- Byzantine art. --- Cory Lowell Grewell. --- Early Modern court. --- Kevin Moberley. --- Lesley Coote. --- M.J. Toswell. --- Neomedievalism. --- Vietnam War. --- compositional process. --- modern American manifestations. --- source studies.
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This pathbreaking study reveals Purcell's extensive use of symmetry and reversal in his much-loved trio sonatas, and shows how these hidden structural processes make his music multilayered and appealing.
MUSIC --- Genres & Styles --- Classical. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Sonata. --- Purcell, Henry, --- Sonata --- Sonatas --- Sonatina --- Musical form --- History and criticism --- Trio sonata --- Chamber music --- Music --- Baroque. --- Chiasmus. --- Commutatio. --- Composition. --- Compositional Process. --- Consort. --- Counterpoint. --- Creativity. --- English Music. --- Fugue. --- Ground Bass. --- Music Analysis. --- Palindrome. --- Proportions. --- Purcell. --- Restoration. --- Rhetoric. --- Symmetry. --- Trio Sonatas.
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William Lawes is arguably one of the finest English composers of the early seventeenth century. Born in Salisbury in 1602, he rose to prominence in the early 1630s; in 1635 he gained a prestigious post among the elite private musicians of Charles I (the 'Lutes, Viols and Voices'). With the outbreak of civil war in 1642, Lawes took arms in support of the king; he died during the Siege of Chester in September 1645. This book is divided into three sections. The first is a contextual examination of music at the court of Charles I, with specific reference to the arcane group of musicians known as the 'Lutes, Viols and Voices'; much of Lawes's surviving consort music appears to have been written for performance of this group. The remainder of the book deals with William Lawes the composer. The second section is a detailed study of Lawes's autograph sources: the first of its kind. It includes 62 black and white facsimile images, and complete inventories of all the autographs, and presents ground-breaking new research into Lawes's scribal hand, the sources and their functions, and new evidence for their chronology. The third section comprises six chapters on Lawes's consort music; in these chapters various topics are examined, such as chronology, Lawes's compositional process, and the relationship between Lawes's music and the court context from which it arose. This book will be of interest to scholars working on English music in the Early Modern period, but also to those interested in source studies, compositional process and the function of music in the Early Modern court.
Chamber music --- Music --- History and criticism --- Lawes, William, --- History and criticism. --- Criticism and interpretation. --- Charles I. --- Early Modern court. --- Early Modern period. --- English composer. --- English music. --- JOHN CUNNINGHAM. --- Lutes, Viols and Voices. --- Siege of Chester. --- William Lawes. --- civil war. --- compositional process. --- seventeenth century. --- source studies.
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