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Book
The Rubato Composer music software : component-based implementation of a functorial concept architecture
Authors: --- ---
ISBN: 3642101178 3642001475 9786612128486 1282128485 3642001483 Year: 2009 Publisher: Berlin ; London : Springer,

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Abstract

Both modern mathematical music theory and computer science are strongly influenced by the theory of categories and functors. One outcome of this research is the data format of denotators, which is based on set-valued presheaves over the category of modules and diaffine homomorphisms. The functorial approach of denotators deals with generalized points in the form of arrows and allows the construction of a universal concept architecture. This architecture is ideal for handling all aspects of music, especially for the analysis and composition of highly abstract musical works. This book presents an introduction to the theory of module categories and the theory of denotators, as well as the design of a software system, called Rubato Composer, which is an implementation of the category-theoretic concept framework. The application is written in portable Java and relies on plug-in components, so-called rubettes, which may be combined in data flow networks for the generation and manipulation of denotators. The Rubato Composer system is open to arbitrary extension and is freely available under the GPL license. It allows the developer to build specialized rubettes for tasks that are of interest to composers, who in turn combine them to create music. It equally serves music theorists, who use them to extract information from and manipulate musical structures. They may even develop new theories by experimenting with the many parameters that are at their disposal thanks to the increased flexibility of the functorial concept architecture. Two contributed chapters by Guerino Mazzola and Florian Thalmann illustrate the application of the theory as well as the software in the development of compositional tools and the creation of a musical work with the help of the Rubato framework.

Keywords

Composition (Music) -- Computer programs. --- Composition (Music) -- Data processing. --- Rubato Composer (Computer file). --- Music Instruction & Study --- Music --- Music, Dance, Drama & Film --- Composition (Music) --- Computer programs. --- Data processing. --- Rubato Composer (Computer file) --- Composing (Music) --- Music composing --- Music composition --- Musical composition --- Composition --- Rubato (Computer file) --- Mathematics. --- Music. --- Application software. --- Multimedia systems. --- Category theory (Mathematics). --- Homological algebra. --- Computer mathematics. --- Computational Science and Engineering. --- Computer Appl. in Arts and Humanities. --- Media Design. --- Category Theory, Homological Algebra. --- Concertante style --- Computer science. --- Information systems. --- Algebra. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Mathematics --- Mathematical analysis --- Informatics --- Science --- Multimedia systems . --- Homological algebra --- Algebra, Abstract --- Homology theory --- Computer mathematics --- Electronic data processing --- Category theory (Mathematics) --- Algebra, Homological --- Algebra, Universal --- Group theory --- Logic, Symbolic and mathematical --- Topology --- Functor theory --- Computer-based multimedia information systems --- Multimedia computing --- Multimedia information systems --- Multimedia knowledge systems --- Information storage and retrieval systems --- Application computer programs --- Application computer software --- Applications software --- Apps (Computer software) --- Computer software


Book
Musical Creativity : Strategies and Tools in Composition and Improvisation
Authors: --- ---
ISBN: 3642245161 364224517X Year: 2011 Publisher: Berlin, Heidelberg : Springer Berlin Heidelberg : Imprint: Springer,

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Abstract

This book represents a new approach to musical creativity, dealing with the semiotics, mathematical principles, and software for creativity processes. After a thorough introduction, the book offers a first practical part with a detailed tutorial for students in composition and improvisation, using musical instruments and music software. The second, theoretical part deals with historical, actual, and new principles of creative processes in music, based on the results and methods developed in the first author’s book Topos of Music and referring to semiotics, predicative objects, topos theory, and object-oriented concept architectures. The third part of the book details four case studies in musical creativity, including an analysis of the six variations of Beethoven's sonata op. 109, a discussion of the creative process in a CD coproduced in 2011 by the first and second authors, a recomposition of Boulez’s "Structures pour deux pianos" using the Rubato software module BigBang developed by the third author, and the Escher theorem from mathematical gesture theory in music. This is both a textbook addressed to undergraduate and graduate students of music composition and improvisation, and also a state-of-the-art survey addressed to researchers in creativity studies and music technology. The book contains summaries and end-of-chapter questions, and the authors have used the book as the main reference to teach an undergraduate creativity studies program and also to teach composition. The text is supported throughout with musical score examples.

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