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Chaos bound, orderly disorder in contemporary literature and science
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ISBN: 0801497019 9781501722950 1501722956 0801422620 9780801422621 9780801497018 1501722964 1501727923 Year: 1990 Publisher: Ithaca, N.Y. Cornell University Press

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N. Katherine Hayles here investigates parallels between contemporary literature and critical theory and the science of chaos. She finds in both scientific and literary discourse new interpretations of chaos, which is seen no longer as disorder but as a locus of maximum information and complexity. She examines structures and themes of disorder in The Education of Henry Adams, Doris Lessing's Golden Notebook, and works by Stanislaw Lem. Hayles shows how the writings of poststructuralist theorists including Barthes, Lyotard, Derrida, Serres, and de Man incorporate central features of chaos theory.


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Literary texts as nonlinear patterns : a chaotics reading of Rainforest, Transparent things, Travesty, and Tristram Shandy
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ISBN: 9173463434 9789173463430 Year: 1999 Volume: 75 Publisher: Göteborg Acta universitatis Gothoburgensis

The taste for nothingness : a study of virtus and related themes in Lucan's Bellum civile.
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ISBN: 0472113100 Year: 2003 Publisher: Ann Arbor University of Michigan press

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Lucan, the young and doomed epic poet of the Age of Nero, is represented by only one surviving work, the Bellum Civile, which takes as its theme the civil war that destroyed the Roman Republic. An epic unlike any other, it rejects point by point the aesthetics of Vergil's Aeneid and describes a society and a cosmos plunged into anarchy. Language was a casualty of this anarchy. All terminological certitudes were lost, including those that traditionally attach to the Latin word virtus: heroism on the battlefield, rectitude in the conduct of life. The Taste for Nothingness traces Lucan's own analytical method by showing how virtus and related concepts operate--or rather, fail to operate--in Lucan's appropriations and distortions of the traditional epic-battle narrative in the philosophical commitment of Cato the Younger and in the personalities of the two antagonists, Pompey and Caesar. Much recent scholarship has reached a consensus that Lucan's literary method is mimetic, that his belief in a chaotic cosmos produces a poetics of chaos. While accepting many of the recent findings about Lucan's view of language and the universe, The Taste for Nothingness also allows an even bolder Lucan to emerge: a committed aesthete who regards art as the only realm in which order is possible. Robert Sklenar is Visiting Assistant Professor of Classical Studies, Tulane University.

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